Comparing Hamlet, Forrest Gump, Harold And Maude

His mother and his uncle have married after only 2 months of Hamlet’s father’s death. This has caused Hamlet to be in a heavy state of anger, mixed with his already deep state of mourning. According to Theodore Lidz, these two states can lead to one thinking back on all the negative wishes one may have had in the past. Considering Hamlet’s relatively young age, death wishes upon a parent are not serious but they are common among children. “…and as most, if not all, children have sometimes had death wishes toward a parent, guilt over such wishes can become intense when the parent dies.” (Lidz 48) All of these emotions mixed together so early in the play could lead to a sense of depression.

In this play “Hamlet” written by William Shakespeare, there are many soliloquies that are said by Hamlet to depict various meanings of his thoughts, feelings, and actions that are inside of him. More specifically the soliloquy in Act 3, Scene 1, in lines 57-91 starts off with the famous saying known as “To be, or not to be”. Throughout this soliloquy, Hamlet is asking himself the question of whether it is better to live or not to live. In life, we are faced with many situations where we feel the need to give up our life and not face the problems. Only by facing all the troubles, will a person become stronger and more courageous to handle anything in life. By believing in one’s self, can man have the courage to follow what they think is right. Killing yourself or giving up is never a solution in life. This soliloquy reveals Hamlet’s fearful personality by showing that his decision-making process is slow and that he fears risks or uncertainty. These character traits are depicted thoroughly by Hamlet throughout the play.

Hamlet is strongly held by archetypes that can be revealed throughout the play. Death, itself, is a very strong archetype in the story exploring the social beliefs in that era; superstitions and societies loyalty to religion. Throughout the play, Hamlet experiences his main trifles over the concept of death. Reviewing the murder of his father and the task given to him to kill his uncle, Hamlet becomes fascinated with the idea of existence and afterlife.As a whole, Hamlet is primarily concerned with exploring the individual's relationship with death in which our fear of death comes from the notion that there must be something else, eliminating the fact that we can't ever know for sure if there is. This idea is explored in Hamlet’s “to be or not to be” soliloquy, which questions the righteousness of life over death in moral terms. When Hamlet utters the pained question, “to be, or not to be: that is the question / Whether ‘tis nobler in the mind to suffer / The slings and arrows of outrageous fortune / Or to take arms against a sea of troubles” (Act 3, Scene 1 59-61) there is little doubt that he is thinking of death. Although he attempts to pose such a question in a rational and logical way, he is still left without an answer of whether the “slings and arrows of outrageous fortune” can be eliminated since life after death seems so uncertain. All of this mirrors aspects of human nature as man has always questioned the meaning of life and the events that occur after. Theoretically, one will never understand the full nature of our

Based on the play of Hamlet by William Shakespeare, suicide is the most prevalent and important themes in Hamlet. Hamlet always asks himself for the reason to stay alive. Even though he always thinks that there is no reason for him to stay alive, however he always chooses to stay. The first reason Hamlet seems to contemplate suicide is because his life is contaminated by sins and revenge. The other reason he is thinking about suicide is because he is young and immature. Young adults usually look for escapes when they become angry with things. There are many instances where Hamlet contemplating suicide and he treats the idea of suicide morally, religiously, and aesthetically, with particular attention to Hamlet’s two important statements about suicide: the “O, that this too too solid flesh would melt” soliloquy (I.ii.129–158) and the “To be, or not to be” soliloquy (III.i.56–88).

In act 3 scene 1 of William Shakespeare “Hamlet” the main protagonist, Hamlet, recites a soliloquy “To be, or not to be.” Throughout his lines Hamlet explains the concept of suicide and why people choose to live long lives instead of ending their suffering. The main point he speaks on is the mystery of one’s afterlife, they never know for sure what happens when they die. For this reason, his speech does a good job highlighting the plays underlying themes of pervasiveness of death, and tragic dilemma, and tragic flaws.

Hamlet continues on and almost complains on the state of the world, calling it stale, flat, and unprofitable, showing how truly miserable he is. Hamlet considers suicide as a possible option of escape from his life in a painful world, but feels as though religion is preventing him from doing so. Hamlet then provides us with the roots for his pain and the reason for his contemplation of suicide. Hamlet is is troubled by his mothers marriage to Claudius, but especially how quickly the two were married after his father's death. He continues to express his dislike and hatred for Claudius calling him a satyr, while praising his father and saying how excellent of a king his father was. In one of the final lines of the soliloquy Hamlet comments on how the marriage is a bad omen for Denmark, "It is not, nor it cannot come to good," (I. ii. 163). For the first time we are introduced to the idea of suicide which will continue to present itself as the play develops.

Next, in one of the most famous soliloquies in the English language, Hamlet again contemplates the subject of suicide, but he does not do so on impulses of emotion. Instead, his contemplation is based on reason. “To be or not to be, that is the question: whether ‘tis nobler in the mind to suffer outrageous fortune…or end them. To die, to sleep- no more- and by a sleep to say we end the heartache…’Tis a consummation devoutly to be wished. For who would bear the whips and scorns of time…who would fardels bear, to grunt and sweat under a weary life, but that the dread of something after death, the undiscovered country from whose bourn no traveler

Hamlet continuously throughout the play not only self-deprecates himself, but he also talks about committing suicide and the reasons he has for and against it. Hamlet self-deprecates for multiple reasons consisting of: Claudius killing his father, Gertrude marrying her husband’s brother after his death, his complications with Ophelia, and his very own insanity. From Hamlet’s self-deprecating tendencies, it is evident that he is not only depressed, but suicidal. Hamlet has many things going on in his life, and to him, he doesn’t know if his life is even worth living. Hamlet states, “To be or not to be? That is the question…Be all sins remembered.” (3.1.57-91), meaning that Hamlet really couldn’t care less what happens anymore. Hamlet summarizes the pros and cons to suicide, and he questions what he should do. He does this because he has changed – primarily his personality – and the events occurring around him are

Hamlets contemplation of ending his life shows an inward conflict within himself. In his first soliloquy, he debates whether he should commit suicide. "To be, or not to be- / that is the question: / whether 'tis nobler in the mind to suffer/ the slings and arrows of outrageous fortune, / or to take arms against a sea of troubles and by opposing, end them" (3.1. lines 64-68 Shakespeare). He questions why he should live with all of this chaos but overcomes this internal conflict because he acknowledges that in his religion suicide is a sin. “O, that this too, too sullied flesh would melt, / Thaw, and resolve itself into a dew, / or that the everlasting had not fixed His canon 'gainst (self-slaughter). O God! God!” (1.2. lines 133-136 Shakespeare). This soliloquy signifies the reality of Hamlet s internal conflict and also shows the reality of his external conflict with the society he is surrounded by. This declamation establishes

Hamlet was so obsessed with his lack of action and the worthlessness of life that he contemplates suicide asking, "For who could bear the whips and scorns of time" ( III. i. 69-70). He believes he would be foolish to suffer through his life when he will simply be

In Hamlet’s famous soliloquy, he contemplates for a while whether to commit suicide. Hamlet’s unhappiness is caused by the people around him. His mother’s actions of marrying her brother-in-law made Hamlet extremely frustrated drawing him out of the right mental state. Meanwhile, his view of his father is godlike, but he distrusts the Ghost enough to think about killing himself instead of pursuing the Ghost’s request. In Hamlet’s famous soliloquy, “to be, or not to be;” he contemplates (3.1). “The Everlasting had not fixed, His cannon ‘gainst self-slaughter!” (1.2). He is uncertain if things would be any better in the afterlife if he were to end his life. Hamlet’s hesitancy, especially concerning suicide, is the cause of his realistic and frightened nature. In this situation, his indecisiveness saves his life, but it also does not allow him to find another solution. Concluding, in his soliloquy he would rather

In his soliloquy, Hamlet contemplates committing suicide as he says, “to be or not to be – that is the question” (3.1.56) – which roughly means ‘to exist or not to exist”. Hamlet is angry at his mother for marrying so soon after the death of his father and asks whether it is better to “suffer [in the mind] // The slings and arrows of outrageous fortune, // Or to take arms against a sea of troubles // And, by opposing, end them” (3.1.65-68). Essentially, Hamlet is questioning whether he should endure the pain of watching his mother marry again, so soon after the death of his father, or to end his life and no longer feel that pain. Hamlet compares death to sleep, implying that dying is just as easy as sleeping. But Hamlet fears “what dreams may come” (3.1.65) will be nightmares that last forever.

Hamlet also believes that people refrain from suicide since it is inconclusive whether living or dying is nobler. Hamlet has this exact thought asking, “ Whether tis nobler in the mind to suffer the slings and arrows of outrageous fortune. Or to take arms against a sea of troubles and by opposing end them” (III, I, 57-60). Hamlet does not know if it is nobler to continue to suffer through all that life throws your way or if it is nobler to fight and end the suffering. If it were known which was nobler it would have a major impact on Hamlet's decision around suicide (that is since he contemplated this

Hamlet says, “To be, or not to be – that is the question: Whether ‘tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles And by opposing them”. These lines are the opening to one of Hamlet’s soliloquies. In fact, these lines are possibly the most famous lines in English literature, but do people know what Hamlet meant by these lines. Hamlet is more than just contemplating suicide, he is also thinking about death and how to combat his pain. As he spoke those lines, he believes suicide is a way to get out of his pain.

Hamlet is continuously mentioning his mother’s new marriage in demeaning terms and through various puns including mentioning how he is “too much in the sun” (Act I Scene II Line 69) a pun on how he is a son to his father and mother and now to his uncle. He also is baffled that his mother “within a month… married with my uncle” (Act I Scene II Line 149, 155) however this was all of his thought process and he is not taking any action against anyone other than through his words. However when he debates taking his own life, he weighs the options and decides if the threat of the unknown “makes us rather bear those ills we have” (Act III Scene I Line 89) which shows the possibility of acting on his thoughts but in this moment he will not. He begins to act when he decides to write the play to break Claudius; he even remarks that he wants to catch Claudius’s “occulted guilt” (Act III Scene II Line 85) through the play’s underlying meaning. When Hamlet walks in and