“The Fall of the House of Usher” and “Young Goodman Brown” both embody specific characteristics of a Gothic short story. Throughout both short stories, the authors incorporated certain conventions to give each reader a Gothic experience. In Edgar Allen Poe’s work, he included lifeless landscape, mysterious characters and elements of the supernatural, to try to reveal the state of the Usher household. In Nathaniel Hawthorne’s short story, he utilized nature, elements of the sublime and involved a gothic tyrant, to portray the journey Goodman Brown embraced. It is evident that these short stories are iconic when considering the true meaning of Gothic fiction. The foreboding settings in both stories contribute to how each character is shaped …show more content…
In the first few lines of the story, Poe describes the setting as, “During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens”. Even before the characters are revealed, readers can sense that darkness will succumb the “melancholy House of Usher”. The story’s vagueness, which is part of the horror, leaves no indication in which the house and its residents lie. We do not know when or where the narrator arrived, but we do know that the narrator seems to be all alone. The mystery behind the house and its family is one of the many elements Poe uses to make his readers use their imagination. “But, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit”. In this particular line, Poe is foreshadowing the dissolution of their family structure. Nothing but pure terror and elements of the supernatural happen within the walls of the Usher home. The setting of Poe’s short story reflects the environment of the estate. “No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones”. To readers, the house could have seemed stable at first. But, although the house seemed stable, it was slowly but surely crumbling. The eeriness amongst the house and the unsettling and ghostly atmosphere helps explain each character and better interpret their puzzling
As he runs away from the crumbling building, he steps into the brightness of the day, leaving behind all the gloom and death that surrounded the Usher family (Poe). This shows how the story isn't just about death and darkness, it's also about rebirth and starting over. Poe uses the structure of the house and its deeper meanings to talk about how life can come from death, and how things can change for the better, even after the darkest times. The Fall of the House of Usher explores the concept of death through the crumbling mansion and mentally struggling
In both, Nathanial Hawthorne’s “Young Goodman Brown” and Edgar Allen Poe’s “The Fall of the House of Usher” the protagonists, Young Goodman Brown and the narrator experience a journey into the subconscious. Both stories have an overlap that blurs the boundaries of reality and fantasy. It is truly the supernatural aspects of these two stories that force the protagonists and the reader to delve into the realm of the subconscious and to scrutinize good versus evil and real versus imaginary.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.
While reading “Young Goodman Brown” by Nathaniel Hawthorne, I couldn’t help but feel a constant overwhelming sense of dread. The root of this could have come from the story’s dark setting deep within an “haunted forest” or from Brown’s mysterious “Devil”-esque companion. While I read, another story came into my mind; the story of the “Fall of the House of Usher” by Edgar Allan Poe. In Poe’s tale the same heart pounding emotion can be felt as he describes the reunion of two friends within “the House of Usher.” With the manors “eye-like windows” and “sorrowful impression,” Poe wastes no time in setting the Gothic mood. Through their distinct writing styles Hawthorne and Poe establish a common Gothic theme within their stories.
Familial relationships enhance unity and trust and other important values that we may use in our daily lives. Within society, family is highly important, which may be the reason why Edgar Allan Poe decided to symbolize it through the aspect of the House. One could say; the passage depicts the idea that looks can be deceiving, especially when it comes to family. In regard to the hidden depths in Poe’s story, The Fall of the House of Usher, it is evident that in theory the house of Usher is in fact a visual representation of the family. The passage appears near the beginning of the story. It also in detail describes the appearance of the House of Usher. The narrator first saw the masonry through what he thought was antiquity, but in closely evaluating
The opening line portrays the setting of the story as a “dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens” (Poe 1265). Besides this sentence, the reader doesn’t really get a strong sense of where and when the story is taking place. The lack of knowledge of time and space gives the story an eerie tone, and leaves plenty of room for the mind to wonder and fill in the gaps. Poe’s wording also help set the tone of the story. Some words he used to describe the House of Usher were oppressive, importunate, and the “insufferable gloom that pervaded his spirit” (Poe 1265). These words
The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of
“The Fall of the House of Usher (1939)”, arguably Edgar Allan Poe’s most famous short story, is a tale centered around the mysterious House of Usher and its equally indiscernible inhabitants. These subjects are plagued with physical and mental degradation – the Usher siblings suffer from various abnormal ailments and unexplained fears, while the house itself seems to be tethering on the edge of collapse. The gothic elements in the story are distributed generously, and the plot is increasingly ridden with the supernatural as it progresses.
The Fall of the House of Usher is a story “of sickness, madness, incest, and the danger of unrestrained creativity. This is among Poe's most popular and critically-examined horror stories” (Gordon). For example if you were to close your eyes while someone was reading the story you would see the house “decaying” in your imagination (Poe). From the start of the story the narrator’s strange “insufferable gloom” is introduced. He notes the darkness of his surrounding (Gordon). The stories are very deeply described and felt.
Faithful to the principles of the author, the first detailed words of description of the setting announce the decadent character of the composition- “All the main lines of action are supported by a systematic elaboration of detail” (Robinson, 79). The Fall of the House of Usher begins with the description of the place where all the facts of the story will develop: “It was a dark and soundless day near the end of the year, and clouds were hanging low in the heavens… through country with little life or beauty; and in the early evening I came within view of the House of Usher” (Poe, 22). At exterior levels, the presence of a crack crosses the whole structure of the house: “a crack making its way from the top down the wall until it became lost in the dark waters of the lake.” (Poe, 23). The dark aspect is present in the obscure interiors of the house: “Dark covering hung upon the walls. The many chairs and tables had been used for a long,
Those who have read Edgar Allen Poe know that his Gothic style of writing is apparent in all of his works. The subject matter emphasized in his stories range from the bizarre and grotesque to the mysterious and supernatural. It is also apparent that the time that Poe wrote and published his stories, the Romantic era, was very influential in his writing. Poe’s stories seems to be a combination of both gothic and romantic, leading many to categorize his writing as Gothic Romanticism. Edgar Allen Poe’s works, “The Fall of the House of Usher” and “Ligeia”, are two stories that employ the Gothic Romanticism style to create a mood of terror.
Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.
The authors Horace Walpole and Edgar Allan Poe use themes that keeps the reader enticed and wanting to know more. The Castle of Otranto and The Fall of The House of Usher” are two gothic tales that use the elements of surprise and fear. However one of these tales hold the key element of gothic literature where the reader can fantasize about the horror and suspense of the story.
Edgar Allan Poe was a unique man that most people could not understand. Many recognize that he is a talented writer with a very strange and dark style. One of his most well known short stories is “The Fall Of The House Of Usher.” Many argue the different meanings of this story and how it is symbolic to his life. Poe was a very confused individual who needed to express himself, he accomplished this through the short story of “The Fall Of The House Of Usher.” Through this story, Edgar was trying to show the fear he had for him self, he did not understand him self so therefore Poe ran from his own personality and mind. This story enables the reader to take a look at Poe’s mind and
Edgar Allan Poe, renowned as the foremost master of the short-story form of writing, chiefly tales of the mysterious and macabre, has established his short stories as leading proponents of “Gothic” literature. Although the term “Gothic” originally referred only to literature set in the Gothic (or medieval) period, its meaning has since been extended to include a particular style of writing. In order for literature to be “Gothic,” it must fulfill some specific requirements. Firstly, it must set a tone that is dark, somber, and foreboding. Next, throughout the development of the story, the events that occur must be strange, melodramatic, or often sinister. Poe’s short stories are