Comparing Joyce Carol Oates The Lady With The Pet Dog

Anton Chekhov in “the Lady with the Dog,” brilliantly displays the quest of one man to find happiness. Anton Chekhov’s short story, The Lady with the Little Dog, is the simple story of a philandering married man who finally falls in love with an unhappily married woman with whom he has an affair.  Though it is a remarkably simple plot, the story is compelling to read because Chekhov’s use of two effective plot devices with diction and symbolism.

Women in history stood best known for a less ascendant sex in the mid-nineteen centuries. Since times have gone by women had fought for their equal rights and freedom. There had been many stereotypes, where the women were considered as a slave to the men’s because the women’s position was to be the homemakers and a mother to their children, while the men’s are out socializing with others. If they were not happy with the marriage, they cannot just walk out or complain because a women role is to endure all these pains without a word coming out of their mouths. Two out of the ordinary short stories, “The Yellow Wallpaper” and “The Story of An Hour,” mostly focused on a women’s dilemma that they faced near the 19th century. The two main characters in the short stories show some resemblances in some ways, but both characters portrayed them in different ways of how they dealt their sorrows in their marriages.

Historically, women have been treated as second class citizens. The Napoleonic Code stated that women were controlled by their husbands and cannot freely do their own will without the authority of their husband. This paper shows how this is evident in the "Story of an Hour" by Kate Chopin and " A Rose for Emily" by William Faulkner. In both stories, the use of literary elements such as foreshadowing, symbolism, and significant meaning of the titles are essential in bringing the reader to an unexpected and ironic conclusion.

Many critics might agree that what makes a work of literature great is its attention to detail. Subtleties in a story can truly immerse the reader in its plot and provide a new level of storytelling. This is especially important in the short stories “The Story of an Hour” by Kate Chopin, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “A Jury of Her Peers” by Susan Glaspell. All three stories are notable feminist literary works published between the late nineteenth century and the early twentieth century. They concentrate on the struggles of women against their own husbands and against society as a whole, in which women in these works dealt with sexism, abuse, repression, and confinement in their forced domestic roles. Uniquely, all three stories also feature their main conflicts within a confined setting, often limited to one or two rooms in a house. While this detail may go unnoticed to some, the specific settings of “The Story of an Hour”; “The Yellow Wallpaper”; and “A Jury of Her Peers” play a role in furthering the theme of the domestic confinement and

Flannery O’Connor introduces her reader’s too unique short stories. They are “Good Country People” and “A Good Man is Hard to Find”, having too similar characters in different setting, but with the same symbolic meaning. The comparison between Hugla from “Good Country People” to the grandmother in “A Good Man Is Hard to find” is interesting, because they both suffer the same fate. In every short story O’Connor has created a intellectual individual who comes to a realization that their beliefs in there ability to control their lives and the lives of other are false. They enviably become the vulnerable, whereas they assumed it would be different. O’Connor has placed two misguide characters, that deem themselves to be manipulative and compulsive. At the end up of each short story they become vulnerable. Hugla from “Good Country People” and the grandmother from “A Good

Mary Flannery O’Connor is considered one of the most successful short story writers in history. She composed her works during a period of prosperity and economic boom following World War II. Although the economy was thriving, the 1950’s were a period of struggle for women’s rights, as well as other minorities. (Digital History) Based on her success, one could conclude O’Connor exceeded all barriers against women during the fifties. Flannery O’Connor’s life experiences based on her faith, her novels, and the time period of the 1950’s contribute to her unique writing style.

Relationships often have a huge influence on our lives. Whether it’s family or close friends. Relationships can shape the way we walk through life and how we see or view the people around us. Especially if we share the same experiences. Experiences can either strengthen or dismantle even the closest of friends. Relationships with stories can also be just as important. As they can show us that, although each person has a different story to tell, we all live in the same society. In Toni Morrison’s “Recitatif” and George Saunder’s “Puppy”, the reader is given a glimpse into the lives of two people. Marie and Callie in “Puppy” and Twyla and Roberta in “Recitatif”. Both stories show similarities and differences between the two sets of characters in each story.

At first glance, Kate Chopin’s “The Story of an Hour,” Susan Glaspell’s Trifles, and Henrik Isben’s A Doll House seem to have nothing in common. However, the short story and plays have many similarities. Particularly, five women from these tales— Louise Mallard, Minnie Wright, Mrs. Peters, Mrs. Hale, and Nora Helmer—make drastic decisions that appear to be motiveless. Without context, any reader could be confused by Louise’s death, Nora’s departure, and Mrs. Peters and Mrs. Hale’s unanimous effort to cover up the murder that Minnie Wright committed, which also seems to lack serious motive. However, all of these women’s settings, situations, and lives have connections that make their motives similar. Emotion motivates all five women—not just

In Joyce Carol Oates’ story entitled “The Lady with the Pet Dog,” the main character Anna fits Sigmund Freud’s definition of neurotic: “the ego and id become involved in an internal battle Freud calls neurosis” (Bressler 130). In addition to the ego and id, Anna’s superego also comes into play within her struggle. Throughout Oates’ story, the reader sees Anna’s internal conflict between the id, which dominates her personality, the ego, and the superego, which results in her neurosis. Oates makes it clear that the most dominant component of Anna’s psyche is the id, as she did not have the ability to resist her impulsive desires.

Set in 1942 during World War II, Sarah was just a little girl when she and her parents got taken away by the French police. She hid her younger brother in a closet and promised him she’d come back. De Rosnay added the promise Sarah made to her brother to make the reader wonder if she will ever get back to him. The struggles Sarah starts going through at her age gives the audience a sense of sympathy for her. As soon as she gets separated from her parents, the author makes the story take an unexpected turn that the reader should not anticipate. As Sarah begins to be on her own, this makes De Rosnay’s audience want to keep up with the

Throughout the short story of “Lady with a Dog” many characters drastically change. Personally, I believe that the person that shows the heavier amount of change is Gurov. Of course, both Gurov and Anna change, but Gurov takes things to a different level considering his past.

Toni Morrison’s short story “Recitatif,” tells of a friendship started between two young eight-year-old girls, Twyla and Roberta, one black and one white, who find themselves in an orphanage after their mothers are deemed unfit to care for them. Through Twyla’s perspective, she tells us her mother “danced all night, and Roberta’s was sick.” (239) The story follows the two girls, Twyla and Roberta, through specific encounters and dialect shared well into their thirties. At each encounter, the women recount their time at St. Bonny’s, specifically discussing Maggie, the “kitchen woman with legs like parentheses” (240) whom the girls thought to be a deaf-mute. Maggie’s character, although not in the forefront, is specifically important in understanding the girl’s memories and the overall story. It is through Twyla and Roberta’s sporadic dialogues that Morrison’s ambiguous writing encompasses not only social class, economic status, and racism, but contains an underlying message that truth in memories is subjective. This powerful message, reinforced at the end of the story, leaves the audience wondering how much of Twyla’s recollection is, in fact, true, when Roberta uncovers her tearful face and asks Twyla, “What the hell happened to Maggie?” (252)

The term epiphany is pretty common in literary terms, and most often means a moment of realization or self discovery. In a story, it’s when a character discovers an awareness or knowledge that really changes their views on life. They start to “see a new light” as some would say. In the story of “The Lady with the Dog,” there are four parts, and each of the four parts of the story involves an epiphany of some sort, one way or another.

Women in the late 1800’s and early 1900’s had specific roles determined by the males who were dominant in their society. Women began to write stories which told their gender roles in that era. The authors of these stories lived in this time period and their stories reflect a lot of the traditional roles that were expected of them. The author’s purposes, were to tell about how marriage imprisoned women in this period of time. Kate Chopin and Charlotte Perkins Gilman’s stories provide examples of the gender roles. Their reasoning of writing these stories was to call on women of this era to learn how to empower themselves in this society.

In 1878, Henry James wrote, Daisy Miller, a novella about a young American girl and her travels in Europe. Daisy Miller is a complex short story with many underlying themes such as appearance versus reality, knowledge versus innocence, outward action versus inward meditation, and Nature versus urbanity. In this short story, one is left to judge whether Daisy Miller, the main character of the story, is “a pretty American flirt” or a misunderstood, modern young woman. By probing into the complexities and contradictions of Daisy’s character, it is obvious that Ms. Miller is merely a misunderstood young woman.