Comparing Knowledge In Coates's Between The World And Me

The strongest usage of metaphor in this poem is in the first stanza in the line “write their knees with necessary scratches”. While scratches cannot be written, words can, so this insinuates that children learn with nature, and that despite its fading presence in today’s urban structures, it is a necessary learning tool for children. The poet has used this metaphor to remind the reader of their childhood, and how important it is to not just learn from the confines of a classroom, but in the world outside. This leads to create a sense of guilt in the reader for allowing such significant part of a child’s growing up to disintegrate into its concrete surroundings. Although a positive statement within itself, this metaphor brings upon a negative

     The third quality that Langston Hughes uses in his poem is the tone of the speaker. When she explains to him not to “set you down on the steps / ‘Cause your find it’s kinder hard. / Don’t you fall down now,” the tone in her words in compassionate (Hughes 232). The mother is simply trying to tell her son that she knows what he is going through because she has been in rough times herself. Those rough times were troublesome but she had the strength to go on and get past them. All she wants for her son is for him to keep climbing, and never give up. Winslow believes that this “enduring exuberance” shows her youthful spirit towards life (262). She wants this all because “[she is] still goin’, honey, / [she is] still climbin’, / and life for [her] ain’t

My personal interpretation of this selection is that no matter how good, rich, powerful, or beautiful you may be, there is always someone who is better than you. You can try and try for many years, (where as many and most people try for their entire life) to be the best, but sadly you will never be the best no matter how good you end up being in the long run.

In the poem there is also an idea of man verses nature, this relates to the survival of the fittest. John Foulcher shows this through the use of first person point of view. For example in the second stanza “Then above me the sound drops” this again possesses sensory imagery creating a deeper human aura throughout the poem. Foulcher further uses a human aura to build a sense of natural imagery for example in the last stanza : “I pick up these twigs and leave them” adding closure

The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.

the many aspects of life that cannot be changed. Through the poem, she shows a

The poem describes the weather and its effect on cotton flower by pointing out the dying branches and vanishing cotton. The image of insufficiency, struggle and death parallel the oppression of African American race. The beginning of the poem illustrates the struggle and suffering of the cotton flower; which represent the misery of African Americans and also gives an idea that there is no hope for them. But at the end the speaker says “brown eyes that loves without a trace of fear/ Beauty so sudden for that time of year” (lines 13-14). This shows the rise of the African American race, and their fight against racism. The author used mood, tone and

In line 9, the poet stresses again about his people's need to "walk tall", where ideally, each Aborigine should change their mindset to become strong and proud. It displays an image of him being equal in height with the authoritative leaders, which emphasises his pride and self-respect. It also shows that the Aborigines' have found new determination and hope, which is a source of their motivation to strive for justice in the face of adversity.

It explains to the reader that no matter how many times a man fails or succeeds in his life, it comes down to whether or not they give it there all or not.

Throughout history, across time and space, there have been many thinkers whose teachings and ideas have inspired significant changes in the world around them. From Socrates and Sir Isaac Newton to Charles Darwin and Albert Einstein, certain individuals throughout history have had both the brainpower and the motivation to essentially change the future, using their new ideas and beliefs to shape the world's next generations into individuals who were, and continue to be, more informed than the last. Who could imagine modern life without the knowledge that these individuals provided us? As with all worldly change, many of these thinkers' views and methods were challenged, but in never backing down, many of these teachings, and certainly the names of the individuals behind them, have stood the test of time, as seen in viewing two of history's most noted thinkers, Immanuel Kant and Martin Luther King, Jr.

Often at times there are many voices in one poem. These voices represent the different views that come from the same material that are portrayed by the buzz that the bee elicit in the hive. The proposal that Collins is trying to exude is that there is never one way to read a poem. The type of approach will vary with reader and who they are, but by having a radical approach it will help to enhance our understanding of what the poem means. Collins wants the reader to feel free when analyzing a poem: “I want them to waterski across the surface of the poem waving at the author’s name on the shore.” As a teacher you try to pummel depth into your students’ minds and push them into the direction of understanding. The speaker declares that the grapple to illuminating meaning and the amount of time where the reader does not understand adds to the worth of the poem. The parallel to the surface of water, where you have not attained the depth even though you know it’s there is important to how much it takes to find the true meaning of a poem. While reading this poem it have the outlook on how poetry places more of aln emphasis on us to be able to pick apart the undisclosed meaning and essentially to be able to pull apart the poem without a fixed structure. By doing it this way it is able to help the audience to build upon skills to help interpret and understand, which substantially is important throughout any source of literature. We

I think that the poet is trying to tell us to live life to the fullest

The imagery of “Intellect” is challenging: the poem features a fountain, a wave, the shore, and wings—all in just six lines. This abstract imagery allows us to tap into our own intellect and it leaves room for the reader to interpret its meaning. Let us contemplate the fountain first. A fountain is often used to symbolise the source for something desirable: whether it be a drinking fountain, a fountain of youth, or the fountain of life we come across in Christian doctrine. Often times we crave rules; or we might just crave direction or someone to tell us what to do. Unfortunately, the source of these rules is often society. We choose to listen to the voice of society for direction, instead of turning inward. Perhaps by writing

It starts off saying that once in a while on a nice day, go outside and enjoy the day. Breathe in the fresh air and feel the breeze in your hair. (Lines 3-4) The reader should take the time to feel the grass between their toes, smell the flowers, and watch the clouds. (Lines 6-7) Listen to the bees buzz, and to climb the trees. (Lines 9-10) Look out into the meadow and watch the deer play. (Lines 11-12) People should pick the flowers, watch the streams glisten and listen to the sound of the water splashing. (Lines 13-16) When you feel at peace inhale and lay on the ground. Let nature tranquilize you. (Lines

Judith Wright extensively uses the structure of her poems to convey many ideas and themes. The structure of a poem is crucial to delivering its key message as it determines both the tone and how the poem is read. She shows the reader throughout the poem how the dust, which is symbolic of the barren emptiness that has “overtaken… dreams” of beauty and comfort as well as financial dependence, will consume the earth if the current environment is not conserved and protected. Wright’s use of title emphasizes this point in the clearest way she can and re-enforces her major concept to the audience. Another example of how structure is used in this poem is juxtaposition. The first and second stanzas are strategically placed next to each other because of their greatly opposing descriptions. In stanza one, the new world of dust and wind, many negative adjectives are used, such as “harsh”, “grief” and “steel-shocked”. Stanza two, which talks about the past, contains a wide range of positive adjectives such as “good”, “kinder” and “beautiful”.