Comparing Kubrick 's Film And Burgess Essay

         Not only does A Clockwork Orange present Burgess' view on behavior science, but it also contains an invented language mixed in with English. Being well educated and having a background in languages such as Russian, German, and French, Burgess created a language known as Nadsat.  Nadsat is influenced by Russian, German, English, Cockney Slang, and it also contains invented slang. The language has a poetic feel to it and Burgess' writing contains context clues that help the reader determine what the unknown language means.  The history of what

Sentence structure and the organization of certain passages of both books connects strongly to the characters loss of power and ultimately the loss of themselves. In part one of A Clockwork Orange Alex tends to speak in more confident, well articulated sentences that convey a relaxed yet still controlling tone: “‘You understand about the tolchock on the rot, Dim. It was the music, see. I get all be zooming when any veck interfere with a ptitsa singing, as it might be. Like that then’” (Burgess 34). The sentences are short or medium sentences ended with periods. This sentence structure displayed in part one compared to the sentence structure of part two and three it's obvious to the reader that there is a change in Alex the way that he talks

One of the main things I that is important in both films are the costume, in both film are ‘uniforms seen on many of the characters throughout the film, in a clockwork orange, set in a dystopian future Britain, Alex and his ‘Droogs’ wear a specific uniform and so do other ‘gang’ type groups of youths in the film, this is intertextuality of youth at the time were many teenager became part of a group by the way they dressed with the Mods, Rockers, Teddy boys and later the Punks, it was very commonly know that wore these types of uniforms. The youthful characters in if…. Also wear a uniform, the film is set in a boarding school in England so most of the characters you see, except the teachers wear a school uniform. In both films there is also a clear difference between the teenage characters and the character that represent authority in each film, in A Clockwork Orange when Alex is arrested all of the prisoners wear matching suits and the prison guards and anyone that has authority over is wearing a suit, this is the a stereotype a the typical ‘man’ accepted in society showing how Alex is being changed to fit this stereotype in the film when is his realised from prison and he’s wearing a suit and so are some of this old friends.

Stanley Kubrick's The Shining (1980) initially received quite a bit of negative criticism. The film irritated many Stephen King fans (and King himself) because it differed so greatly from the novel. The Shining also disappointed many filmgoers who expected a conventional slasher film. After all, Kubrick said it would be "the scariest horror movie of all time."1 Kubrick's films, however, never fully conform to their respective genres; they transcend generic expectations. In the same way that 2001: A Space Odyssey (1968) is not just another outer-space sci-fi flick, The Shining is not a typical horror movie. The monsters in The Shining originate not from dark wooded areas, but from the recesses of the mysterious human mind-in broad

A Clockwork Orange, a novel written by Anthony Burgess in the 1960’s takes place in dystopian future in London, England. The novel is about a fifteen year old nadsat (teenager) named Alex who along with his droogs (friends) commit violent acts of crime and opts to be bad over good. In time, Alex finds himself to be in an experiment by the government, making him unable to choose between good and evil, thus losing his ability of free will, and being a mere clockwork orange. A “clockwork orange” is a metaphor for Alex being controlled by the government, which makes him artificial because he is unable to make the decision of good verses evil for himself and is a subject to what others believe is right. In A Clockwork Orange, Anthony Burgess

There are also the some other details the film was different

“A Clockwork Orange” starts with Alex posing the question: “what’s it going to be then, eh?”. Burgess begins the story by demonstrating that Alex

Character in both novels use unsuccessful escape methods to cope with their loss of identity. Alex, the protagonist in A Clockwork Orange, turns to classical music such as Beethoven when his gang members question his hierarchy within the group. Alex describes his bedroom where he goes after an argument with his gang members : "the little speakers of my stereo were all arranged round the room, on ceiling, walls, floor, so, lying on my bed slooshying the music, I was like netted and meshed in the orchestra." (Burgess. 37). We see Alex return to his bedroom many times after confrontations where his identity is disputed. Eventually, Alex is conditioned to feel sick whenever he hears classical music so Alex loses this escape method as he can no longer listen to classical music. Also, Alex relies heavily on the use of drugs when he is unable to deal with his loss of identity, " officially sanctioned "milk bars" that serve a variety of drug tonics to send one off on incoherent fantasies" (Gottlieb). These "milk bars" are locations where young

Compiled upon the movie-galvanized image of the novel, the handiwork of ignorant critics cements Orange's reputation as a phantasmagoria of sex and violence. An anonymous reviewer for the Times Literary Supplement once labeled the tome "a nasty little shocker" (qtd. in Burgess, "A Clockwork Orange: A play with music"), and the pithy epithet now graces the cover of the novel's most recent American printing. Yet, through it all, the author maintains that he took no pleasure in documenting Alex's brutality and even invented Nadsat in an effort to make the violence symbolic (Burgess, Contemporary Literary Criticism 38). He never seeks to justify Alex's actions and believes that his crimes "must be checked and punished" in a "properly run society" (Burgess, Contemporary Literary Criticism 38). In addition, Burgess bases the most horrific scene in the novel -- the rape of the writer's wife -- on personal experience. During a

The Films of Stanley Kubrick The films of director Stanley Kubrick divert from any categorized

Anthony Burgess's writing style in his most famous novel, A Clockwork Orange, is different to say the least. This novel is praised for its ingenuity, although many are disturbed by Burgess's predictions for the future. However, for many, it is close to impossible to comprehend without outside help. This is because Burgess created a language specifically for this novel, called Nadsat. This Russian-based language forms conversations between the narrator, Alex, and his teenage, delinquent friends. There are many assumptions as to why Burgess chose to complicate A Clockwork Orange by filling it with the confusing Nadsat language. Some opinions are that the language shows A Clockwork Orange readers

In the novel A Clockwork Orange, the author Anthony Burgess tells a story about a young man name Alex and his friends, every night they go around and start committing violent acts. In the novel Alex expresses his freedom of choice between good and evil. The freedom of choice is a decision that every person must make throughout his life in order to guide his actions and to take control of his own future. This Freedom of Choice, no matter what the outcome is, displays person power as an individual, and any efforts to control or influence this choice between good and evil will take way the person free will and enslave him. In this novel the author uses this symbolism through imagery. He shows that through the character of

The use of music as a motif in (Stanley Kubrick, A Clockwork Orange 1962)] creates a lens so that the viewer is able to recognize the trend that violence has to destroy an individual’s identity. Although Alex (Malcolm McDowell) clearly associates violence with his own individual identity and sense of self, he consistently reveals the impossibility of remaining an individual in the face of group-oriented violence. The images that music create coincide the destruction of Alex’s identity, either through compliance to a group’s style of violence or through failure to embrace the similarity of group actions associated with violence. As the movie progresses, musical imagery follows the exit and return of his personal identity as a role of his

The created patch-work language of Nadsat in the novel, A Clockwork Orange, satirizes the social classes and gang life of Anthony Burgess's futuristic society. The most prominent of these tools being his use of a completely new language and the depiction of family life from the eyes of a fifteen year old English hoodlum. Burgess effectively broke arcane traditions when he wrote A Clockwork Orange by blending two forms of effective speech into the vocabulary of the narrator and protagonist, Alex. Burgess, through his character Alex, uses the common or "proper" method of vernacular in certain situations, while uses his own inventive slang-language called "Nadsat" for others. Many

Similarly, the character of Alex McDowell and his actions are presented with methods comparable to that of Bonnie and Clyde. Stanley Kubrick stresses the violence in A Clockwork Orange as a way to show the full extent of his harmful maniacal ways. Narration alone can only tell us so much about his personality and isn't able to comprehensively encompass the significance of the violence attributed to Alex. It isn't until we see the crimes being committed in vivid detail that we are able to recognize the true nature of Alex’s moral extent. This illustrates him as the character he is meant to be as per the novella written by Anthony Burgess. We learn through wide angle shots of the moments leading up to the raping of a helpless woman, that Alex is entirely comfortable with the sadistic action and even finds it amusing. Upward facing camera angles that specifically place his face as the focal point are used during this scene and many others like it to enunciate his sinister appearance. They are used to show that as a person, Alex enjoys these all to pernicious behaviors. The excessive realness of the scenes only supports our understanding of his lack of humanity. Alex’s aggressiveness is magnified by the way he senselessly beats the old man under the bridge and the husband of the raped woman. Incorporating an undisturbed shot of him doing so allows it make a greater impact on the audience's perception of the character. Just as in Bonnie and Clyde, violence is shown with no