Comparing Love and Marriage in Canterbury Tales, Lanval, Faerie Queene, and Monsieur's Departure

The disparity in the outcomes of the hag's marriage and Alison's marriages in Geoffrey Chaucer's "The Wife of Bath's Prologue and Tale" depends in part on the women's differing expectations of their husbands. The hag's modus agendi depends on a knight's obligation to honour his pledge, whereas Alison's modus operandi depends on her husbands' conduct after marriage, i.e. on her circumstances. Having saved the knight's life, the hag asks the knight to permit her to be his wife. Moreover, she wants to be his love. The knight must marry, since marrying the hag lies within his might. Since the hag's definition of being his wife includes her loving him, he is duty-bound to

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the

“Lanval” by Marie de France and “The Wife of Bath’s Tale” by Geoffrey Chaucer are both medieval romances that put a knight on trial by a queen’s court for his treatment of a lady. Throughout the course of this paper, readers will get the opportunity to travel back in time to the Middle Ages and that during the twelfth-century women were superior to men, specifically in their relationships and marriages; however, today men dominant individuals, especially in working world.

Geoffrey Chaucer’s “The Wife of Bath’s Tale” is an important part of his most famed work, The Canterbury Tales. One of the most respected highly analyzed of all of the tales, this particular one is important both for its character development and its prevailing themes. It seamlessly integrates ideas on society at that time with strong literary development. This work stands the test of time both because of its literary qualities and because of what it can teach us about the role of women in late Medieval society.

In Geoffrey Chaucer’s poem The Canterbury Tales a young Chaucer tells of the people he meets on a pilgrimage to the shrine of Saint Thomas Beckett in Canterbury. One of the most vivacious characters on the pilgrimage is The Wife of Bath. Both the Wife of Bath’s prologue and tale share a common theme of a woman’s control in a relationship with a man. The Wife of Bath and the old hag in her tale share a similar perspective on what women want most in life. In the prologue and tale the reader is exposed to the idea that what women most desire in life is to have control over their husbands and lovers. This tale and its prologue are linked through the way that Dame Alice, the Wife of Bath, fashions the old hag in her tale after herself.

Often, the most memorable female characters are those who break out of the stereotypical “good wife” mold. When an author uses this technique effectively, the woman often carries the story. In Geoffrey Chaucer's Canterbury Tales, he portrays the Wife of Bath, Alison, as a woman who bucks the tradition of her times with her brashness and desire for control. Chaucer effectively presents a woman's point of view and evokes some sympathy for her.

The wife of baths Yale by Geoffrey Chaucer depicts the secret life of a "well educated" widow and her desire to lust and love with many and all men to her likings . The second tail is from a Morte D' Arthur, by Thomas Malory. In this story Arthurs wife Queen Guinevere also shares lustrous characteristics as the wife of bath. Both these ladies share an acquired taste for forbidden love that is not socially acceptable. During the times of knights and crusades, adultery and unfaithfulness wasn't committed like now or even performed, because no law was higher than the church and such actions were a sin. The actions of the secondary characters to the main characters creates conflict cause by these women's actions which these stories compose of the secret love between and sir Lancelot, and the wife's pursuit of pleasure. In the wife of baths

. . [and] in both cases the character's lives are at stake because of something they have done” (website 3). However, the Wife of Bath’s tale deviates from its source material in that the knight from the Wife of Bath’s tale “gets into his predicament by raping a young maiden. In "Dame Ragnell," King Arthur is accused of giving Sir Gawain land that belongs to someone else, Gromer Somer Joure” (website 3). Chaucer chooses to change the crime that is described in the story because the crime of rape aligns more with the feminist theme of his tale than the confusion over property rights does because rape is a violation of a woman’s sovereignty over herself. The other reason that this section of the story supports the Wife of Bath’s feminist message is because of the nature of the task that Queen Guinevere gives the knight, which is actually derived from the legend of “The Wedding of Sir Gawain and Dame Ragnelle”. The Wife of Bath’s tale and the Arthurian legend from which the tale is derived have “crimes [that] are completely different, yet they still warrant similar

In Geoffrey Chaucer's work, The Canterbury Tales, many travelers gather together to begin a pilgrimage. During their quest, each of the pilgrims proceed to tell a tale to entertain the group. From these stories arise four different tales, in which Chaucer uses to examine the concept of marriage and the problems that arise from this bonding of two people. In the tales of "The Franklin", "The Clerk", "The Wife of Bath", and "The Merchant", marriage is debated and examined from different perspectives. Out of the four tales, The Franklin's Tale presents the most reasonable solution to the marriage debate because the problems are resolved with the least amount of heartache.

Palomon says, " The Beauty of the lady whom I see wandering yonder in the garden

The Canterbury Tales, written by Geoffrey Chaucer around 1386, is a collection of tale told by pilgrims on a religious pilgrimage. Two of these tales, "The Knight's Tale" and "The Wife of Bath's Tale", involve different kinds of love and different love relationships. Some of the loves are based on nobility, some are forced, and some are based on mutual respect for each partner. My idea of love is one that combines aspects from each of the tales told in The Canterbury Tales.

Chaucer’s “Wife of Bath Prologue and Tale” focus on the story telling of a woman who has experienced her fair share of marital issues. She is depicted as a promiscuous woman, married five times and had plenty of male suitors, the Wife was not like any other woman during this era. Although her reputation was how most perceived her, she was not a fan of being scrutinized for what she considered as her duty as a woman; to not remain single. This is seen through the depiction of women in society, how marriage ought to be in the eyes of religion, and how men were to view a woman like her. The language that is used throughout Chaucer’s prologue and tale allude to the evolution of women as well as how they struggled to gain any recognition in

love” makes evident Chaucer’s skewed views of love and marriage with underlying tones of misogyny. He expresses these views throughout the work, however, the theme of love and sex is most evident in the sub-stories of The Wife of Bath and The Miller’s Tale.

During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.