Comparing Oedipus Rex And Lysistrata By Aristophanes

Satire is a literary manner built on wit and humor with a critical attitude directed to human institutions and humanity.  A successful satiric play will show certain truths about society and then try to improve upon them.  Satire is meant to be constructive rather than destructive.  Aristophanes uses satire in Lysistrata to convey many different themes such as war and peace, the struggles of power and class, and the life and death issues that are seen in war.  Satire is successfully used and seen in Lysistrata by stereotyping women in general and then the different classes of women as well.  Double entendres are seen throughout the play to help add humor to the play.  Sex is

      Since the beginning of time epic tales have been passed on from generation to generation as a form of entertainment.  Even though each epic is different in its plot, every epic has certain features in common.  The prime example of their similarities is their main character, the hero of the epic.   The hero's behavior changes from the beginning to the end of the tale.  Since the plot revolves around the epic hero, in most cases, they are made to seem God-like, or larger then life, in their capabilities and strengths.  The hero constantly has to conquer major obstacles to achieve their initial and final goal.  Usually the hero is tremendously suspicious of other characters intensions.

Lysistrata, visibly upset that the women have not appeared, turns to her friend Cleonice, who reassures her that everyone will come, but “it’s not easy...for women to leave the house. One is busy pottering about her husband; another is getting the servant up; a third is putting her child asleep or washing the brat or feeding it” (Lysistrata). The exposition to the drama therefore tells us everything we need to know: women are trying and failing to remove themselves from their traditional housekeeping role. This is in part forced upon them by men, but also in part by their own will: throughout the play, the women place themselves in a lesser role and act unable to control themselves.  When Lysistrata explains her plan to Cleonice, Cleonice responds that “salvation hangs on a poor thread” if women are in charge. It is therefore not only men who enforce the anti-feminist view that women cannot “perform so wise and glorious an achievement” as ending the

There are many legendary epic stories have been passed on from generation to generation in the Greek culture. Even though each story has different outcomes, every epic character has certain features in common. Odysseus in The Odyssesy and Oedipus in Oedipus the King are great examples of epic heroes with a variety of similarities. Odysseus and Oedipus are similar in which they both god-like men who are considered heroes because of their cautious ways and relentless tenacity. On the other hand, Odysseus and Oedipus also demonstrate their crude habits with their hubris behavior throughout their own prophecy. In addition to the similarities, the powerful gods play a significant role which drastically affects

The women in Lysistrata are portrayed as strong and confident. This is seen in the form of the main character of the play, Lysistrata; who is the first one to propose the idea of withholding sex as a measure to stop the war. She demonstrates the qualities of a true leader as she has a well-planned strategy to get her way: “if we would compel our husbands to make peace, we must refrain”. At first this idea is instantly rejected by the women, but Lysistrata manages to convince them with her words of wisdom. This indicates how strong and perseverant Lysistrata is, and this is displayed by her idea of giving up sex. This is likely to be appreciated by the contemporary Greek audiences, as sex is described as the “most beautiful thing in the world” and Lysistrata is giving it up.

“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the

The different portrayals of female characters Antigone and Lysistrata illustrate the fundamental nature of the proper Athenian woman. Sophocles' Antigone allows the reader to see that outrage over social injustices does not give women the excuse to rebel against authority, while Aristophanes' Lysistrata reveals that challenging authority in the polis becomes acceptable only when it's faced with destruction through war. Sophocles and Aristophanes use different means to illustrate the same idea; the ideal Athenian woman's ultimate loyalty lies with her polis. This Greek concept of the proper woman seems so vital when considering Athenian society because both a tragedy and comedy revolve around this concept. The differing roles accorded to

The reason we still have theatre today is purely because of Roman and Greek dramas. Even just the term “play” comes from Latin’s “ludus” meaning to play. Nowaday we still use this entertainment to distract our people from surrounding issues. Comedy is

Since the beginning of time, women have always been looked down upon mentally. During the time period of The Odyssey and Lysistrata, women were known as less powerful gender. They have never had much say about what goes on around them. Some women were recognized as a sex symbol. In The Odyssey, some women were goddesses that just wanted sex and other women had to stay at home to help raise their kids and do all of the feminine work. Compared to The Odyssey, in Lysistrata, women denied sex against their men to get what they want. In addition, they did not have many political rights and a say so on what goes on in their country. In comparing both of these stories, women show similarities toward each other.

Tragedy as an element of the human experience has been the subject of many of the great works of literature written in the Western tradition. For some, tragedy embodies the highest form of humanity. It is through suffering that we are able to reveal ourselves most completely. Others see tragedy as an element of morality where we are to learn well the lessons of those who tempt the gods. The Ancient Greek philosopher, Aristotle, outlined a theory of tragedy as archetypal drama in his classic work, the Poetics. He uses the play by Sophocles, Oedipus the King (hereafter "Oedipus"), as the standard model by which all other tragedies are measured. In Aristotle's view, a perfect

Many questions were raised against Oedipus in class argument about his character flaws, running from the fate, killing his father, marrying his mother, and insulting prophet etc. Here I would try to answer as much I can.

The poetic tone of Aristophanes' Lysistrata differs greatly from the poetic tone of the Greek tragedies we have read in class. However, after analyzing this Greek comedy, it seems to share some of the main characteristics of Euripides' Medea. Within these plays, we meet shrewd, powerful masculine women who use the art of manipulation to get what they want from others and to accomplish their goals. This theme of manipulation is employed through various means and techniques. The women of these plays also seem to contradict the stereotypical woman and have characteristics similar to the Homeric Greek warrior.

Despite the lower status of women, the plot of Lysistrata is mainly about all of the women coming together and being powerful enough to stop the men’s war. The women in Lysistrata know that the men love intimacy with them and they use that power by withholding pleasure from their men so as to stop the war, even though the women love sex as well:

Comedic films and theatrical productions generally focus on the average human. This excludes people with extraordinary amounts of influence or power such as kings, queens or superheroes. Grecian comedy dissects the social or personal aspects of an average human’s life and uncovers their foibles and frailties. A minor weakness will usually lead to the character falling into some form of temptation which stands as the climax of the plot. This minor weakness of the character helps develop the storyline. For example, the play, Lysistrata, centers around the Grecian army and their wives. Aristophanes presents sex as a weakness of men and women in Greece in the play. The temptation for the army wives is to relinquish the sex strike that they

Comedy was a popular type of play in Ancient Greece, only second to Tragedy. These types were described in many details in Poetics, by Aristotle. He expressed that a comedy is “an imitation of inferior people - not, however, with respect to every kind of defect: the laughable is a species of what is disgraceful. The laughable is an error or disgrace that does not involve pain or destruction” (Aristotle 9). In plainer words, Aristotle is saying that as long as no one becomes hurt, it can be funny, and that everyday misfortune is, or can be humorous. Comedies are also plays that deal with common folk, and common events. (Simpson). Tragedy is almost the exact opposite.