Comparing Ophelia's Struggle And Madness In Hamlet By William Shakespeare

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

The play Hamlet, by William Shakespeare, looks at the issue of madness and how it effects the characters of the play. Madness can be looked at from very different perspectives, such as strong and uncontrollable emotions, a person’s desires, and also a persons mental stability. Throughout the play, the audience is questioning the sanity of the main character, Hamlet, as he goes on his quest for revenge. The people around him also show signs of madness, such as Ophelia and Claudius, but in different forms. Existentialist philosopher Friedrich Nietzche says, “There is always some madness in love. But there is also some reason in madness.” What Nietzche is saying is that when you are in love with someone or something, there is always a little

People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.

" It is not amazing that Hamlet ought to harp on death and existence in the wake of death subsequent to listening to these tormented words. His discourse, tailing this understanding, demonstrates his over the top sympathy toward his dad and his dread that a comparative destiny will be gone to upon himself. He is scared for his dad, caught in a red hot hellfire, and wishes to discharge him from that condemnation. In any case, he reasons for alarm for himself also and can't move past his

Hamlet's rant to persuade her that Claudius is a bad man and the murderer of his father depicts his disrespect to his mother. For instance, he tells her, "You go not till I set you up a glass / Where you may see the inmost part of you." (III.iv.20-21) He is threatening his own mother! Later, he addresses her as "thou wretched, rash, intruding fool" (III.iv.32) Even though Gertrude's lust for Claudius aggravates him, Hamlet fails to show even the most fundamental respect to his superior. The relationship is full of disloyalty and distrust from Gertrude's part. First, she appeases, "Be thou assured... I have no life to breathe what thou hast said to me." (III.iv.201-203) It is assumed that she will listen to Hamlet and stay away from Claudius. However, in the next act, she displays her true loyalty to her husband, telling him that Hamlet is "in this brainish apprehension kills / The unseen good old man." (IV.I.12-13) This is partially contributed by her observations of her son talking to a ghost that she doesn't see. Polonius' death causes her to think Hamlet is dangerous, further driving the two apart. Her distrust to her son harms him by further solidifying Claudius' plan to execute him in England because the king sees him as a threat to the throne who is capable of killing. In the end, Hamlet and Gertrude's relationship take a bittersweet ending.

Denmark is in a state of chaos shown by the opening death of the true

  In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play.  The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.

The Tragedy of Hamlet, Prince of Denmark is one of Shakespeare’s most tragic plays. Most of the characters in this play suffered a heartbreaking death, although, all of the characters faced anger, regret, madness or distress. Madness was a reoccurring theme in this play, two characters portrayed this more than others. Ophelia and Hamlet faced similar fates, with similarities and differences along the way, all to do with their madness.

In Act III scene i, Polonius and the King hide behind Ophelia's curtains and eavesdrop on the conversation between Hamlet and Ophelia. Hamlet goes on to scold Ophelia and accuse her of not being chaste "Ha, ha! Are you honest?" ... "Are you fair?" ... "Get thee to a nunnery. Why wouldst thou be / a breeder of sinners?" Hamlet goes on to say "...This was sometime a paradox, but now / the time gives it proof. I did love you once." Ophelia replies with "Indeed, my lord, you made me believe so." Her heart must have torn in two when Hamlet came back with "You should not have believed me, for virtue / cannot so inoculate our old stock but we shall relish / of it. I loved you not." Hamlet admits that he was deceiving her the whole time. This was likely a major factor in Ophelia's descent into madness and eventually, death. Again, Ophelia is the victim.

In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.

Hamlet is one of Shakespeare’s most famous plays. In it, a young, Danish prince struggles with the death of his father and the betrayal of his mother. This struggle is so profound; it shakes its main character Hamlet to the core and brings him to the brink of sanity. Shakespeare uses madness to convey important information throughout the play especially through Hamlet and his love interest, Ophelia. Hamlet does not always appear to be mad, in fact throughout the play his sanity is questioned by the reader and other characters. Whether real or faked, Hamlet and Ophelia’s madness reveal to us more about their characters, opinions and secrets than their regular discourse.

By characterizing the aftereffects of death as dreams, Hamlet creates a metaphor and implies that we all wish to experience that final sleep, but it is the uncertainty of what may come that prevents us from doing so of our own accord. Each night, we close our eyes and take a gamble; our sleep may consist of a pleasant fantasy, a horrible nightmare, or nothing at all. Just as we prepare ourselves for sleep each night, unsure if our impending visions will be those of horror or delight, we ready ourselves for death. However, we voluntarily succumb to sleep with the promise of reawakening, but it is the finality of death that prohibits us from being as willing

   Michael Pennington in “Ophelia: Madness Her Only Safe Haven,” elucidates the character of Ophelia in Shakespeare’s tragedy, Hamlet:

He is brokenhearted over the death of his father and the lack of mourning his mother discharged. The anger of Hamlet is expressed indirectly and directly through his words, both to other characters and to himself. According to Hamlet, Gertrude is too caught up in rejoicing over her new marriage, while King Hamlet was just “but two months dead” (1.2.142). Hamlet’s view of love is transformed, as he notes that when Gertrude was with his father, he was “so loving” to her and “she would hang on him” (1.2.143,147).

[b]lasting his wholesome brother" (III.iv.74-75). Hamlet becomes incensed with Gertrude for three reasons stemming from her marriage to Claudius and her emotional disconnection from Hamlet. Firstly, she disrespects Hamlet Sr.'s memory by inadequately mourning for her late husband which causes Hamlet to doubt his mother's love for him and to emotionally withdraw from her. Secondly, rather than sympathizing with Hamlet through his time of grief, she allies with Claudius on every matter pertaining to Hamlet, including mourning periods, relationships and spying, which causes Hamlet to feel isolated. Thirdly, Gertrude impulsively marries Claudius, who Hamlet sees as an unworthy suitor in comparison to his father.