Comparing Othello And Things Fall Apart

Shakespeare's play, “Othello, the Moor of Venice,” is a powerful example of a tragedy and it’s main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. The play imitates life through basic human emotions such as jealousy and rage. In addition, Othello is far from being a perfect character - another quality that meets Aristotle's requirements. Othello also matches Aristotle's ideas of tragic hero because our Othello realizes the error of his ways, causing us to feel sympathy for him. If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. This passage reveals how much Othello has deteriorated as far as his ability to reason

The ability of passion to bring destruction upon the lives of the unsuspecting is illustrated in Shakespeare’s Othello with the use of both manipulation and deceit. The curse of fierce passion fell namely on Othello as he transitioned from a respected general to an unstable murderer. His downfall is demonstrated through his increasing self-doubt, lack of ability to articulate, and violence. In the start of the play, he is an accomplished general and happy newlywed, and has yet to be significantly held back due to his being a Moor and outsider in Venetian society. As passion overtakes him, however, Othello truly ingrains the idea that he is less than, and those around him begin to blame his actions on the nature of his ethnicity. He has completely lost his identity to his desires and is unable to think rationally. Shakespeare juxtaposes this version of Othello with his initial composed self in Venice to demonstrate the damage of ignorance to logic and heighten the sense of tragedy. The effects of an overwhelming passion involving love, jealousy, and revenge are shown through Othello’s degradation and loss of stability.

Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a “tragedy.” Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. This causes him to lose his ability to make good judgments and decisions. Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. As the story unfolds Othello’s character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Eventually, this leads to Othello’s suicide.

Shakespeare is universally revered for his characterization of flawed and psychologically unstable protagonists. Hamlet is a crazed, murdering prince, Lear is narcissistic, senile, and a verbally abusive father, and Macbeth is a murderous traitor to his king and country. These unfavorable and evil attributes serve Shakespeare's main characters by presenting them as realistically written men, and there always seems a degree, however small, of sympathy associated with their respective downfalls and tragedies. Othello, however, is an anomaly.

Okonkwo wrestles with his fear that any sign of weakness will cause him to lose control of his family, position in the village, and even himself. Like many heroes of classical tragedy, Okonkwo’s tragic flaw, fear, also makes him excessively proud. Okonkwo’s downfall is a result of the changes created by the coming of the British Colonisers to Igbo. The introduction of the Colonisers into the novel causes Okonkwo’s tragic flaw to be exacerbated. Okonkwo construes change as weakness, and as a result of his interpretation, Okonkwo only knows how to react to change through anger and strength. He derives great satisfaction, “hubris” or proud arrogance, from the fact that he is a traditional, self made man and thinks that to change would mean submitting to an outside force (Christianity).

Okonkwo's fear of being perceived as weak tragically leads to him to be unnecessarily violent and excessively prideful. These two fatal flaws lead to Okonkwo’s own emotional isolation, and his inevitable downfall. Driven by the fear of being seen as weak and emasculated, Okonkwo exhibits hyper masculinity and rage. Although this behavior initially leads to success in the patriarchal society of Umofia, rage is his greatest bane: it masks his compassion and pusillanimity. Onkonkwo’s obsession to never appear feminine is driven to the extreme. He denies affection even to his own family, “never show[ing] any emotion openly, unless it be the emotion of anger. To [Okonkwo] show[ing] affection was a sign of weakness; the only thing worth demonstrating was strength.” (pg. 28). Okonkwo whose “whole life [is] dominated by fear, the fear of failure and of weakness.” (pg. 13) suppress his compassion in order to appear important and manly. Ironically this creates a stark juxtaposition between his own fear and his position as an alpha male. Rather than being masculine and courageous, Okonkwo just creates tension within his family and within himself. The pinnacle of this extreme hypermasculinity is when Okonkwo ignores the wisdom of the elder Ezeudu, and violently kills his “son” Ikamafuna: “As the man who had cleared his throat drew up and raised his machete, Okonkwo looked away. He had heard Ikamafuna cry “My father, they have killed me!”

"Othello is essentially an noble character, flawed by insecurity and a nature that is naive and unsophisticated". Looking at William Shakespeare's Othello The Moor Of Venice, the central character, Othello is revered as the tragic hero. He is a character of high stature that is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by all of the participants. Othello is first shown as a hero of war and a man of

One day at a kindred tribal meet a man contradicted Okonkwo’s view. Okonkwo was quick to call him a woman, and just as quickly Okonkwo was reprimanded by the other tribesmen. These outbursts made Okonkwo look ignorant and brash, but he could not stand weakness of any sort. This is one of many situations that convey the severity of Okonkwo’s tragic flaw.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

How is the theme of suffering portrayed in ‘Othello’, ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’?

The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in

In Shakespeare?s play Othello, Othello himself is the tragic hero. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.

Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play.

   The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. In this essay let us examine the various themes and determine which are dominant and which subordinate.

Okonkwo, the story’s protagonist, is seen as a brave and fearless warrior throughout Umuofia. However, throughout the novel we can see Okonkwo as he is- a weakling. He lives his life in fear of appearing weak like his father before him. This fear controls him, and forces him into making bad choices to look strong. In his relentless efforts to look strong, we shows his weakness.