Comparing Poe's The Masque Of The Red Death

Edgar Allan Poe was a famous American writer and literary critic. Poe is best known for his short stories, particularly his tales of mystery and fear. Poe has a magic and dark way of writing. “The Masque of Red Death’’ is one of Poe's most famous stories. He proficiently used some death symbolism, bloody imagery,and skillful figurative language in order to contribute to his purpose to inform his reader impossible to escape from the death no matter who you are.

Symbolism plays an important part in this story. The ebony clock is particularly significant “there stood against the Western wall, a gigantic clock of ebony.” Poe placed the clock against the western wall for a symbolic purpose. The sun rises in the East and sets in the West. The clock is nearer to the setting sun. The placement of the clock indicates an association with an ending. A sunset indicates the ending of a day, while the ebony color of the clock suggests its relationship with darkness and death. The characters react to the sounding of the clock’s chimes in a nervous fashion. “…While the chimes of the clock yet rang, it was observed that the giddiest grew pale.” Poe uses this clock to remind the characters that they have lived through another hour to build up the time of revelation. At each strike of the clock the characters stop everything as if they are waiting for the "Red Death" to come for them at any minute. At twelve, the stranger dressed as the "Red Death" appears. This time everyone begins to fear death. The darkness of the rooms causes shadows to form by the fires' light to increase suspense.

In “Mask of the Red Death”, Edgar Allan Poe uses setting and symbolism to deliver the theme that no one escapes death. The story follows the naïve and pompous Prince Prospero, and his feeble attempt to escape dying from the Black Plague. As the plague spread through his kingdom, the prince called one thousand of his closest friends to reside within the safety of the castle in order to seclude themselves from the horror and death going on outside. During the last months of their seclusion, the prince decided to hold a masquerade ball in order to amuse his many guests living within the confines of the rather odd castle. The dance takes place in a variety of unusual apartments within the castle, spaced apart so the guests would only see one room at a time. The apartments flowed east to west, each decorated in a different color and theme while following a pattern of blue, purple, green, orange, white, violet and finally ending in black. During the ball, guests enjoyed a dreamlike atmosphere as they danced through the many colored apartments, each of them avoiding the final black room. This final dark patterned room contained a large ebony clock which chimed eerily every hour, causing the party goers to pause their merriment for a few moments of uneasy silence. As midnight drew near, a new guest arrived, sporting a costume more ghastly and morose than any other. The mask he wore resembled that of a plague victim, and his clothes resembled a funeral shroud. Prospero became angry

In both “Masque of the Red Death” and “Annabel Lee” by Edgar Allan Poe, the author uses specific elements to express meaning and to develop a theme. He is portraying the idea that neither love nor death has a limit, no matter what we want to imagine. We have no control of either, especially death. In “The Masque of The Red Death” Poe makes the inference that death is inevitable or inescapable. In “Annabel Lee” he uses the power of two character’s love to show that death is not preventable no matter what you do. Also, he shows that love never vanishes even after death. In both selections, Poe uses rhetorical devices such as parallelism, symbolism, and imagery to draw the reader into the story.

Everyone fears their own death, thus why some people will do anything to escape it. In Edgar Allan Poe's short story, “The Masque of the Red Death”, this fear is experienced by all. In the story, a prince named Prospero and his people try to elude the Red Death through seclusion and isolation in the prince's abbey. However, no walls can stop death since it is unavoidable and inescapable. Throughout the story, Poe uses symbols such as the rooms, the masked figure, and the clock to convey the theme that no one can escape death.

“The Masque of the Red Death,” a short story by Edgar Allan Poe, tells the story of Prince Prospero and his futile attempts to prevent death. During his masquerade party, the prince notices an unusual figure, dressed as the Red Death, and, enraged at the sight of it, Prospero tries to kill it. Poe uses the seventh room, the ebony clock, and the Red Death itself as symbols of death throughout his story.

The overall conflict of the story “The Masque of the Red Death,” has to do with how death

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.

In the writings “Masque of the Red Death,” “The Cask of Amontillado,” “The Fall of the House of Usher,” and the poem “Alone,” written by Edgar Allan Poe, there are qualities about them that make them similar. Examples of some of these similarities would be isolation, mood, symbolism and death. All of these similarities are common in many of Poe’s writings because of his personal life. Throughout Poe’s life he experienced the deaths of his mother, adopted mother, and wife due to illnesses (Tuberculosis). Because of these deaths, it effected his style of writing, which is depressing, sorrowful and he goes deep into his feelings.

In “The Masque of the Red Death” by Edgar Allan Poe, and “To Build a Fire” by Jack London, both authors use similar protagonists who unwillingly have to face their death. Prince Prospero, in “The Masque of Red Death”, is avoiding a deadly plague by hiding in his castle with his kinsmen, and the man in “To Build a Fire” is traveling in the freezing weather trying to abstain from hypothermia and death. Prince Prospero and the man, while different from one another, are both trying to fight their ineludible destiny. While “To Build a Fire” takes place in the cold Alaskan frontier, and “The Masque of Red Death” is set in an isolated abbey, Poe and London both express through stubborn protagonists that

When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince's luxurious abbey with all the amenities and

the Red Death shows the futile attempts by a prince and his guests of a party,

Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages

Have you ever read a story where fantasy is the reality and things do not quite make sense? This is true for “The Masque of the Red Death” by Edgar Allen Poe. In it is a version of the black plague, which is called the “Red Death”. Prince Prospero secludes a thousand friends and himself from the death around them, but finds that he cannot avoid the inevitable. The author uses many literary devices to create an interesting and meaningful story. One of the devices used is imagery, which evokes the events of the story clearly in the reader’s mind. Another is allegory, which is used by Poe to create another story within his, as it is filled with double meanings. Lastly, Poe utilizes symbolism to give the story meaning. Edgar Allan Poe uses