Comparing Pygmalion And The Makeover By George Bernard Shaw

After learning more about the Pygmalion effect, it typically discusses how individuals often children or students may turn to live up to what’s expected of them, in which they perform better when someone sets high expectations for them. The Pygmalion effect was also called the Rosenthal effect based on the classic experiment by Rosenthal and Jacobson. During their experiment during the beginning of the school year, Rosenthal and Jacobson told the teachers that this test was to predict which students would bloom intellectually during the academic year. Both Rosenthal and Jacobson deceived the other teachers by telling them that the most intellect students have been tested by a new methodology which determines

Education in “Pygmalion” is depicted as a stepping stone into a better life, but it is how one puts one’s knowledge to use that determines their satisfaction with life. The main message of “Pygmalion” is appearances can be deceiving. Higgins, a high middle class man who studies phonetics--the science of speech-- with a proper education, conveys a persona of being cold, stern, proper, conventional, and intellectual. Eliza, on the other hand, grew up on the streets, which resulted in her hideous accent. She was “...not at all an attractive person…[She] wears a… hat… exposed to

Pygmalion by George Bernard Shaw is a play that shows a great change in the character Eliza Doolittle. As Eliza lives in poverty, she sells flowers to earn her living. Eliza does not have an education. This shows through the way that she does not have the most proper way of speaking. This happens through when Eliza is speaking to the other characters when she meets then when she is still at a low level of poverty in her life. To understand the reasons Eliza is able to change and be changed into an almost Cinderella like character. With Eliza going from and growing and changing through the hardship she faces. In the play Eliza begins with no confidence and works towards having a way to reach trough from learning during her life

In the short story entitled “Gryphon” by author Charles Baxter, the author begins to formulate a storyline about a young boy named Tommy and his experience with his new substitute teacher, Miss Ferenczi. Miss Ferenczi being a new substitute teacher in Five Oaks, Michigan provides Tommy’s class with a unique atmosphere. Ferenczi’s personality and teaching methods are particular features newly encountered by Tommy. Moreover, Miss Ferenzi’s is presented as a strange individual amongst Tommy’s class because of her attire and the two lines present across her face. Tommy and other classmates begin to alter their perspective on Miss Ferenczi’s as her character begins to unravel. Further, characters such as Miss Ferenczi and Tommy begin to change behavior through the continuation of the story. For instance, Tommy starts to develop his imagination and Miss Ferenczi begins her ascension as a fictional storyteller. As the story progresses, each character experiences continuous changes such as Tommy’s development of a sense of imagination and Miss Ferenczi’s implantation of fictional storytelling.

In the movie, Higgins targeted phonological features proper of Eliza’s Cockney dialect. According to Higgins, Eliza’s accent should be modified to “transform” her into a fine lady. The undesired behavior was weakened by a series of reinforcements based on punishment and reward. Eliza was offered chocolate, for example, when she correctly pronounced a set of sentences. Once Eliza achieve the “correct” pronunciation she was offered multiple rewards. For example, she attended the Ascot Horse Race, for which she was offered a new wardrobe.

Nathaniel Hawthorne’s The Scarlet Letter portrays a 17th century highly religious structured society in Boston, Massachusetts. The story tells about a societal and communal oppression against two sinners of adultery. Hester Prynne, the main character, was initially married at a young age to an elderly scholar and lived in Amsterdam. The couple decided to try fate in the New World, but Hester left first due to her husbands work. Not long after her arrival is that she commits to an affair with the minister of the town. Thus being Arthur Dimmesdale, the most spiritual-connected person in town, the one who engenders such sin. Nathaniel Hawthorne shows the reader that although both characters suffer considerably through the consequences of their

On July 21, 1899 Ernest Miller Hemingway was born in Cicero (Oak Park), Illinois. Clarence and Grace Hemingway, Ernest’s parents, raised him and his five siblings in the suburbs and spent time at their cottage in northern Michigan. This is where Ernest learned his love of the outdoors. His father taught him to row a boat, start a fire, clean and cook a fish, make a wild-onion sandwich and handle a gun (Reef, 2009). In high school Hemingway began to write for his school newspaper Trapeze and Tabula.

     After long, excruciating lessons, Eliza starts to get it and begins to talk in perfect English. Now, its time to try her newly learned skills. In the play, Higgins takes her to his mother’s house, while in the musical he takes her to the Ascot Races. Here they learn that she may speak perfectly, but she still can revert to her “flower girl” ways. This is where Freddy Eynsford-Hills falls in love with Eliza. Eliza’s father is forced into Middle Class after he inherits a large sum of money.

The different classes in both plays had their advantages and disadvantages; however, some classes had more benefits than others. In Pygmalion, the upper-class was the most privileged money-wise. Henry Higgins was an upper-class educated man who had quite a reputation and enough money to take on the challenge of transforming Eliza, a lower-class woman, into an upper-class citizen. As a member of the upper-class, Higgins had access to “chocolates, and taxis, and gold, and diamonds” that members of the lower-class didn’t necessarily have (Shaw 19). These objects are associated with

Compulsive eating and other related eating disorders have a lot in common with drug addiction: both are based on reward processes, include compulsive elements (binge eating vs. binge drug intake), can be described as chronic diseases with high risk of relapse and both share a marked lack of sensitivity to behavioural and pharmacological therapies (for review see Wilson 1993). Among the different models existing for assessing eating disorders (West and York 1998, Tschöp and Heiman 2001, Corwin and Buda-Levin 2004), there is currently no single "gold standard" model or test battery for compulsive behaviour. Models evaluating the compulsive component of eating disorders in rodent by distinguishing between reward-related, energy-related and compulsion-related factors in eating control, may represent a valuable tool in the preclinical search for new pharmaco-therapeutic

One’s class would be one the greatest stereotypical perceptions pertaining to language and groups. In Shaw’s Pygmalion, the storyline starts with a horrible storm. This storm forces classes of all types to crowd together out to seek shelter. Ideally, the higher class would not be caught associating with the lower class. However, a mother sees Eliza talking with her son, Freddy, and immediately goes to investigate. As a mother of that time, it is believed that Freddy should not associate himself with someone like Eliza. Eliza Doolitttle is roughly eighteen years of age, speaks what is called ‘gutter language’, and she sells flowers illegally. Appearance and actions “…reveal speakers’ memberships in particular speech communities, social classes, ethnic and national groups” (Edwards, 21). Due to her obvious state of being lower class, a stereotype is immediately placed on her.

HIGGINS [with the look of confusion on his face]: Fine thank you, Eliza we need to…

The play "Pygmalion" describes the process of the transformation of Eliza, who appears in three images in the story: Eliza begins as a flower girl, then she transforms into a lady with noble accent and in good manners, then an independent woman with self-respect and dignity.

Warner Brothers’ My Fair Lady (1964) a film adaptation of George Bernard Shaw’s Pygmalion has been seen as a success in terms of box-office profits and popularity of the work. In it, the protagonist Eliza Doolittle’s is portrayed as a Cinderella-like figure: In a short span of time, she rises from a humble family to become a well-mannered lady. It offers “a fairy-tale story” Paul Bauschatz says that is “bound to please most viewers, while retaining its potential for compelling visual display” (17). At the same time, musical components, witty dialogue, and splendid visual effects all have contributed to the popular appeal of the film to the general public. However, it seems to lose the edge of criticism of the conflict of social class and gender issues, as clearly manifested in Pygmalion. Eliza is presented more as a doll-like Cinderella figure than a woman in search of freedom. In the following, the essay is to discuss the transformation of Eliza from the dynamic and growing awareness selfhood to the romantic and pragmatic woman. Eliza’s quest for self-assertiveness and confidence remains, but she seems to lack the inner drive and momentum she used to have. A comparative study of Pygmalion and My Fair Lady (1964) will help learn the

Class distinctions are made abundantly clear in Shaw’s “Pygmalion.” Eliza is representative of Shaw’s view of the English working class of the day: Crude, crass, and seemingly unintelligent yet worthy of pity. Equal criticism is leveled at the upper classes, who pass judgement upon the poor precipitated by their appearance and mannerisms. Higgins and Pickering’s attitude towards Eliza is one of derision, stemming from their difference in social status. For instance, Higgins’ open mockery of Eliza’s speech: “You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days.” (Shaw.