Comparing Sexuality In Stephanie Meyer And Twilight By Bram Stoker

The truly shocking and terrible, blood-sucking-monster we once  knew have now changed into beautiful, perfect,and healthy human beings. This paper will discuss the change and the reason why  the change of idea many still accept and like the modern picture of vampires.In order to answer this, I will examine the differences between Bram Stoker's Dracula , the typical figure of horror before, and the soft light just before sunrise or after sunset's Edward Cullen, the obvious example of the 21st century vampire. From this, I will be able to decide out what changed in the features of the vampires we know today.Many would think about Edward Cullen as a "shockingly disrespectful behavior of the vampire old example" (Mole).

First, to compare and contrast Twilight and The Vampire Diaries, the main characters need to be analyzed. Bella Swan and Edward Cullen are the main characters in the Twilight movies, while Elena Gilbert and Stefan and Damon Salvatore are the main characters in The Vampire Diaries. Both Elena and Bella are humans at the beginning of each series and fall in love with a vampire. However, the similarities between the two female characters end there. Elena is an older sibling and very protective of her younger brother, Jeremy. Elena is also very popular and has many friends. Elena makes it very clear in the series that she does not want to be a vampire. Bella, on the other hand, wants to become a

Are there still connections between Bram Stokers famous novel Dracula and modern day society? In Dracula, Stoker expands on many themes that indeed exist today. Not only does he touch on the most obvious theme, sex. He expands on gender division and good versus evil. Some say since times have changed the themes I introduced have changed as well, leaving connections between then and now irrelevant. However, I feel that although times have changed they still have roots from the time of the novel to now. In this essay I will expand on the themes of this novel while connecting them to modern day society, the critical texts I have chosen and will mention later on in the essay are a good representation of the commonalities between the chill, dark Victorian days in which the era that Dracula was written in and modern day.

Stoker’s novel Dracula, presents the fear of female promiscuity, for which vampirism is a metaphor. Such fear can be related to the time in which Dracula was written, where strict Victorian gender norms and sexual mores stipulated

The story of Dracula is well documented and has stood the test of time since it’s Victorian age creation. More times than not, literature writings are a reflection of the era from which they are produced. In the case of Dracula, Vampire literature expresses the fears of a society. Which leads me to the topic I chose to review: sexuality. The Victorian Era was viewed as a period diluted in intense sexual repression and I believe that Dracula effectively exploited this as the fear of sexuality was commonplace in the society. In this paper I will examine Bram Stoker’s Dracula and highlight his use of sexuality. I will analysis the female sexuality that is prevalent throughout the book, the complexities are at work within the text, and the

    Perhaps no work of literature has ever been composed without being a product of its era, mainly because the human being responsible for writing it develops their worldview within a particular era.  Thus, with Bram Stoker's Dracula, though we have a vampire myth novel filled with terror, horror, and evil, the story is a thinly veiled disguise of the repressed sexual mores of the Victorian era.  If we look to critical interpretation and commentary to win support for such a thesis, we find it aplenty "For erotic Dracula certainly is.  'Quasi-pornography' one critic labels it.  Another describes it as a 'kind of incestuous, necrophilious, oral-anal-sadistic all-in-wrestling matching'.  A

Dracula is a novel written by Bram Stoker during the late 1800’s. The book starts out with Jonathan Harker, who is a smart young business man, who wants to travel to Count Dracula for a business ordeal. Many locals from the European area warned Jonathan about Count Dracula, and would offer him crosses and other trinkets to help fend against him. Mina, who is at the time Jonathans soon to be wife, visits to catch up with an old friend named Lucy Westenra. Lucy gives Mina an update on her love life telling her how she’s been proposed to by three different men. The men are introduced as Dr. Seward, Arthur Holmwood, and Quincey Morris. Unfortunately for her she will need to reject two of the men, and Lucy ends up choosing to marry Holmwood. Later on after Mina visits Lucy, Lucy starts to sleep walk, becomes sick, and then finds out she has bite marks on her throat. Due to this incident, another new character is introduced who happens to be Van Helsing. As the novel progresses, lady vampires are introduced and Lucy is eventually turned into one of the lady vampires as well. With the introduction of female vampires, the novel Dracula turns into a sexual and sensational novel by Bram Stoker. The female characters in the book are overly sexualized to where we can compare it to how women are viewed from back then in history to today’s world.

While looking at the relationship between Oskar and Eli through the Forry article’s theme of hyper-sexualized vampires, I noticed that Eli and Oskar share more of a true love rather than the love captured in other vampire films that is dominated by a more sexual less intimate connotation. However, it is without a doubt that the classic vampire we recognize and have grown to love and hate would not continue to exist if the sexual context of all that they represent was taken

The vampire is an embodiment of society 's deepest fears. Throughout literary history, the vampire has always been characterised as a vile figure of pure evil. However the depiction of the vampire is affected by the social, historical and political context of the time. As context shifts, so does the collective fear of society, with the portrayal of the vampire following suit. Dracula, I Am Legend and Twilight, three extremely popular books of vampire fiction created during vastly different periods in history, are representative of this shift. In Dracula, the titular character is depicted as an anti-christ figure by the author, Bram Stoker, who attempts to warn people about the dangers of straying from traditional Christian ideals. I Am Legend, a nineteen-fifties post-apocalyptic novel, emphasises the dangers of a world ravaged by environmental destruction. The wasteland, that was once earth, becomes populated by animalistic, brutal vampires that have been created as a result of an environmental plague. Finally, Twilight is a teen-angst novel written by Stephenie Meyer in 2005 and adapted into a movie of the same name in 2008. In a day and age where more people have begun to adopt humanitarian views, society has put a strong emphasis on rehabilitation and redemption. Contrary to this ideology, Edward Cullen, the main vampire, has a deeply ingrained fear that he is beyond saving thus reflecting society 's fears that one can inherently be beyond redemption.

The relationship that exists between gender, sexuality and sexual practice is one that is not static, but is ever changing and shifting dependent upon the society in which it exists (Brickell, 2007). This essay aims to describe how Bram Stoker’s 1897 novel, Dracula, presents a “characteristic, if hyperbolic, instance of Victorian anxiety over the potential fluidity of gender roles” (Craft, 111-112), whilst also inverting and subverting conventional Victorian gender patterns through the characterisation and portrayal of the vampire women residing in Count Dracula’s castle, Mina, and Lucy as well as the ‘feminine’ passivity and submissive depiction of Jonathan Harker.

Although in modern times people are exposed to sexuality from a young age through advertisements, media, and pop culture, during the Victorian era in England, the only acceptable exploration of repressed sexual desire was through a book that upholds the Christian belief of sexuality’s corruptive effects on society. In Bram Stoker’s Dracula, a gothic, horror novel, Dracula, a vampire from Transylvania, preys on Mina Harker, a devoted Christian and intelligent woman, and Lucy Westenra, an innocent, young woman pursued by three suitors, by luring them and sucking their blood; the women and their suitors form a gang of vampire fighters who track and eventually kill Dracula defeating his devilry with the forces of

The gothic vampire classic Dracula, written by Bram Stoker, is one of the most well known novels of the nineteenth century. The story focuses on a vampire named Dracula who travels to England in search of new blood, but who eventually is found out and driven away by a group of newly minted vampire hunters. A major social change that was going on during the late nineteenth century, around the time of that this novel was being written, was the changing roles of women in British society which constituted as the “New Woman” movement and the novel seems to explore and worry about this subject extensively. These women wanted to be freed both politically and sexually, but much of the general population at the time found it unsettling (Dixon,

acts as a seducer and corrupter of virtuous women, whose transgression of moral conventions inspires horror within the righteous Aubrey. Especially the act of biting as a form of penetration of the victim links vampirim closely and so obviously to sexuality, than showing it on screen was still considered a great risk in the early Dracula movies of the mid-nineteenth century (Beresford). Finally, Coppola's movie Bram Stoker's Dracula (1993) went one step further, showing explicit sexual interaction between Dracula and his victims, rendering the sexual metaphoric quality of vampirism superfluous. This does not mean vampirism lost its ability to portray sexuality, but in Twilight they are not equivalent. On the one hand, Bella is attracted to Edward first and foremost due to his vampiric qualities, and as

Punter and Byron reinforce this claim by stating that, “Dracula is associated with disruption and transgression of accepted limits and boundaries” (231). It is relevant to consider the aggressive behavior of Dracula towards his victims while he is on the prowl to fulfill his thirst for blood, especially with Lucy and Reinfield and the image of female vampires feeding on young children (Lucy). This bolsters the notion that the depiction of vampires in early portrays was violent. Also, as a sexually powerful creature, he preyed on men and women to fulfill his desires. The sexual representation of vampires is also evident from Ernest Jones’ early analysis of folktales, including the vampire. He proceeded to conclude that vampire’s and their counterparts, namely the Churel (India) and the Drud (vampires that prey exclusively on other vampires), do not confine themselves to sucking blood; rather “in the unconscious mind, blood is commonly associated with semen” (106). It would be inaccurate to associate these references to anything but the erotic nature of older folktales. Even in Dracula, the Count is portrayed as a seductive aristocrat who sucks on the blood of men and women, alike. The homosexual aspect of vampire tales is also apparent in “Carmilla” (Joseph le- Fanu 1872). As pointed out by Punter and Byron, Laura experiences intense erotic advances from the female vampire, to the extent of being puzzled

Bram Stoker's novel Dracula, published in 1897, explores various sexual erotic possibilities in the vampire's embrace, as discussed by Leonard Wolf. The novel confronts Victorian fears of homosexuality; that were current at the time due to the trial of playwright Oscar Wilde. The vampire's embrace could also be interpreted as an illustration of Victorian fears of the changing role of women. Therefore it is important to consider: the historical context of the novel; the Victorian notion of the `New Woman' specifically the character of Lucy Westenra; the inversion of gender roles; notions of sexuality; and the emasculation of men, by lessening their power over women; in the novel Dracula. In doing this I will be able to explore the effects