Comparing Sleepy Hollow and The Legend of the Sleepy Hollow Essay

Unlike “The Tell-Tale Heart”, ‘The Legend of Sleepy Hollow’ plot is built around the main theme of superstition. Ichabod tends to be horrified and terrified with the Headless horseman stories. ‘Irving depicts a strong, controversial understanding between the supernatural superstitions the townspeople believed and the natural Sleepy Hollow setting ‘(Hoffman, 425). Despite the story describing in details the natural setting such as trees and birds of the area, there is also a vibrant understanding of privileging supernatural ideas. For instance, Irving believes that it is simply Brom Bones in disguise when finally, the headless horseman appeared.

At first glance, "The Legend of Sleepy Hollow" by Washington Irving seems to be an innocent tale about a superstitious New England town threatened by a strange new comer, Icabod Crane. However, this descriptive narrative is more than just a simple tale because it addresses several gender issues that deserve attention. The pervasiveness of female influence in Sleepy Hollow and the conflict between male and female storytelling in this Dutch community are two pertinent gender issues that complicate Irving's work and ultimately enable the women of Sleepy Hollow to control the men and maintain order.

“The Legend of Sleepy Hollow” is short story of speculative fiction written by Washington Irving, published in 1820. It follows the journey of Ichabod Crane and Brom Bones in their attempt to win over Katrina Van Tassel. Many adaptions have been made of Irving’s original story with one of the most known being “Sleepy Hollow” a 1999 American horror film directed by Tim Burton. The movie follows a different but similar plot to the original story with the murders of the headless horseman being the main focus of the movie. In both versions it can be clearly seen how the setting has a huge impact on all aspects of the book and film particularly the themes, values and characterisation.

The book and the movie of "Huckleberry Finn" were both good, but there were many differences between the two versions. Some people think that Disney ruined the book because they added some things and cut some things out. Other people like the Disney movie better than the book. They think that it is more detailed and they like the way it is set up better, also they don't have to read they can just watch the movie. The three biggest differences between the book and the movie are that Tom Sawyer is not in the movie, Mary Jane saves Huck and Jim in the movie, and that the "N" word is not used in the movie like it is in the book.

In the story, Brom Bones, although he is not the main character of the story, represents more of the American Romantic hero than Ichabod Crane. Brom Bones demonstrates this role as a hero since he is physically fit and innocent in mind since he is not formally educated. The American Romantics valued people that did not have a formal education and were pure in mind. Conversely, Ichabod Crane demonstrates many values that were not cherished by the American Romantics. Ichabod Crane was a teacher and had a higher education that the American Romantics appreciated. He also did not have a higher purpose that he believed in, and was not innocent. This lack of innocence can be seen with the maxim Ichabod believed in, “spare the rod and spoil the child” (Irving, “The Legend of Sleepy Hollow”). This quote focuses on his teaching style, where he was not a gentle person to children, but rather a harsh teacher. Moreover, he would go to live in the homes of the students “who happened to have pretty sisters, or good housewives for mothers” (Irving, “The Legend of Sleepy Hollow”). Ichabod does not have the innocence or mentality that help to define an American Romantic hero, which is especially seen in how he does not appreciate nature as much as the American Romantics would. Rather than turning away from civilization and moving towards a deep inspiration and appreciation of nature, Ichabod embraces society. In this story, Ichabod appreciates Sleepy Hollow and wishes to stay there, thinking positively of the houses and luxuries that some of the people have. This is best demonstrated when Irving states, “When he entered the house, the conquest of his heart was complete” (Irving, “The Legend of Sleepy Hollow”). The quote explains how Ichabod appreciates the house that he is in and does not want to leave such a place. Nature,

?The Legend of Sleepy Hollow? is a short story by Washington Irving. Based on a well-known legend, this story tells the tale of the disappearance of the main character, Ichabod Crane. An effective ghost story, Irving leaves you guessing what the truth is behind the ending. The movie Sleepy Hollow is Hollywood?s portrayal of Irving?s original story. Although the movie is similar to the story in the beginning, the movie takes a twist that leads in another direction that strays far from the original plot.

The town of Sleepy Hollow is isolated, dark and gloomy, it also has contains mostly gothic architecture. This is to support the spine chilling atmosphere that Tim Burton has intended in the film. This is to create a theme of fear and panic towards the viewer because the idea of gothic horror is to create a suspenseful, isolated and dark environment in the movie. An example of this is when Ichabod Crane arrives at sleepy hollow and is instantly greeted by a grave yard and a gloomy, foggy and gothic looking town. The setting of the place in this scene is an excellent example of how gothic horror differs from other styles of horror.

Many connections to famous books or movies can be made to the Headless Horseman or the "Heissan" as he is referred to many times in the original "Sleepy Hollow". The Headless Horseman has a few key traits: engimatic, supernatural, and terror raising/feared. Only a few have ever come face to face with the Horseman, the nemesis of Ichabod Crane (main character) Brom Van Brunt has a supposed run in with the horseman and lives to tell the tale, while the village elders go off of stories. When his name is spoken townsfolk quiver at the stories and terror brought about by the mistery of the supernatural. This horseman is no ordinary horseman, he frightens the whole town, patrolling the church grounds where he is supposedly buried, he makes quick work of anyone who dares go near.

To begin with, Washington Irving uses imagery to clearly illustrate the story’s development, immersing the reader into what is happening and causing them to feel suspense as they walk through various events together with Ichabod. For example, as Ichabod returns home from the party, Irving portrays his horrifying surroundings, describing Ichabod as a solitary figure in the “dead hush of

The teacher liked Katrina first, because she was so beautiful but mainly because she was heiress. Katrina’s father (Van Tassel) was the richest farmer out there. He had the bigger, luxury and most beautiful house the whole town. So, to Ichabod Katrina was an opportunity to have the live that he believed he deserved. He actually fell in love with the banquet served there. He thought only devour all the food that was

These qualities are displayed in Ichabod’s first scene when he is in New York and talking to his superiors after arresting a man, “I beg pardon. But why am I the only one who can see that to solve crimes, we must use our brains, assisted by reason, using up-to-date scientific techniques?” During this scene he is in court arguing with the judge as he does not agree with how they imprison people without evidence and believes that they have to adopt the latest techniques to solve crimes. In this scene Burton uses a close up shot to capture the look on Ichabod face as he is fighting for what is morally right and is not frightened by the repercussions. He also positions the judge higher up than Ichabod to show that he is more powerful and the judge’s voice is loud to show that he is of authority and could decide what happens to Ichabod. Ichabod starts out as a coward as he is scared of blood and does not believe the cries of the townspeople about the horseman but as the story goes on he develops courage and tries to stop the horseman and this is why he is good. He comes to the rescue of Katrina van Tassel when she is kidnapped by Lady van Tassel even though he knows he has to stop the Horseman from getting her and the Horseman being considerably stronger than

Any type of hero should be courageous and generally caring of others, but Ichabod Crane is neither of these things. “Ichabod…knew two emotions, and two only. His were fear, and ambition” (Hoffman). He is extremely cowardly in many aspects and the ambition comes from his overwhelming and extravagant greed. Ichabod is

The narration in The Legend of Sleepy Hollow functions as a way to give authority to the women of Tarry Town. This power of feminine is elicit by Washington Irving who gives respect and superiority to women indirectly, but yet evidently through third person narration. Furthermore through Katrina he parallels the power of Tarry Town’s women by illustrating their agency to beget the downfall of Ichabod.

Ichabod’s personality does not quite relate precisely from the book to the movie. He is a self-assured smart man in the story that always knows what he is doing. Unlike his written character, Burton’s Ichabod faints frequently and never seems to know what he is doing. Ichabod Crane is two different people in The Legend of Sleepy Hollow and Sleepy Hollow.

Ichabod’s paranoia made him perceive the object as a head, although the reader discovers later it was just a pumpkin. Ichabod hastily rationalized this event as an act of the headless horseman because the rider appeared to have no head and he had heard the legend of the Horseman. He let his feelings of fear create the situation into the Headless Horseman, and Ichabod created a new version of events because it is human nature. He created events that matched his paranoia, thus he was petrified and fled the town. It is part of human nature for people to rationalize events as supernatural or create new events to make themselves feel better or correct.