Comparing The Beast In The Jungle And The Revolt Of Mother

Life, the existence of an individual human being. All humans have the desire to “exist” as one would say, to become influential in this world. But is it not possible to exist once one is gone? Famous film director Alfred Hitchcock argues that characters are more important dead than alive. In this life, in order to become important or even cared about, one must die. Death has become the key to success because everyone misses those who are gone. Literary work such as Macbeth, A Lesson Before Dying, Are You Worth More Dead Than Alive? and, How the King of Pop Made 1.5 Million, have proven that not only characters but humans hold more value once they are dead.

Mary Oliver’s poem, “Sleeping in the Forest,” presents a peaceful and vivid representation of death and its relationship with nature. As the poem begins, the reader is introduced to the earth welcoming the speaker back into the realm of nature. Man was created from the dust of the earth and when we die, our bodies return to the dust. However, this poem presents a more beautiful image of what death is composed of. Death is often portrayed as being frightening and disturbing. When individuals are presented with the thought of death, they often push this thought away out of fear and ignorance. Everyone will die someday whether we ignore the thought of death or not. However, Oliver creates a relaxing and welcoming image for the reader on what death (ideally) is. Obviously, since Oliver is still alive, she doesn’t know what death feels like. However, the way she describes death, I hope that it feels like sleeping in a forest; full of stars and enchantment.

Now, Sarah feels that her personal pursuit relies on getting herself embedded in the American culture through getting herself educated. This dream, however, is to face the negligence of her family, leaving her strong will to be the only tool in need to fight with the ancient molding of cultural dilemma which taught to treat women like they were the dolls in the house and are to be treated whatever the man’s in house wished to treat them as. If one raids out the whole book to find the very cause of her family being negligence will find the need for her family’s food and warmth as equal as the societal expectation

Death can not be avoided - this promise is given to everyone from birth. But before this promise is fulfilled, people must live this segment between birth and death, which is called life. And HOW they will live it -- is a individual choice of each person. Many authors argue on the subject, using different techniques, as well as Virginia Woolf in “The Death of the Moth” and Annie Dillard in “Living Like Weasels”. While both writers use animals as a symbol of life to share their viewpoint of life, Woolf uses sad and sympathetic tone and usual description of a typical autumn morning and Dillard uses cheerful and positive tone and almost dreamlike description of a beautiful summer evening to convey that people should live their lives the way they choose, since

Mama’s harsh upbringing frames her perspective on the world. During Mama’s childhood, she faces a harsh world chock full of microaggressions and racial prejudice alike. Despite all of the factors working negatively in Mama’s favor, she successfully clambered out of her original pit of societal oppression, and instead took residence in a society a tier above that of her upbringing. The cornerstone of Mama’s dream is the concept of a home with a garden, wherein family can grow up and prosper: “Well, I always wanted me a garden like I used to see sometimes at the back of the houses down home. This plant is close as I ever got to having one” (Hansberry, 53). Although this dream might seem meager through a contemporary looking-glass, black people were systematically denied homes prior to and including the mid-nineteenth century, therefore Mama’s dream demonstrates her direct wish to live a life

Kincaid doesn’t bother with throwing everything into quotations and the entirety of the story is essentially one sentence joined by semicolons. This style gives the work an overall matter of fact tone. The nagging voice is immediately evident in “Wash the clothes on Monday and put them on a stone heap; wash the color clothes on Tuesday and put them on a clothesline to dry…” (Fader/Rabinowitz pg. 66). The reader can also get a sense of the cultural expectations of the main character through the domestic imagery throughout the text. The girl is expected to uphold certain roles within her home and is instructed as to how to behave and not draw attention to herself. Her mother assumed that her daughter’s behavior was inappropriate and any protest she offered to defend herself was shot down. Kincaid drives her point home effectively when in the very last line: “...you mean to say that after all you are really going to be the kind of woman who the baker won’t let near the bread?” (Fader/Rabinowitz pg. 67). The reader can see the mother’s surprise towards her daughter’s innocent question. The girl was unable to learn how to be adult and conduct herself properly, even after all of her mother’s speeches and

Many authors use storytelling as a vehicle to convey the immortality of past selves and those who have passed to not only in their piece of literature but in their life as an author. In Tim O’Brien’s work of fiction The Things They Carried, through his final chapter “The Lives of the Dead,” O 'Brien conveys that writing is a matter of survival since, the powers of storytelling can ensure the immortality of all those who were significant in his life. Through their immortality, O’Brien has the ability to save himself with a simple story. Through snippets of main plot event of other chapters, O’Brien speaks to the fact the dead have not actually left; they are gone physically, but not spiritually or emotionally. They live on in memories as Linda lives on in the memories of O’Brien and as many of his war buddies live on through his stories. He can revive them and bring them back to the world through his writings and through these emotions or events he experienced with them and with their deaths can make them immortal. Through the reminiscent stories of Linda and O’Brien’s war companions and himself, O’Brien conveys that storytelling allows people to reanimate others who have died and past selves to create an immortality of humans.

Being a part of the outdoor world and assisting her father out on the farm was important to her. The girl was pleased when her father complimented her hard work, she “turned away and raked furiously, red in the face with pleasure” (4). Although, whenever the narrator’s mother asked for help she quickly did the task, but she stated, “as soon as I was done I ran out of the house... before my mother thought of what she wanted me to do next” (4). It seems as if she did not want to be like her mother. She viewed her mother as boring, and she did not want to become a modern housewife with little importance to the world. The girl clearly stated “it seemed to me that work in the house was endless, dreary, and peculiarly depressing; work done out of doors, and in my father's service, was ritualistically important” (4). Nevertheless, as the girl aged, her personality towards life began to change. She had been comfortable with the idea of killing animals and found herself watching the process, but later, she matured into a girl who “didn't think of watching it” (9). Without showing regret, the girl seemed to be

I always tell myself that in today 's world we are not living. We are just surviving to see the next day. Just like McCandless said: "But this is not important. It is the experiences, the memories, the great triumphant joy of living to the fullest extent in which real meaning is found.”(37). He withstands many new experiences because he wants to live life at its fullest potential and does not want to conform to society 's standards. He wants to find truth and not lead the uniform life that has been mapped out for him since birth. ”We misread him”(20). Mccandless’ father observes rather dumbfounded. Mccandless’ family has high expectations of him, they want

William James, an American philosopher and psychologist once said “believe that life is worth living and your belief will help create the fact.” Life, regardless of how close it lies to death, is worth keeping. The poem “Do Not Go Gentle into That Good Night”, by Dylan Thomas is a son’s appeal to a fading father. He shows his father that men from all walks of life confront death, however, they still war against it. Thomas uses figurative language to classify men into four different categories to persuade his father to realize that a life, regardless of how it was lived, should be fought for.

Imagine sitting on an airplane, then all of a sudden you wake up and find yourself stranded on an uncharted island. Your palms are sweaty, knees weak, arms heavy. When all the adults have died and you are the only person alive with a group of boys on the break of adolescence… Without an adult how will one survive? In William Golding’s novel, Lord of the Flies there are many characters that are perceived as savages. When an airplane crashes on an undiscovered island, the only survivors are young boys. Throughout the novel, the boys fight for their survival, but many fear that there is a beast who may be lurking on the island. As the boys were once moral, their innocence slowly disintegrates away and they turn into their true form, a bloodthirsty savage. Perhaps the beast is within themselves.

Henry James wrote an ambiguous story titled The Beast in the Jungle, which can lead to many interpretations. May Bartram being an angelic woman while John Marcher is an ignorant fool, being the most common interpretation. Bartram's response to Marchers' secret predicament is unusual because she remains by his side yet gets no material items or marital status. It can only be assumed that the satisfaction Bartram gets is not from a positive friendship, because Marcher does not even offer a true friendship, but from a fiend like obsession with his life and a desire to torment him.

In the 20th century, the average home life in rural Oklahoma was full of hard workers in the pursuit of the picture-perfect home surrounded by plentiful land. The sun rose over the land, signaling the commencement of the day ahead. The farmer had already been awake since before the sun broke the horizon, preparing his little equipment and his animals for his land’s work. The farmer’s wife was in the kitchen, cooking her husband a warm breakfast as a sign of her gratitude. Their children woke and soon were running into the kitchen, bellies growling. After gobbling up the breakfast, they ran outside to play and do chores of their own. The rest of the farmer’s wife’s day was spent cleaning, cooking, and looking after the kids until the sun went down and it was time for bed. Set in this time, The Grapes of Wrath, by John Steinbeck, holds contrasting female characters. Some characters show the defiance of the gender roles at the time, while others adhere to them. In some instances, a female character can surpass the expectations set upon her by the patriarchal society in which they live she lives, setting her free to use a voice she never was allowed.

Sometimes her mom would make her help with cutting onions or peeling peaches and as soon as she was done she would run out the door when her mom’s back was turned. She viewed the chores inside the house was endless and depressing and would much rather work outside. She hears her mother stating that she can’t wait till the son, Laird gets bigger so he can do the chores outside and the girl can do the chorus inside with her. The mother states, “I just get my back turned and she runs off. It’s not like I had a girl in the family at all.” At this point the girl feels like she can’t trust her mother, she knows her mother loved her yet she feels like her mom is always plotting against her to keep her from working with her father. She didn’t expect her father to really listen to what her mother was saying, Laird, in her mind wouldn’t be able to do the job as well as she does. Looking at her father’s bloody apron she reminds that reader that the foxes were feed horse meat, other farmers whose horses will get old or injured would call her father and him and henry would go kill it and butchered it. However, if they already had a lot of meat they would keep them for a while. The winter she turned eleven they had two horses, Flora and Mack. It was this winter where she heard her mother go on more about her helping in the house. She states that she no longer feels safe because the people around her who thought the same way. She stated, “The word girl had formerly seemed to

Within this novel, Morrie embraced his mortality with “love, acceptance and open communication” as he gave the reader a glimpse into what he considered to be “The Meaning of Life.” Using Mitch Albom as a vessel to pen his “own culture values,” Morrie was able to define the contradictions between others vision of “popular culture values” and his style of truly living through “life, death and reincarnation.” With the use of materials obtained from the course, this writer was able to summarize various observations about Morrie’s “final lecture” on life, death and family amidst his perceptual understanding that reorganized “aging as growth and not