Comparing The Iliad and The Bible
Throughout recorded history, man has sought explanations for the various phenomena that occur in every facet of nature, and when no obvious answer is forthcoming, still a theory is often proposed. These explanatory theories, often taking the form of stories or chronicles, are usually linked to some sort of mysticism or divine intervention. By ascribing that which he does not understand to the gods’ will at work, man avoids facing up to his own lack of knowledge in a given area, and also draws comfort from assuming that the universe does indeed function under the guidance of divine beings. Thus the explanatory accounts that man crafts enhance his own security, quelling the fear of chaos that
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In ancient Greek culture the gods were seen as taking a very active role in the development and course of human history. The entire Olympian pantheon, as well as many other less important divinities, meddles in human affairs to no end. The people of the many city-states that composed Greece firmly believed that every aberration from normalcy was due to an act of the gods. Homer, the author of The Iliad, coined the prevalent religious beliefs of the time in his epic poems, showing the gods as temperamental and willful, meddlesome and dynamic. Homer’s entire poem is replete with instances of divine intervention in mortal lives, and no single major occurrence comes to pass unless it is the will of one of the many Olympian gods. Few major decisions are made without consulting the gods first, and the handful of instances in which one leader or another takes initiative almost always fails miserably. Life, according to the Greeks, is almost entirely rooted in their religion, as there is a god or goddess governing every aspect of the universe, and also because the gods so actively involve themselves in the everyday lives of mortals.
A classic example of this divine involvement occurs within the first page of The Iliad. Achilles, the great hero of the Achaean armies, and Agamemnon the commander-in-chief of the Argives clash bitterly, and the entire epic centers on this conflict. Homer details the cause of this
Homer incorporated themes reflective of polytheism, heroes, and society into his poems. Ancient Greek culture is incorporated into his themes by the Greek gods being key characters in his epics. Gods have no moral code or rules of conduct to justify their actions so they are always seen as just and right. This reflects the ancient Greeks view of higher power and that power upon man (Versényi 21). The gods are seen as all powerful except when fate is in play. The gods are seen as weak to the defining power of fate to the protagonist to demonstrate how death is inescapable (Versényi 28). A common theme seen through Homer’s use of polytheism is the lack of peace between each god and they all come together under a common cause, to help
Through the sampling of readings from The Norton Anthology of World Literature book, one could come to the realization that in a majority of those stories, the deities seem to influence or even control the outcomes of the heroes, often in a negative manner. In the first epic, Gilgamesh encounters the gods at various times, and in The Iliad, the gods manipulate the Greeks and the Trojans for their own desires and wants.
In almost all instances of war the cause has been related to greed, or the gaining of land and possessions. Greed is presented in the very first book of Homer’s “The Iliad.” It isn’t displayed by the cowards, but the “heroes” of the war such as Agamemnon, Achilles, and Pandarus. The entire cause of the Trojan War is the result of the greedy and cowardly behavior of Paris. There are many factors that had sparked the war, including the interference of the gods; however, the main factor to be blamed for the war is greed.
Godly colossal Greek epic, “The Iliad” constituted by the poet named, Homer, articulate the chronicle of the Brobdingnagian Trojan War. It is swarming with the interventions of the gods enchanting their coveted mortals (humans) and altering the heterogeneous scenes of the Trojan War. In this poem, gods have an assortment of relationships with humans which include love, fornication, and mother or father relationships. Gods interact with mortals in human shapes and stimulate them. Also, gods cognize that every human is eventually destined to die and they anticipate humans to pray to them for every obstacle humans encounter. However, for humans gods are omnipotent, authoritative, dominant, and immortals, who they supplicate to if they have
In the ancient Greek world, religion was personal, direct, and present in its citizens’ daily lives. During this time, they participated in animal sacrifices and offerings, created myths to explain the beginning of the human race and gave reverence to their gods by building temples which controlled the urban landscape. They also participated in local festivals and sporting and artistic competitions. Religion was never out of the presence of ancient Greece’s citizens. While they may have made up their own mind on the terms of their religious beliefs, some may have been completely confused if these gods actually existed. There were certain fundamental beliefs that must have been sufficiently widespread, in order for the Greek government to function. In ancient Greece, gods existed, they influenced human concerns, and they welcomed and responded to acts of godliness and worship.
Throughout the Iliad of Homer there can be seen many features of the Greek religion. The
The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.
If there’s one thing one can count on when it comes to Greek gods, it’s that they’re critically flawed. Anyone reading Homer’s The Iliad can see the Greek gods act just like humans, constantly bickering, deceiving and throwing fits. The only people who can’t see through this facade of glorious immortality are the Greeks themselves. Throughout Homer’s entire epic, the gods continuously help the mortals based upon their own motives, and yet, the humans still worship them, ask them for help and forgiveness and blessings. Any reader would throw up their hands, disgusted that the humans glorify these beings that possess all the character flaws that mortals do. Homer is very successful in portraying humanity throughout his text, both through the perspective of the gods, and the perspective of the humans. While readers are allowed insight to both worlds, the characters themselves only see one dimension, resulting in the unequal nature of the humans constantly working to please the gods, sometimes to no avail. The Iliad exposes the fatal character flaws of the gods to readers, while also maintaining the mortal Greek perspective that gods are perfect beings, looking out for the greater good of mankind.
Many authors have employed the religious beliefs of their cultures in literature. The deities contained in Homer’s Odyssey and in the Biblical book of Exodus reflect the nature of the gods in their respective societies. Upon examination of these two works, there are three major areas where the gods of the Greek epic seem to directly contrast the nature of the God of the Israelites: the way problems are solved, the prestige and status that separates the divine from the masses, and the extent of power among the immortal beings.
Upon initial consideration, comparing similarities in the Homeric epic The Iliad against the Bible’s first book Genesis would seem outlandish. The comparisons between the two tales may not be abundantly clear. The parables of the Bible serve as religious cornerstones for society, while Greek tragedies serve as the moral lessons on which our culture is predicated. Fate in both narratives is understood to be a governing body, with a prominence being placed on remaining on the course with that which has been outlined for the individual. The “swift footed” Achilles and the “simple tent-dweller” Jacob are dually fated to embark on a trajectory that does not align with their idiosyncratic needs: death for Achilles, social status for Jacob. The comparisons between the two characters seems to augment more contradictions than parallels, yet it is through these similarities that the characters are humanized and the malleability of destiny can be understood. Fate in The Iliad and Genesis reveals an intriguing dilemma: one can either change their destiny, like Jacob, or one could succumb to fate, like Achilles. These polar notions serve to accentuate the significance of becoming an active participant in your own narrative, even when fate is not on one’s side.
The gods in the Iliad are manifested not just to have a direct hand in the lives of mortals, but moreover to be picky about whom they would like to help. Greek religion held powers and fears of all kinds so therefore the reasons behind their motivation and resolutions is not like the modern Christian notion where they think that whoever deserves to have the honor will be it. From what I have read to see, its gods were within the world, one that they did not create. Power such as gods, spirits and nymphs did not die but yet were born. The Greek gods were immortal and had a long life with all
Over the thousands of years that the epic story the Iliad has survived, there has no doubt been some form of alteration to Homer’s original. Last May, Wolfgang Petersen directed a movie based on the Iliad. This movie, Troy, has proven to be a very loose adaptation of Homer’s original, as are almost all stories that are made into movies, unfortunately. With its timeless storyline, amazing scenery, gorgeous actors/actresses and most of all, its reported two hundred million dollar budget, it is easy to see why Troy was hyped up to be a box office hit. However, the film critics were harsh on this movie, as they had every right to be, and it ended up being a total flop. Compared to Homer’s Iliad, Troy is rather
The personalities of the gods are as broad as there are stars in the heavens, and as such the ways that these gods interact with mortals vary. The purpose of gods intervening with the days of man comes down to two things, good or bad; there are gods who are caring and loving towards mortals while others view man as pawns which they can use for their own personal agenda. A few gods that capture and exemplify the various personalities of the gods can be found in Ovid: The Metamorphoses of Ovid and Homer: The essential Homer: Selections from the Iliad and the Odyssey. Although the ways man and the gods communicate and get each other’s attention are different, there are reoccurring and overarching themes such as desire, and loyalty that make each intervention between gods and mortals similar.
Over the thousands of years that the epic story the Iliad has survived, there has no doubt been some form of alteration to Homer's original. Last May, Wolfgang Petersen directed a movie based on the Iliad. This movie, Troy, has proven to be a very loose adaptation of Homer's original, as are almost all stories that are made into movies, unfortunately. With its timeless storyline, amazing scenery, gorgeous actors/actresses and most of all, its reported two hundred million dollar budget, it is easy to see why Troy was hyped up to be a box office hit. However, the film critics were harsh on this movie, as they had every right to be, and it ended up being a total flop. Compared to Homer's Iliad, Troy is rather disappointing. But, to be
Homer’s epic The Iliad, is a great tale of war and glory. It takes place during the last year of the ten year Greek-Trojan war. The Greeks have been fighting with the Trojans for quite some time, and just when peace seemed like a possibility, the youngest prince of Troy, Paris, acts out selfishly and steals the beautiful wife of Menelaus, Helen. This instigates the fighting again. Throughout The Iliad, Homer tells of two heroes, both similar, but also very different in their character; the great and powerful Greek, Achilles, and the strong, loving father, Prince Hector of Troy. In Homer’s The Iliad, Hector and Achilles differ as heroes in regards to pride, duty, and family love, the latter being self-centered and prideful, while the