Comparing The Odyssey And Gilgamesh

Telemachus was the son of Odysseus, mighty king of Ithaca and hero of Athena. Telemachus was a mere infant when Odysseus set sail for Troy where he helped to conquer the Trojans and retrieve Menelaus’ wife Helen. Despite emerging victorious from the Trojan war, Odysseus hadn't succeeded in returning home to Ithaca, and so twenty-one years after his departure for Troy, his family and kingdom believed him to be dead. Telemachus had lived his entire life without his father and as the Odyssey begins, although twenty-one years of age, Telemachus seems to be a child and not a powerful young man. Telemachus was first portrayed as a somber young lad who's heart was stricken with grief for the loss of his father. He was daydreaming and keeping to himself

Prince Telemachus of Ithaca was living in a world of greed and disrespect during his father's twenty-year hiatus. His father, King Odysseus, had set off to fight along with fellow Greeks in the Trojan War. After the war, all the Greeks who did not perish during the battles had made it back to their homelands, with the exception of Odysseus. During this time suitors had taken over Odysseus' palace and were courting his wife. It was time for Telemachus to take action against the crude suitors and become a mature adult. In "The Odyssey" by Homer, a young prince sets off to learn news about his father. At the same time Telemachus meets influential people who introduce him to a whole new world, which propels him to become a mature and

In the beginning of The Odyssey, Telemachus is not yet a man and not sure of himself yet. Embarking on a mission to find his father, he matures from a child to a strong, single-minded adult. Throughout the poem, Telemachus finds his place in the world and becomes a more well-rounded person. Although Telemachus never quite matches his father Odysseus in terms of wit, strength, agility, his resilience does develop throughout the text. In the epic, The Odyssey, by Homer, the young boy Telemachus changes from an insecure teen into a confident and poised young man as he travels the seas in search for his father, whose bravery and intelligence proves to be comparable to his own.

In the Odyssey Telemachus has varying relationships with his mother, Penelope, the suitors, and his nurse, Eurycleia; a mother and son but also head of household and subordinate member of the household, a young boy and superior men, and a son and mother but also a master and servant. In the poem, Telemachus must find out what became of his father, Odysseus, who never returned home from the Trojan war. Meanwhile suitors from various places try to force his mother, Penelope, into marriage while they deplete all of Odysseus’ resources and destroy his house. With all of these complicated situations, Telemachus must take on a variety of different roles depending on who he’s interacting with. Based on the text, Telemachus has superior, strained, and complex relationships with his mother, the suitors, and Eurycleia.

The Epic of Gilgamesh and The Odyssey have been a part of human literature for many, many years now, they are both more referred to as epic poems. Both epics are found in different points of time in human cultures stretching roughly 1000 years apart. The Epic of Gilgamesh is a poem from early Mesopotamian culture and The Odyssey is said to be written from the early onset of the Greek civilization. The main characters for these epics are Gilgamesh, a demigod and ruler of Uruk, and Odysseus a great warrior returning home to his wife from war. The two main characters of these epic poems, Gilgamesh and Odysseus share many traits together and apart from each other. Among the qualities that these characters display in each of their respective poems,

The Epic of Gilgamesh has many similarities to the Bible, especially in Genesis and it’s not just that the both begin with the letter “g”’! One major similarity being the flood story that is told in both works. The two stories are very similar but also very different. Another being the use of serpents in both works and how they represent the same thing. A third similarity being the power of God or gods and the influence they have on the people of the stories. Within these similarities there are also differences that need to be pointed out as well.

(1) The black demon saw a beautiful woman and out of all the nobel women. He picked the one that was about the be married. He kidnapped her on her wedding night. It shows that the black demon does things impulsively. He does not care of the consequences. It shows that since he is a demon. He does not fear the consequences of men. When he saw her he could not longer live without her. When he kidnap her. He locked her in box showing that he does not trust the women he kidnap with other men. It also means he wants to keep her pure. She was kidnap on her wedding night so she did not have sex yet so the demon believed she was pure. The untainted virgin that has not been violated by men was his and his only. When he traveled he took her out of the box and wanted to sleep beside her. It shows when he his comfortable. He would sleep better beside her. The women was the demon's most prized possession. It is like comparing the women to a boy's secret toy. When a boy is around someone he would hide his secret toy from everyone. When the boy is alone he would take it and worship it. This meaning is similar to Metamorphoses when Apollo wanted Daphne. Even though she refused him. He impulsively try to rape her. She was turned into a tree, but he still tried to rape the tree. Another text with the similar meaning is in the Epic of Gilgamesh. Any women Gilgamesh desired he would take married or not. Since he was part god and king. He did not care of consequence like the demon.

This statement is very telling as it defines not only the appearance of the great Odysseus, but also the son he left behind. Furthermore, it begins to develop a timeline of actions by announcing that Odysseus left home when Telemachus was only a baby. Nestor recognizes that Odysseus ' appearance, vivacity, and personality are apparent in his progeny, Telemachus. This is encouraging to Telemachus as he hears that he resembles the great king Odysseus. As Telemachus presses for news of what has become of his father, Telemachus learns that his father may yet be alive and held captive by a goddess-nymph named Calypso. He then glorifies the strong will of Orestes and encourages Telemachus to do the same: "And you, my friend - / how tall and handsome I see you now - be brave, you too, / so men to come will sing your praises down the years." (3, 226 - 227).

Now we return to the re-encounter of the father and the son. They spend twenty years apart from each other undergoing trials and hardship that poise them for their final confrontation. Telemachus and Odysseus both arrive on the island of Ithaca within more or less the same time period. And they both, out of prudence and devotion, seek safety in the swineherd's security; in this they are analogous. Odysseus' restraint is shown when he abstains from revealing his identity to his son until Eumaeus has exited. Before father and son first recognize each other, and before Telemachus knows that he is talking to his father, an interesting phenomenon occurs in which both father and son demonstrate their humility and likeness to each other. The event involves Odysseus offering his seat to Telemachus and Telemachus refusing the offer. The significance of this event is that Odysseus, who is in disguise as a beggar, is a more dominant man than Telemachus and modest enough to offer his seat. Telemachus in turn knows that he is a better man than a beggar but refuses chivalrously to take the beggar's seat. The

Through his journey to Pylos and Sparta, Telemachus, who was born into a very privileged and high ranking family, learns how to use his inherited social status and connections for his own interests, which will help him mature into manhood. Telemachus was never old enough to remember what it was like when his father was around. Since Odysseus left, he has lived with his mom and nurse. However, for three years, he has been overwhelmed by suitors, who have taken over his house. Odysseus was never able to show Telemachus how to stand up for himself. Telemachus has been less than passive when going about doing things to get what he wants. When Athena comes and tells him that his father is going to come home, he realizes he has been ignoring what he knows is wrong, such as the suitors throwing parties every night, and that he needs to stop them. He doesn’t have any idea of how he is going to find his father when Athena comes, but he along his way finds that he has many resources and connections at hand that will allow him to find out what happened to his dad. Athena, disguised as Mentor, an old friend of Odysseus, encourages Telemachus to talk to Nestor. "Telemachus, no more shyness, this is not the time!/ We sailed the seas for this, for news of your father —// So go right up to Nestor...// Press him yourself to tell the whole truth:/ he'll never lie — the man is far too wise"(3.16-22) Here, Athena is encouraging Telemachus to be assertive, to get what the needs to know to find his father. Telemachus responds, "How can I greet him, Mentor, even approach the king?/ I'm hardly adept at subtle conversation./ Someone my age might feel shy, what's more,/ interrogating an older man."/ (3.23-27) He is intimidated. The irony is that he himself is of the higher class, and if Odysseus had been home, he would be accustomed to these interactions. This is Odysseus learning that he has high social status and can enjoy the privileges he was born with, such as being able to talk to the king. While there, Telemachus learns of the fate of the family of Agamemnon. Agamemnon came home to find his wife in love with Aegisthus, and together they kill him. Orestes, one of Agamemnon’s sons, avenges his father’s murder and kills

The son of the Odysseus, though he has never seen his father, valiantly defends and believes that he is not dead. He also tries to step into his father’s shoes. He is inexperienced, nonetheless. Yet, this is soon resolved though interactions with Athena and his journey to Pylos and Sparta. Telemachos does not have just hope that his father is alive, but sound faith. We as Christians in the same manner, have faith that our Heavenly Father will come someday to take us home to eternal felicity, our eternal family. In addition, In the Odyssey, we see how the family regards growing up. As head man of his father’s estate Telemachos regards his mother with courtesy and respect. He does, however, rebuke her at times. When she comes down from her bedchamber moved by a barb’s song to tears, Telemachos reprimands her, saying if she did not wish to hear the song, she should go to her own quarters. Thus, Telemachos assets growing into adulthood by the way he interacts with his mother, taking control of the relationship.

The tales of Gilgamesh and Noah are as memorable as they are incredible. They materialize the beliefs of two cultures telling very similar yet very different stories. Gilgamesh, a mighty warrior overwhelmed by grief of his passed friend, went an an epic adventure to find the secret of eternal life. Noah, a morally right and genuine man saved the future of the entire human race and every animal through great endurance and faith. The personality traits, reasons for journeys, and stories of origin of each myth have a plentiful amount of both commonalities and diversities.

Gilgamesh, Oedipus, Odysseus, and Beowulf display several characteristics classifying themselves as heroes. In the story of Gilgamesh, Gilgamesh is “two-thirds divine and one-third human” (Gilgamesh, par 2). He displays heroism, perseverance, and loyalty by building a monumental wall to protect his kingdom, Urek. Gilgamesh goes on an epic in hopes of finding immortality and on his journey he faces adversity several times. He ends up not finding immortality but becomes “a profoundly changed man” (Gilgamesh, par 8). In Oedipus the King, Oedipus shows courage when he solves the Sphinx’s riddle. The city of Thebes crowns him king over the city and he marries the queen. King Oedipus shows honor when he takes the responsibility of solving the reason of the city’s plague and sends his brother-in-law, Creon, to Apollo’s Oracle in hopes of finding an answer. In the

The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.

The Epic of Gilgamesh and the Odysseus both are poems that have since early times been viewed as stories that teach the reader valuable life lessons, almost like a self-help book in today’s society. They both teach a lot of the same general lessons but there are some key similarities and differences throughout both works. Such as perseverance, and the inevitability of death are both lessons that are taught in each poem but they are presented to the reader through different interpretations. In the Epic of Gilgamesh and The Odyssey there are two main characters both viewed as heroic figures in which the develop a greater knowledge of human mankind and immorality.