Comparing The Quest In The Old Man And The Sea

He is an old fisherman who has “gone eighty-four days now without taking a fish.”(9) He has been deemed “unlucky” by others in the community. Santiago’s is described on pages 9-14:

In Thomas C. Foster’s guide, How to Read Literature Like a Professor Revised Edition, Foster presents readers with the knowledge that a trip in literature has the potential to become something much deeper, a quest for self-knowledge. Foster lists five very important aspects that every quest will have which are, a quester, a place to go, a stated reason to go there, challenges and trials en route, and a real reason to go there. The distinction between stated reason to go there and real reason to go there are that typically the quester goes along their journey and discovers an intimate detail about themselves that relates nothing to the stated reason. It gives the quester a better sense

Summary: In chapter one, Foster begins giving an example of a quest; he explains how a trip to the store is considered a quest. Foster provides five key details included in a quest: a quester, a place to go, a reason to go there, challenges and tests on the way, and a real reason to go there (Foster 3). Furthermore, Foster explains how the “stated” reason is not the reason to go on the quest. The quester goes on the quest believing it is their life mission. Quote: “The real reason for a quest is always self-knowledge” (Foster 4). Personal Example: The Epic of Gilgamesh is an example of a quest. Gilgamesh is the protagonist of the poem who makes a long quest in search for immortality.

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

In How to Read Literature Like a Professor, Thomas Foster presents a guide to help readers further understand the novels they read. In chapter one, he claims that every trip is a quest, and every quest has five main components. Each journey consists of a “quester”, or a journeying character that lacks self-knowledge. This character has a desired destination and a stated purpose of going there. Throughout this journey, the character experiences challenges and obstacles, eventually learning something new about him or her self. Thus, we learn that a simple trip has a deeper meaning and purpose.

Sometimes people have to do sacrifices, which appears in the rising action of the book. “‘Fish,’ he said, ‘I love you and respect you very much. But I will kill you dead before the day ends’” (Hemingway 54). Why did he have to kill it? Why couldn’t he hold on a little longer? Santiago sacrifices the fish for his self interest. In spite of the fact that he respects the fish, the old man’s determination reflects his belief that his purpose in life is to be a fisherman, and that comes first. As well, Santiago advises himself that he doesn't have Manolin, his beloved companion, with him and must battle against the fish by himself. It has been four struggling days of being pulled by the huge marlin, Santiago decided that that was enough. Even though

Jose de Alvare AP LIT Dr. Busse 08/14/17 How to Read Literature Like a Professor: by Thomas C. Foster Chapter 1-- Every Trip Is a Quest (Except When It's Not) The five parts of a QUEST are The five aspects of the quest are: (a) a quester, (b) a place to go, (c) a stated reason to go there, (d) challenges and trials en route, (e) a real reason to go there. a quester - Percy Jackson a place to go - the underworld and mount olympus The stated reason to go there - to retrieve the stolen lightning bolt from Hades in the underworld for Zeus and to save his mother Challenges and trials en route - On his way to the underworld he has to face Medusa in New York , the Hydra and the Lotus Eaters in a Las Vegas casino. He also has to face Luke attempting to steal the lightning bolt and attempting to kill him.

The concept of the Quest can be easily applied to John Steinbeck’s Of Mice and Men.

‘I am a tired old man. But I have killed this fish which is my brother and now I must do the slave work’” (95). This relates to perseverance because Santiago has finally caught the fish he’s sought after for days. Most people would have been celebrating their victory, but not Santiago. Santiago surveys the situation and lays his head in his hands. He is tired and ill from his long battle. Santiago only takes a short break. He knows he still has much to do. Santiago now has to worry about bringing the fish home. He thought of the fish as an equal and can’t let his body go to waste. He has traveled at sea for a days and therefore has a long journey home ahead of him. He can’t stop until he makes it home. Finally, Santiago makes it home, “He unstepped the mast and furled the sail and tied it. Then he shouldered the mast and started to climb. It was then he knew the depth of his tiredness. He stopped for a moment and looked back and saw in the reflection from the street light the great tail of the fish standing up well behind the skiff’s stern. He saw the white naked line of his backbone and the dark mass of the head with the projecting bill and all the nakedness

In the novella, The Old Man and the Sea, Santiago is an unlucky fisherman who has not caught anything in 84 days.  Yet he sets out alone on the 85th day to try again.  For three days he struggles with a large marlin which he finally kills; but, despite his best efforts, he loses the fish to repeated shark attacks.

Within the book, strong and enduring Santiago battles the marlin for days, although he has nothing but his hands to hold the line, and, then, fights against the fish with his knife and his old hands. When the Mako shark comes and eats the flesh of the marlin that is tied to the side of the boat, Santiago continues to fight for the marlin; however, the shark takes much flesh from the marlin. The sharks symbolize destruction in Santiago’s life; however, The Old man perseveres as Hemingway pulls out his thoughts, “But I killed the shark that hit my fish, he thought. And he was the biggest dentuso that I have ever seen. And God knows that I have seen big ones.”(pg103) Here, Hemingway exemplifies that even when the Old Man has experienced destruction, he overcomes

He tries to reel it in but he can't. Instead the fish is pulling the boat! He struggles and struggles with the fish for hours. After a while fatigue takes it's toll as his hands clamp up, and his back aches from the line tied around it. The fish surfaces and Santiago realizes that it is longer than the boat he is on! An unexpected jerk leaves a gash in his hand only to add to his pain. After a very long while Santiago shortens the line to harpoon it. He latches the fish to the side of the boat and begind to tow it back to shore triumphant. Then a mako shark approaches and takes a large bite out of the marlin. Santiago kills it with a harpoon. Only later did he realize that the sharks blood would attract more sharks. As more sharks approached Santiago fought with all his might to save his fish but there was too many sharks. By the time he got to shore, he had nothing more than a skeleton. Santiago collapses from exhaustion on the shore but is found by Manolin and calls for help. The community marveled at the size of the skeleton that is still attached to the boat. Manolin takes care of the old man and vows to return to him as an apprentice. Santiago finally gets the repect from his community.

After catching the marlin and attaching it to the side of the boat Santiago saw that sharks smelled blood from the fish and were chasing him so he had to figure out a way to kill them with items on the ship. “The line showed clearly on the top of his brown head and back where the brain joined the spinal cord and the old man drove the knife on the oar into the juncture, withdrew it, and drove it in again into the shark’s yellow cat-like eyes. The shark let go of the fish and slid down, swallowing what he had taken as he died” (Hemingway, 2003, p. 108). The old man tied his knife to his boat’s oar to stab the sharks that were quickly coming for the fish. His method worked, however, his “weapon” eventually broke and he had to use another object to kill other sharks. Santiago killed sharks before they took his fish and killed him, thus making him successful because he accomplished

The nobility of character of the old man prevents him from feel hate and rancor toward the other fishermen. Despite the taunts of the other fishermen, Santiago is quiet and admits having a bad streak of luck. This makes him an honorable man, which avoids any conflict and is able to recognize his flaws as a fisherman. Although the sea has given him several bitter drinks, he is able to keeping on loving it. “A man is honest when he acts honestly, he is humble when he acts humbly, he loves when he is loving or being loved.” (Waldmeir 165). Perhaps, the crowning act of humility in Santiago is when he is forced to recognize that by his own forces he will not be enough to grab the fish, and decides to carry out prayers to the Almighty. At the end of the hunting of the big animal, Santiago does not become conceited. His simple and humble soul thanks with a prayer for the outcome of his effort. Although the fighting has been severe and bloody, the old man was not self-styled "hero”. Santiago humbly considers himself as one fisherman more, and the categorization as a hero depends on the readers. “It is the knowledge that a simple man is capable of such decency, dignity, and even heroism, and that his struggle can be seen in heroic terms, that largely distinguishes this book.” (Young 131). The evident relation between his humility and dignity helps to place Santiago as a perfect

Over and over again he is remarked to be a strange old man, and he himself is the one to glorify that. He seems to struggle with the fact that he must prove himself to the other fisherman who mock him and believe him to be a fallen hero. He sets off to sea in his boat one day, but what he does not know that it will be the three most tiring days of his life. He first catches a smaller fish and instead of turning back, he decides to go farther out into the ocean to see what he can catch with that fish. He soon is dragged all over and back by a shiny purple marlin, that is two feet longer than his skiff. The response to Santiago’s poor decision or lack of creativity to harpoon the marlin instead of try to kill it another was as to not attract mako sharks was confusing. He is shown to be a man of intelligence and greatness, yet his decision to kill the marlin in this manner knowing what could happen proves that he had a distinct motive for harpooning the fish. By the words of Gery Brenner, “that motive is self validation-the need to prove himself”(Brenner 55). In the end, after the three day struggle, when Santiago returns to the dock, he is told by Manolin later that he was said to be lost at sea, and everyone was completely taken away by the length of the mangled carcass that he brought in. The take many get from Hemingway’s novel is