Comparing The Stages Of Grief In Hamlet And The Lion King

Grief is a painful emotion that people experience through troubling times in life, such as losing a loved one. Swiss psychiatrist, Elisabeth Kubler Ross, introduced the five stages of grief: denial, anger, bargaining, depression, and acceptance, in the year of 1969. She explains that there is no correct way or time to grieve; the stages are used to familiarize people with the aspects of grief and grieving. Grief can over take someone’s life and lead to a negative downfall, such as Hamlet experiences in Hamlet, written by Williams Shakespeare. He undergoes a variety of barriers throughout the novel, such as his father is murdered, which leads to his downfall-death. Although Hamlet grieves, the denial stage is not present in the novel as it

Before prince Hamlet and Simba could complete their missions, they had to find their way back home because Scar and king Claudius had sent Simba and Prince Hamlet away.

In real life Shakespeare has a tragic event occur, the death of his son, Hamnet. His way of mourning and dealing with death was to write the tragedy, Hamlet, Prince of Denmark. Shakespeare uses Hamlet as a mirror to express his overwhelming despair. As said by an article written by Peter Bray, “ It is suggested that in creating Hamlet, Shakespeare must have drawn upon some profound personal experiences.” (Bray) Through Hamlet’s pain Shakespeare mirrors his own feelings of being lost and depressed. Within the play there is a common theme, the mourning of death and how it varies from man to man. Young Hamlet locks himself away and contemplates suicide saying. “To be or not to be”(3.1.57). He ponders whether given his current life situation it is better to exist or to not have existed at all. Another message Shakespeare wishes to get across is that proper mourning takes a substantial amount of time, this is something Claudius and his mother do not understand. In a scene with Claudius and Hamlet they say, “ How is it that the clouds still hang on you? / Not so, my lord. I am too much i' the sun.”(1.2.66-67). Claudius wonders why Hamlet has not moved on yet, but based on the reader’s knowledge how would the king know what it is like to lose someone he’s lost? He does not understand the struggle of overcoming death and the amount of time it takes. This arguably could be an insight into the real life of

At the beginning of the film the camera angle looks up towards him, the lights shine on young Simba; the importance of his birth is immense, although Simba may be oblivious to the fact at the time. Another parallel is the fact that both Simba and Hamlet at one stage wish to be dead. When Timon and Pumbaa find him, they believe Simba to be dead when they first find him. He is not – but wishes to be. The same could be said about Hamlet when he questions his life – “To be, or not to be”. Like Hamlet, Simba tends to need to be on his own to reflect. Hamlet and Simba are near perfect examples of tragic heroes. Both are tested to the extent of their inner strength and faith in the triumph of good.

Since the start of time, and the preceding generations, death has impacted people and the way they act. A sudden, or even an expected death of a loved one, takes a toll on a person. It’s human nature for people to process and want to make sense of death and the loss it leaves behind. The five stages of grief reflect this process of dealing with the loss of a loved one. Through these stage of grieving, people can get lost either searching for answers or trying to get past it. In Hamlet, William Shakespeare depicts the role human nature plays in the striving for answers and justice surrounding death. Even though Hamlet was written early in the seventeenth century, the depiction of death and human nature still rings true today; people and

As the play begins, Hamlet is in a grieving period over the death of his father. What makes it worse is that only a few

Hamlet has also idealized his mother, and it seems like that they have had a close relationship before this incident. Hamlet really loved his mother, and I think he put her on a pedestal. In the play, this delusion that he has about his mother's character is quickly shattered. She, "within a month" (1,2,145) marries Hamlet's uncle who has for some odd reason become king after Hamlet's father's death. Hamlet is sickened and disillusioned by his mother's behavior saying things like "O that this too too sullied flesh would melt" (1,2,129) and "frailty, thy name is woman"(1,2,146). But the realization that he has about his mother also ties into the realization that he has about his father and ultimately

Hamlet can not let go of the fact that his father is dead, as he still yearns for him. However, Hamlet is able to meet with the ghost of his father, where the ghost tells he died via a “murder most

Out of spite, both protagonists plan to take revenge on their evil uncles. Hamlet ponders on the idea of revenging his father’s death, but it wasn’t until Claudius’ guilty conscience was exposed during the play and also when the Ghost orders Hamlet to “Revenge his soul!” that Hamlets purpose was clear. In the end, Hamlet confronts Claudius but it is pointless ending in a blood battle. Simba on the other hand was told, “Run away and never return!” after believing it was himself who killed his father. Wanting to do what was right, Simba followed his uncle’s orders and it wasn’t until a chance encounter with Nala, that he realised the damage he had caused. Trying to take back what was rightfully his, Simba defeats Scar but instead of death as his revenge, he banishes Scar from The Pride Lands, telling his “to never return”. Both antagonists in the texts experience the heartbreak and misfortune of revenge but deal with it in ways their intended audiences will understand and learn from.

"’Tis not alone my inky cloak, good mother, / nor customary suits of solemn black / [ . . . ] but I have that within which passeth show; / these but the trappings and the suits of woe” (Shakespeare 1.2.76-73, 85-86) says Hamlet when confronted about his way of grieving over his father’s recent death. Shakespeare’s play Hamlet is a remarkable tale that is centered on the idea of death and grief. While death is a universal occurrence, meaning every person will deal with it, how we grieve after a loss is completely individual. To look at a formula of grief, most turn to the five stages of grief developed by Elizabeth Kubler-Ross, a psychiatrist, who studied the topic in her book On Death and Dying. This model consists of denial, anger,

There is a clear distinction between good and bad in The Lion King, this makes the audience highly suspect scar’s future betrayal of Mufasa and Simba. While in

Since the very first moment when Hamlet is introduced into the play, it is quite noticeable that his father’s death has taken a toll on him, justifying his dejected mindset. This mindset contributed to his suicidal thoughts in which he wished his “too too sullied flesh would melt, thaw, and resolve itself into a dew” (l, 2, 129-130) and caused Hamlet to feel many emotions all at once, especially grief-stricken due to his father’s ghost’s appearance later in the first act. Once Hamlet learns about his father's murder, the play moves onto the next scene in which Hamlet is now acting completely different but continues to be pessimistic. Hamlet is fully aware of his surroundings and plans to take advantage of them. He is now realizing he needs to use his rage and hatred for

Many people who read William Shakespeare’s Hamlet believe Hamlet to be mentally unstable. Upon reading Shakespeare’s Hamlet psychoanalytically, there appears to be justifiable reasons for his sporadic behavior. A man named Arthur Kirsch, a literature critic, wrote a follow-up to Hamlet, called Hamlet’s Grief. Written the story is an argument that in mourning, grief is resolved, and since he never truly finishes mourning and accepts his father’s death, he is still stricken with grief, and that motivates his actions.

One emotion that prevails throught the play is depression. Hamlet's emence depressionbecomes visible to the reader as hamlet constipates suicide. "To be, or not to be--that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles And by opposing end the." Hamlet has a strong urge to take his own life, however he knows it is against God's will to do so and makes the decision to continue to suffer on earth rather then face unknown pain within his afterlife. Hamlet's depression can also be linked with his greif for his father's death. “Seems,” madam? Nay, it is. I know not “seems.” 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected 'havior of the visage, Together with all forms, moods, shapes of grief, That can denote me truly. These indeed “seem,” For they are actions that a man might play. But I have that within which passeth show, These but the trappings and the suits of woe" (Act 1 scene 2 line 80) One can clearly see that Hamlet has great feelings of grief and is in a state of sorrow throught the play. With many negative feelings in Hamlet's conscious he developes a strong thirst for revenge. While his passion for revenge grows strong within

The death of King Hamlet effected many individuals lives to the point where great changes were made. Especially in regards to his son, Hamlet, who took the death – murder- of his father personally in both mental and emotional ways. By doing so, Hamlet portrays and experiences the death and loss of his father by acting out in manners in which magnify his isolation and alienated actions. These would include excluding and distancing himself, turning on those closest, and taking on measures one would never do so when thinking rationally or clearly.