"The Stolen Child" by W. B. Yeats and "Cat's in the Cradle" by Harry Chapin both share the sudden experiences of a child. Yeat's poem tells the story of a fairy tempting a child to escape from a place that is "full of troubles" while Chapin's song tells about a boy wanting to be with his father but work separates them. Even though they both share important similarities, "Cat's in the Cradle" has more emotional impact than "The Stolen Child." Chapin's song paints a tragic relationship between a father and son, who deny opportunity after oppurtunity to connect with one another. In "The Stolen Child" there was no sense of an emotional feeling in the poem, but a suspision feeling. In the poem it states, "Away with us he's going, the solemned-eyed."
I was able to connect to this poem as I experienced mutual feelings for my own father. Similar to the narrator in the writing, I too feel
The word choice in the poem creates a tension and suggests violence the most. The word choice also creates a grimmer element “which is marked by a series of words beginning with ‘death’ in the first stanza and ending with ‘clinging’ in the last and including such words as ‘unfrown,’ ‘battered,’ ‘scraped,’ ‘beat,’ ‘hard’ in the middle stanzas” (Janssen 43). When the speaker says “At every step you missed, my right ear scraped a buckle” makes it clear that child is being hurt and abused; perhaps the actual reason the child’s guilt filled and helpless mother is unhappy, angry and disappointed (Roethke 126). The words that the poet chooses are hence very significant to understand the poem clearly.
Edward Hirsch starts off the elegy by writing about when they were at the funeral home, and shocked by the sight of recently deceased son. Hirsch says, “And for a moment I was taken aback/Because it was not Gabriel/ It was some poor kid/ Whose face looked like a room/ That had been vacated”. He uses these descriptive words to set the emotion and sensitivity for the rest of the poem, which is bitter and disheartening.
Two distinct points of views can be seen in this poem, one is that of the father and then the son. The father's point of view is more common and used more than that of the son but both displays and add to the complexity of their relationship. From the father’s point of view, he shows his concern for disappointing his son by not coming up with great stories and losing his son as five years old matures which increases his anxiety as he sees the future approaching. The father fears of a fallout in the relationship with his son “...he thinks the boy will give up on his father”(9). The sons point of view
Furthermore, Sharon Olds and Molly Peacock convey the Tone of the poems to describe the characters emotions. In “Parents' Day” Olds stated “To see that woman arriving and to know
From the beginning of the poem, the reader can tell that the tone of the poem is consistent. There is no shift in tone, it’s simply sad and bitter. The father notices the innocence of his daughter and knows that there is bad luck that is coming for her future. The reader is able to see the father’s concern throughout the poem when he says that the “night’s slow poison” will change her. He knows that this issue cannot be changed, so he is doing what he can to avoid it becoming a bigger dilemma. By the end of the poem, it’s easy to notice that the father has become angry about the situation that is brought upon him. In the last two lines, the father decides that he doesn’t want to have children because of all the things he sees in their future, nothing but pain and suffering. His decision is expressed in the way he says “These speculations sour in the sun. I have
The Cat, The Sneak and The Secret is the sixth book in the Cats In Trouble series.
She says that the "child" had been by her side until "snatched from thence by friends, less wise than true" (line 3). Basically she is saying a trusted person “snatched” her work from her without permission to take them to England to be printed. Had it not been for her brother-in-law taking her work back to England and getting them printed they may have never been known. The intimacy and feeling she shares with her work is like that of a mother and child and that bond was infringed upon when her work was "exposed to public view" (line 4). The intrusion of her brother-in-law getting her work printed is the cause of feeling that follow. Ironically the next thing she talks is the shame she has been thrust upon her by not being able to perfect the work before it was published. This is illustrated in line five where she writes, “Made thee in rags,” as to say her work is like a child dressed in rags.
The last line in the poem “and since they were not the ones dead, turned to their own affairs” lacks the emotions the reader would expect a person to feel after a death of a close family member. But instead, it carries a neutral tone which implies that death doesn’t even matter anymore because it happened too often that the value of life became really low, these people are too poor so in order to survive, they must move on so that their lives can continue. A horrible sensory image was presented in the poem when the “saw leaped out at the boy’s hand” and is continued throughout the poem when “the boy’s first outcry was a rueful laugh…the hand was gone already…and that ended it”, this shows emphasis to the numbness the child felt. The poem continues with the same cold tone without any expression of emotion or feelings included except for pain, which emphasizes the lack of sympathy given. Not only did the death of this child placed no effect on anyone in the society but he was also immediately forgotten as he has left nothing special enough behind for people to remember him, so “since they were not the one dead, turned to their affairs”. This proves that life still carries on the same way whether he is present or not, as he is insignificant and that his death
There are many devices used in this poem to emphasize the emotions going through the mind of a parent when sending their child off into the world. Of such device used is imagery, the use of imagery is used abundantly in the
“The Stolen Child” by William Butler Yeats and “Cat’s in the Cradle” by Harry Chapin both explore the concept of loss of childhood innocence. Yeats poem tells the story of a fairy tempting a child to escape the depression of the world he lives in. While in Chapin’s song the lyrics explains the distant relationship between father and son.
He also states about the ‘wintry bed’, which is meant to show his mood in the poem.
The poem “The Cry of the Children” by Elizabeth Barrett Browning was written during the traditional era. My first impression of the poem was that the poem will be about depression. The title of the poem describes that there will be children crying. Therefore, it is assumed that the main point of the poem will focus on children going through some type of pain which will cause them to cry. Tears only run down someone's face when there are emotion running through their body that is to painful to bear. It eventually leads to the cause of tears to running down their face as a sense of relief for the body which is also considered as crying.
“The Stolen Child”, a poem by W.B. Yeats, can be analyzed on several levels. The poem is about a group of faeries that lure a child away from his home “to the waters and the wild”(chorus). On a more primary level the reader can see connections made between the faery world and freedom as well as a societal return to innocence. On a deeper and second level the reader can infer Yeats’ desire to see a unified Ireland of simpler times. The poem uses vivid imagery to establish both levels and leaves room for open interpretation especially with the contradictory last stanza.
Veering from the egocentric poems of the Romantic era, Victorian poets began to write poetry not only to express the feelings of an “I,” but also to inspire change in the collective “we.” Being from a historical period with a dramatic class divide, Victorian poets wrote with the intention of crafting beautiful lasting poetry as well as articulating a need for cultural reform in their now. One of the most renowned Victorian poets, Elizabeth Barrett Browning possessed the expert skill of integrating not only imagery and precise rhyme scheme into her poetry, but afflicting her readers with a sense of pity so paramount they had no choice but to make a change.