Comparing The Sun Also Rises By Ernest Hemingway And Faulkner

Vardaman and Jake had their lives completely changed by an identity crisis that was caused by personal tragedies. In the novel, As I lay Dying by William Faulkner, a young boy named Vardaman experiences the death of his sick and fragile mother. Jake, from the novel, The Sun also Rises by Ernest Hemingway also experiences a loss when his penis was shot off in the war. Jake and Vardaman do not relatively experience the same events nor react in the same manner, but they both experience the feeling of identity loss. A person who experiences a loss of identity often has a change in personality and feels that they do not have a full understanding of who they are. The authors of these two characters were able to present this idea of identity loss,

Jake is a [seemingly] mentally unstable drifter who wanders into town with muddled and fanatical plans for a socialist uprising. He seems to be bipolar and his tone is ever changing; from knowledgeable rationality to angrily aggressive in a split second. Jake’s first few weeks in town were spent at Biff Brannon's New York Café. After finally meeting someone that he could relate to, Singer, he decided to stay in town and takes a job as a carnival worker. He is obsessive in his aspiration to see the labor force rebel. Jake is the only one, out of all the main characters, who does not have one confidant other than Singer. Jake spent a substantial amount of time sharing his hopes and dreams with Singer. When Singer dies Jake has a very difficult

Throughout history, and especially in the early 20th century, women were not in the same arena as men; they were not a man’s equal. The Mariam-Webster Online Dictionary, defines “trifle” as something of “little value, substance, or importance,” which is the way women are seen in both William Faulkner’s short story, “A Rose for Emily” and Susan Glaspell’s one-act play, Trifles. Both authors use of style and settings are different but their theme is the same. Faulkner and Glaspell were born and wrote in approximately the same era, America’s late 19th and early 20th centuries. Glaspell, the author of Trifles is from the northern United States and uses a lower class, uneducated vernacular of that area; whereas, “A Rose for Emily” is written in an eloquent upper-class English tone, by Faulkner who was from the south. Faulkner metaphorically and symbolically describes the personality, life, and death of the main character, Ms. Emily Grierson, and the murder- mystery surrounding her. Glaspell’s murder -mystery Trifles also surrounds the life and death of the main character, Mrs. Wright, and her husband. Both women, while representing opposite ends of the socio-economic class spectrum, are isolated and lonely,not only due to their social class but also due to a time in history when men were not kind to the “fairer sex.”

Jake is consciously aware that there is a problem, which is more than can be said about his friends. Perhaps the people that surround Jake are the issue, though. His close friends and the people whom he travels with include Lady Brett Ashley, Robert Cohn, Bill, and Mike. Brett, the target of Jake’s unrequited affections, is likely someone whom he should stop spending time with; however, it seems that he just can’t get away from her. She is a very strong and independent woman who isn’t known to behave in a traditionally feminine way. Jakes does remark that although she is very independent, “She can’t go anywhere alone.” Robert Cohn is a Jewish, wealthy expatriate; but unlike many of his friends, did not spend any time in the war. Cohn also falls head over heels in love with Brett, who soon rejects his affections as well. As a wealthy, Jewish, non war veteran Cohn stands out in the group and his fumbling attempts to court Brett are the source of much mockery and leads to many fights. Bill is also an American veteran who seems to be always drinking. He tends to use humor to try and deal with the emotional scars of war; however, is not immune to the immaturity and cruelty sometimes characterized by Jake and his friends. Finally, Mike is a very heavy drinking Scottish war veteran who is completely bankrupt. He is seen to have a terrible temper, which most often displays while he is drunk. Mike is also not comfortable with the

As I lay dying is a narrative by William Faulkner who uses multiple narrators and different techniques to convey a message from

William Faulkner’s novel, As I Lay Dying, tells the story of a family that journeys cross-country with the intentions to find a proper resting place for their mother, Addie Bundren. After reading for only a short time, it becomes clear that two of her sons, Jewel and Darl, play a much larger role in the story than the other siblings. One could find many good points to support either character being labeled as the protagonist of the story, such as the various tensions that can clearly be seen between them. That being said, Darl is, without a doubt, the best possible choice. He is forced to overcome more obstacles, including alienation from his entire family, than any other character, and is truly a changed person by the end of the novel.

William Faulkner and John Updike short stories share the same theme loyalty. The use of different literary elements to explore this similarity is what differs within the two stories. The authors take different approaches such as characters, settings, and point of views to communicate the theme to the reader. Throughout both short stories, the reader can receive a precise overview of loyalty. Even though the differences of literary elements are announced, one can still analyze the deeper meaning overall.

It shows how Jake is persistent and dedicated to his job, even if it always seems like he is in over his head. Jake, however, also departs from the film noir tradition when he lets his emotions get the best of him. The greatest example of this is seen during the exchange between him and Evelyn when he is trying to find out the truth about Katherine. Resorting for the first time to violence against a woman, the near desperation with which Jake pushes Evelyn to confess is an expression of his fears and anxieties about being completely lost amidst the lies that surround him. The result is the humanization of Jake Giddes’ character. He simply is not perfect, and ultimately fails to see the bigger picture of what he is involved with until .

In the novel it is never explicitly said that Jake Barnes is really impotent because of his war

At first glance, Ernest Hemingway’s The  Sun Also Rises is an over-dramatized love story of bohemian characters, but with further analysis, the book provides a crucial insight into the effects of World War I on the generation who participated in it. Hemingway’s novel follows a group of expatriates as they travel Europe and experience the post war age of the early 1900’s. The protagonist is Jake Barnes, an American war veteran who lives in Paris and is working as a journalist. Jake was injured during the War and has remained impotent ever since. His love interest, Lady Brett Ashley, is an alcoholic englishwoman with severe promiscuity, which is representative of women and the sexual freedom that emerged during the Progressive Era. Jake and Brett

   The imagery of bulls and steers pervades Hemmingway's novel, The Sun Also Rises. Bullfighting is a major plot concern and is very important to the characters. The narrator physically resembles a steer due to the nature of his injury. Mike identifies Cohn as a steer in conversation because of his inability to control Brett sexually. Brett falls for a bullfighter, who is a symbol of virility and passion. However, there is a deeper level to the bull-steer dichotomy than their respective sexual traits. The imagery associated with bulls and steers is more illustrative than their possession or lack of testicles. In their roles and in the images associated with them, bulls are glorious,

Ernest Hemingway and William Faulkner both discuss the effects of a changing world on characters who have trouble adapting to such changes. The two authors, however, capture the way their characters deal with such changes using contrasting styles. In The Sun Also Rises and The Sound and the Fury, Jake and Quentin each experience the loss of important components of their lives that leave them lost in a changed world. Hemingway captures Jake’s struggle to adapt to his impotency using passive, indirect language reflective of his reaction to the injury. Faulkner, on the other hand, delves into Quentin’s mind using long, complex sentences that reflect the nature of his grief as his family deteriorates.

He demonstrates his propensity for extreme cruelty. Although he is a part of the generation, ironically he is different from the rest of them. He realizes the uselessness of the Lost Generation's way of life. He tells his friend Robert Cohn, "You can't get away from yourself my moving from one place to another." (19) Jake doesn't think highly of Cohn, but he puts up with him anyway. Interestingly, Cohn is also attracted to Brett and this fuels Jake's already heightened feelings of inadequacy; thus Jake takes a condescending attitude toward Cohn. Jake describes Cohn as weak and inexperienced, timid and easily intimidated by a strong woman (Frances). This condescending attitude toward Cohn is nothing but the reflection of Hake's very own insecurities about his manhood.

"Cat In The Rain" is set in an Italian hotel where we meet an American

Ernest Hemingway and William Faulkner were two of the most influential writers of the twentieth century. While they lived during the same period, their writing styles differed drastically. This can be seen in texts such as Hemingway’s “Hills Like White Elephants” and “A Clean, Well-Lighted Place,” and Faulkner’s “Barn Burning”. Hemingway’s style puts little focus on specific character details, which makes his stories seem like they could be about any person, including the reader, while Faulkner’s style puts a lot of focus on specific character details, which makes every detail and every character seem important to the reader. Both authors have styles indirect to their points, which forces the readers to figure out information on their own and leaves the purposes of texts more open to interpretation.