Comparing The Wife's Lament And The Seafarer

Even though the “ Wife’s Lament” and “Seafarer” have similar tone in essence, however the Seafarer hope is set on heaven. On line 68, the narrator states that “the wealth of the world neither reaches to heaven or remains” (19) . Describing that this world is only meant to be temporary and the destitution that one going through will one day be done. In the poem there is not clear cut what is the cause of his exile, but the reader notices that the Seafarer is on misfortune journey. He could not find happiness in cities that he visits, “And who could believe, knowing but the passion of cities, swelled proud with wine and no taste of misfortune” (lines 26-29). That illustrate unfortunate state that could not satisfy by the earthly world that he is living in. He further exclaims his concern that the sea is the place where he finds peace (line 30). In the midst of suffering the Seafarer looks to God for help that as he comes to realize the earthly home has long gone for him. His perspective is that God is in control and he must submit to him, “ A man must conquer pride not

Another technique this poem takes use of is alliteration. The alliteration used helps to express the themes importance through repletion of sound devices. A specific example of alliteration

The Seafarer, The Wanderer, and The Wife’s Lament all contains faith verses fate. The three poems are very similar and very different. The three poems ranging from a lonely man, to a lost soldier, to a wife’s bedrail. The medieval poems show hurt, confusion, and loneliness.

In Walt Whitman’s poem, “The Wound Dresser,” the moments expressed throughout take place during the Civil War and are experienced by an old, devoted wound-dresser. The poem begins with the wound dresser having to make a choice on whether he should tell a group of children what he went through “or silently watch the dead” (17). Through the poem, the narrator captures the internal struggles he faces when dealing with a numerous amount of wounded soldiers day by day while at the same time trying to do his job. It is when the narrator is having these inner struggles that the poem distinctively uses punctuation and diction to fully capture unforgotten flashes imbedded in the mind of the narrator.

Alliteration is defined as the repetition of initial consonant sounds in two or more neighboring words or syllables. It is a literary device that authors use to bring attention to certain important ideas or concepts in stories. Alliterations allow the reader to bring their senses together to hear and feel what they are reading by bring in sounds of the world around us into literate. This helps the reader visualize the story, therefore helping the reader to remember it. It is used in many stories as a way to hide metaphors and other subliminal messages. For example, alliterations with the 's' being the prominent sound could be visualized as a snake slithering, making a character have a slyness about him. Specifically in Anglo-Saxon literature, alliteration is significant because it is how authors organized their poems or stories, includes repetition which aids memorization, and emphasizes important parts of the text that the author wants the audience to know. Alliteration in important in both “The Wanderer” and “The Wife’s Lament” because it helps evoke certain emotions and feelings by using the different functions of alliterative language.

George Szirtes article “Formal Wear: Notes on Rhyme, Meter, Stanza, and Pattern” from the Poetry Foundation opens with opinions which focus on limitations of poetic form. As a counter to these common arguments, Szirtes claims, “Verse is not decoration: it is structural. It is a forming principle and words at depth” ("Formal Wear: Notes” 2). He then develops an argument explaining, “the constraints of form are spurs of the imagination: that they are in fact the chief producers of imagination” ("Formal Wear: Notes” 2). Taking these ideas into consideration Szirtes incorporates the idea of language explaining how language connects to memory and imagination which come together to form poetic images. Additionally, when poets use form it develops

When isolated from society, loneliness becomes a part of you. In the poems, The Wife’s Lament translated by Ann Stanford and The Seafarer translated by Burton Raffel, are two similar and different poems. The characters in these poems handle their exiles in different ways. The way the two characters reflect from their exile is based off Anglo-Saxon values and beliefs. These poems compare and contrast the exile between men and women.

The concept of the malign nature of the tenement is developed throughout the first stanza with Crichton Smith exploring his own role in his mother 's confinement. He tells the reader that whilst he drove away, his mother would 'wave from the window. ' Again the poet successfully employs alliterative words to draw our attention - this time to the image of his frail mother still lovingly 'waving ' from her prison 'window '. This notion is supported by Crichton Smith comparing himself to

The Old English, or Anglo-Saxon, era of England lasted from about 450-1066 A.D. The tribes from Germany that conquered Britain in the fifth century carried with them both the Old English language and a detailed poetic tradition. The tradition included alliteration, stressed and unstressed syllables, but more importantly, the poetry was usually mournful, reflecting on suffering and loss.1These sorrowful poems from the Anglo Saxon time period are mimetic to the Anglo-Saxons themselves; they reflect the often burdened and miserable lives and times of the people who created them. The Anglo-Saxon poems, “The Wanderer,” “The Seafarer,” and “The Wife’s Lament,”

During the Anglo-Saxon time period, individuals wrote poems about achievements, deaths, emotions, and adventures taken by certain individuals. There were many popular poems during this era including, “Beowulf” translated by Burton Raffer and “The Wanderer” translated by Charles W. Kennedy. Although both these poems were written during this era, “Beowulf” was an epic poem and “The Wanderer” was an elegiac poem. However, both of these pieces shared certain characteristics related to the culture and values of the Anglo-Saxon culture. Many attributes that make up this culture are related to both Pagan and Christian beliefs. This includes many ideals relating to fate and God. The culture and values of Anglo-Saxons through “Beowulf” and “The Wanderer”, suggest that along one’s quest emerges an individuals outlook on ways of life.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Isolation from society can evoke a deep loneliness and self-reflection. The poem "The Wife's Lament" from the Exeter Book expresses the desolation of exile. The dominant theme is the contrast of a happy past and a bleak present of isolation. The anonymous author of "The Wife's Lament" uses setting, tone, and conflict to develop the theme of great loss. He/she augments a situation in which meditation on life's past joys is the only redemption in a life sentenced to confinement. “The Wife’s Lament” is an excellent example of nostalgia, resentment of the present, and hopelessness about the future.

In “The Wife’s Lament,” figurative language and diction illuminate the theme that betrayal is worse than death. As the poem continues we start to see a pattern going throughout her writing. She uses Figurative language to not only show us how she's feeling betrayed but also to make

Johnson uses the word "perfect" and "magnificent" to depict a man with tall and well-built body. it was a powerful statement to praise a black man's physical beauty and proud attitude. On the other hand, the descriptions like "disdainful", "pompous", and "incompetent" there is Negro's hate. But along with its expression of racial pride, the poem conveyed a sense of psychological alienation. In the third quatrain, a place where her proud protagonist could be spiritually at home. (Cheryl, Verner, and Mitchell 40) The poem not only demonstrates pride but also hate of the man in the second quatrain with which his eyes are “flashing solemnly.” The third quatrain describes the man singing ” rich” and ” babaric ” song Johnson gives a view of “palm trees and mangoes “(Cheryl, Verner, and Mitchell 40) stretching before him. With its references to palm trees and barbaric song, Johnson’s poem gestured toward a mythic Africa. “too splendid for this city street.”down a city street among other people, the speaker of the poem sees him laughing and singing. In the couplet, “I love your laughter, arrogant and bold“ (Cheryl, Verner, and Mitchell

Over the years, there have been many interpretations of who the speaker of The Wife’s Lament could be. These range from very interesting ideas to ones that seem a little rough around the edges. It is obvious that no sure answer can be found due to the fact that whoever wrote this poem is dead and that the answer will always be in speculation even if it is correct. Hopefully, at the end of this quest I will be slightly more enlightened as to who the true speaker may really be.