The Yellow Wallpaper And I Stand Here Ironing By Tillie Olsen

Referring to the late 1920s and early 1930s, women were seen as the common housewife. This image was depicted across many media platforms. The customary role of women, was to be in charge of running the household. This included polishing, vacuuming, dusting, dishes, laundry and other tasks which needed to be maintained on a weekly or daily basis. It became a full day workload, keeping her constantly busy as if she were employed. It was required for the women of the household to be prepared for anything her husband or family desired. Housework was typically expected to only include maintenance, however, this was not the case. Cooking, cleaning, and overall upkeep was all to be completed by the wife, while the man of the house brought in the money.

The stereotypes of the early 19th century were beginning to turn, as newfound household electric powered technologies took over, and freed women from traditional and incredibly onerous household

In The Yellow Wallpaper, Charlotte Perkins Gilman discusses the oppression men have towards women through the story of a nameless narrator during the 19th century. In the story, the unknown narrator, a woman, is telling her struggle for freedom and her fight to escape from the subordination in her marriage with a physician. In the story, the narrator suffers an illness that prevents her from doing things she likes such as writing. Throughout her illness, the narrator slowly becomes aware of her situation and then starts to fight to change her living condition with her husband. Through the use of two major symbols established throughout the text, Gilman brings awareness of women’s struggle to end their oppression by men and their fight to change the way society is dominated by men. In addition, the symbols used by Gilman underline the way women suffrage awareness slowly began to spread during the 19th century.

At the start of the decade, society and the way people lived changed drastically. Women specifically were viewed in a different way. Before the 1920s, women were portrayed as the “typical housewife”. Women were supposed to stay home, cook, clean, and raise the children. During the 1920s, women were changing the culture and the stereotype of a “typical housewife”. Women began to go

Taking a look into the ways of her household solidified the fact that housewives were set apart from their counterparts because of their responsibilities. Their knack for multi-tasking and running a home efficiently was never held to very high standards. Now, with a look into these three women’s homes, it seems that everyone should take with them the notion that no matter the woman’s wealth or social status, her work in the home is pivotal to the success of her family.

The surroundings which one is placed in can drastically contribute to their mental state. Deterioration and a lack of stimulation will be reciprocated within the mind of the inhabitant. “The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, depicts a young, unnamed woman who is suffering with post-partum depression. In this time period, the treatment of mental illness typically did more harm than good as electroshock therapy, and the rest cure were the classic treatments of choice. Similarly, William Faulkner, the author of “A Rose for Emily”, written in 1930, gives the reader an inside look upon an elderly woman experiencing mental distress. Although there are major signs of an issue being present within Miss Emily’s old, southern house, the town chooses to ignore and cover them up as to not disrupt the elderly woman who buys poisons without a reason and sleeps next to the dead corpse of her lover. Theme and setting play two very distinct and important roles within each of these stories allowing the reader to have a more complete understanding of the message the author is trying to convey.

Before the start of the Great War, women played the role of a housewife, cleaning, and completing housework. They were not given much respect and expected to

By comparing both stories together, and the characters within them, it is clear that neither the narrator from “The Yellow Wallpaper” or Harrison from “Harrison Bergeron” agree with the way they are being treated caused by their social, political and economic standpoint in society. In both stories they have opposing forces trying to dictate their life, and telling them who they are supposed to be. Within the story “The Yellow Wallpaper”, the narrator is being authorized by her husband john and in the story “Harrison Bergeron”, Harrison is being oppressed by his government system. In both societies of the stories, the characters are treated differently for who they are. The people to have more power in their lives, decide who they are and what they can be. The ultimate outcome of their life is up to the forces controlling them. Both characters have no way to escape the labels given to them, without going against the people restraining their potential. The characters have many good attributes to them, but are confined to being what others tell them to be. The narrator has wonderful writing skills and an active mind which allows her to be creative and have an artistic personality, but her husband will not allow her to write or be who she wants to be because he has the capability to control who she is. Harrison is a genius and an athlete who could build upon his abilities to better himself as a person both mentally and physically, but the government will not allow him to

Historically, societies across the world confine women to the home—from the cult of domesticity that dominated American thought in the twentieth century to the stifling influence of the traditional economy on women in Africa—females typically submit to their husbands in marriage to conform to social standards. However, regional differences arose, and women developed unique identities in different parts of the world, wielding special influence in some cultures, but remaining imprisoned in the home in others. Fences, by August Wilson, All My

A house is not a home if no one lives there. During the nineteenth century, the same could be said about a woman concerning her role within both society and marriage. The ideology of the Cult of Domesticity, especially prevalent during the late 1800’s, emphasized the notion that a woman’s role falls within the domestic sphere and that females must act in submission to males. One of the expected jobs of a woman included bearing children, despite the fact that new mothers frequently experienced post-partum depression. If a woman were sterile, her purposefulness diminished. While the Cult of Domesticity intended to create obliging and competent wives, women frequently reported feeling trapped or imprisoned within the home and within societal

During the early 1800's women were stuck in the Cult of Domesticity. Women had been issued roles as the moral keepers for societies as well as the nonworking house-wives for families. Also, women were considered unequal to their male companions legally and socially. However, women’s efforts during the 1800’s were effective in challenging traditional intellectual, social, economical, and political attitudes about a women’s place in society.

treats her like a child and just like a child she is kept in this

In these short stories, Gilman’s “The Yellow Wallpaper” and Olsen’s “I Stand Here Ironing”, each have common situation about mental illness towards self, family, and even with outside of world-society. Different people handle struggles in different ways. In all the stories, freedom was taken away in one way or another. Both were struggling with inner conflicts about comforting to other people’s wants or needs. The characters in both stories hand to deal with abandonment in some form. All dealt with emotional and mental abuse. Both woman and daughter found their own way of escaping from conforming to what other people thought they should do. Both stories deal with the oppression of female. Female in these stories are all confined in one way

Around this time, women started to take on other roles outside the typical traditional role of housewife. Women were going to college, obtaining their degrees, and starting their

Being a single woman with a family to support in the 1930’s was not an easy job. Especially when society had so many chips stacked against them. Tillie Olsen’s “I stand Here Ironing” is a short story that addresses feminine social disorders and inequalities as well as economic disadvantages that people of lower circumstances have to overcome to survive. In the short story it is basically an autobiography of Tillie Olsen’s life told by the narrator (Emily’s mother). Throughout the story the narrator is reflecting the way she brought up her daughter during a depression and feminist era. She feels very regretful reflecting 19 years late because of the decisions she was forced to make because of the absence of Emily’s father. This story can be seen in a feminist perspective as well as a Marxist perspective; even though they are very different from one another both perspectives help interpret Tillie Olsen’s short story. The Marxist perspective helps illuminate Tillie Olsen’s “I stand Here Ironing” when the narrator explains how the capital system negatively affected Emily and her Family. In a feminist perspective the narrator describes her different encounters with men that abandoned her; causing her to have to take on a male dominated role. Because of the societal characteristic she had to take on it caused her to turn away from her daughter in order to survive.