Comparing Transgendered Bridge And Just Lather, That's All

Internal conflict is something that the transgender community knows all too well. Feeling as though you are living in the wrong body can do serious damage to the way that someone sees themselves. One of the hardest time for transgender teens is puberty. Researchers have said that “This is a particularly hard age, since the body begins to change and adapt gender specific features (breasts, changes in genitals, menses, etc..). Transgender individuals have reported “I was disgusted by (hair, breasts…etc)” (Ami B. Kaplan, 2014). It already puts a child or teen under great stress to see themselves living life as a gender they feel is completely wrong, but, as puberty begins to hit and they see this body changing it only increases that self-hatred that slowly builds. Even though transitioning can be the best decision a transgender person might make, it can still be just as difficult to finalize this. Many transgender youth have said that they have “Fears about finding a partner, feelings about having to experience surgeries, hormones, (and for MTF transsexuals) facial hair removal and voice changes, and fears about violence and prejudice when one is read transgender”(Ami B. Kaplan, 2014). Even when the option to transition arises, doubt may still linger. Some transgender youth that have gone through with transitioning face many issues emotionally such as “Disappointment that transitioning didn’t solve all problems, level of satisfaction with appearance, level of satisfaction

Imagine, you go to work in your dress shoes, black suit, buzz-cut hair, red power tie, and nobody pays you a second look. But, the second you get home, you kick off your shoes, and don high-heels, the suit is replaced with a dress, your short wig is taken off, and you let your long curls fall, and your tie is in the closet, with a necklace in its place. Such hiding of true feelings is not an unheard concept in the transgender world. Millions of transgender people will never express their true feelings in their lifetime. This is similar to The Intruder by Andre Dubus, Kenneth Girard a

Scholars have been critical of the medical establishment’s and state’s involvement in constructing and policing of transgender identity. These kinds of pressing issues have occupied the small existing literature. There is not much information and studying what is being done on transgender in traditional areas, family studies research, such as their dating behavior and formation of intimate relationships in adulthood. There is little research on the issues around being parents, their children’s experiences with having transgendered parents, as well as relationships in the family as a whole, and relationships in work and school.

Elizabeth Blevins quoted Neil Carpathios in an article saying “’ [Stacey Waite] dares to explore and write about the often complicated terrain of gender, sexuality and societal perceptions of the self, the body and desire.’” Waite is slowly helping everyone break away from the idea that gender is a solid tangible concept. In “The Kind of Man I am at the DMV” written by Stacey Waite, traditional gender roles are being challenged by explaining that transgender people are the same as everyone else and pointing out the ignorance that some have towards less commonly recognized genders.

The main setting of Trans-Sister Radio is within the small town of Bartlett, Vermont. The primary focus is set on Dana, a chromosomal-male college professor who is in the process of transitioning into the female gender. As a male, Dana is well-received by her community, even though she is perceived as strange and effeminate. She forms normal romantic relationships with women, has a fulfilling career, and is admired by those surrounding her, however she still feels incomplete. Unfortunately, what is missing from Dana is not externally noticeable, it is intrinsic happiness. From a young age, Dana suffered from gender dysphoria, a mental disorder that causes individuals to experience serious distress due to frustration with the sex and gender assigned at birth (APA, 2013). To alleviate the traumatic pain that has burdened her for decades, Dana makes the bold decision to partake in complete gender reassignment surgery. Trans-Sister Radio challenges the prototypical ideologies of character growth, morality, and relationships through its descriptive insight on transsexuality and thus gender.

In her book “Gender Outlaw: On Men, Woman, and the Rest of us,” Kate Bornstein goes over a lot of the major issues regarding gender awareness and identity politics. She talks about the ideas of labeling ones self, understanding gender differences, how people view laws, behaviors, and the medical and scientific privilege that make transitioning challenging for a lot of people. Bornstein touches on many of the issues today that affect trans people. She includes poetry, pictures, quotes, essays, and a play to raise questions and discuss the idea of gender. This is a great book to introduce and discuss the issues that affect the lives of trans people as they navigate and explore the lines that define gender.

The hate crime of Brandon brought national attention to the ideal and possibility that someone would want to change their gender. For many people, this was their first time even hearing about trans people and the violence against trans people. After his death, his identity was challenged and argued even though there are quotes from him saying he felt like a man trapped inside a woman's body. As Karina Eileraas puts it “Transgender violence targets both men and women, but Brandon Teena's case highlights its particularly brutal effects on FTM transgender individuals. Boys Don't Cry provides a clear political incentive to integrate feminist, gay, lesbian, bisexual, and transgender concerns in the analysis of violence against women...Serious risks accompany any attempt to invest the body with particular 'truths' about gender and sexuality”. Brandon was not fully accepted in life or given the support he needed but he is remembered in death and his story continues to inspire many people whether trans or not.

In the case of “Fun Home: Old Man, Old Artificer” by Alison Bechdel the main characters Bruce and Alison are a father and daughter who switch gender roles. Bruce is a man who is hiding a dark secret he tries to not draw attention to himself by decorating his home so it looks perfect to everyone else. The irony comes in although he tries to not draw attention to himself so nobody will find out his secret, Bruce uses makeup to improve his appearance which in society's eyes is wrong because following gender norms men shouldn’t wear makeup. Alison takes on masculine traits like how she hates the color pink she is a girl so she is supposed to like the color pink. Bechdel herself witnessed her dad committing suicide because he couldn’t hide his secret anymore Bechdel “ I was pissed off. After I recovered, I sped up to truck to get its license number. That’s when I saw the logo on the side: It was a Stroehmann’s Sunbeam Bread truck. My father had died after being hit by- and probably intentionally jumping in front of- a Stroehmann’s Sunbeam Bread truck” (1056). For her to see her father kill himself I know she couldn’t believe it I would be in shock too. On the other hand “Shiloh” by Bobbie Ann Mason, Norma Jean and Leroy switch gender roles after Leroy loses his job. Norma takes on masculine traits like bodybuilding and being more independent but irony comes in that although she takes on traits normally associated with men Norma Jean still cooks and clean which are traits that women take on. Leroy takes on feminine traits like crocheting which is odd because he is supposed to be out working hard and providing for him and Norma but he just stays home and does nothing like some women do in society they stay at home while the man

Other episodes have dealt with the difficult topic of what it means to be a transgender teenager. For example, one of the characters

Chase Ross, a twenty-six-year-old transgender male, creates YouTube content focused on promoting LGBT issues along with educating LGBT youth. His content deals primarily with transgender informative videos, most being for transgender men, and he works as a major educator within the community. His stance on how he used to bind within his life demonstrates the power of the structures of masculinity in addition to how the habitus creates guidelines which those who bind must follow, while also depicting an internal rejection of his own initial habitus of being socialized female in favor of identifying as male, thus creating a new set of structures.

The most obvious example is the differentiation of “transsexual” and “transgender.” In the article, “transsexual” is used to refer to someone who has specifically had treatment to physically change their body to match their gender identity; “transgender” is someone whose gender identity does not match the gender they were assigned at birth, regardless of whether they have made physical gender-related changes to their body (155). Today, the term “transsexual” is almost obsolete. Interestingly, however, Halberstam briefly presents conflict between “transsexuals” and “transgenders” that is mirrored somewhat today in informal conflicts between “truscum” and “transtrenders/tucutes” (154-155). In today’s transgender communities, people called “truscum” (generally by other people) feel that people they call “transtrenders” or “tucutes” are not truly transgender; they feel these people are merely pretending to be transgender for the sake of attention. On the other hand, those called “transtrenders” or “tucutes” (generally by other people) feel attacked and policed by “truscum” and insist that they are transgender regardless of whether they meet the standards set by truscum. Halberstam cites some identity politics (154-155) that are reminiscent of this, which suggests that even as terms change, identity policing remains a consistent issue in transgender

How the transgender population fits the theme is they are a group of individuals surviving systematic oppression from heterosexual's. In todays society, the straight population is perceived as the potential oppressors (Sue, D. W., Sue, D., & Sue, D. W., 2003). Everyday, transgender's are making risky choices, for example, using the opposite gender's bathroom, choice of outfits, and how to exploit themselves in public. Heterosexual's have matured towards the transgender population. By picking clothing the transgender wants to wear will expose their sexual preference to the Heterosexual groups, therefore avoiding feelings or behaviors that can be offensive (Sue, D. W., Sue, D., & Sue, D. W.,

The testimonies of the transsexuals and would-be transsexuals were more than a kid from Wilkes-Barre was used to hearing. What was even more difficult to understand was how the psychiatrists in attendance seemed to be endorsing alternate lifestyles and even treating transsexuality as a normal variant of the human condition.

In the article Agnes Goes to Prison Authenticity, Transgender Inmates in Prisons for Men and the Pursuit of “The Real Deal” (Jenness & Fensternmaker, 2013), deals with transgender men living in the California Prison System. The lifestyle and daily struggle to survive as a woman trapped in a man’s body as well as emotional consequence of such a lifestyle is traumatic at best. These men not only have live as women in prison but they have lived their lives as women in their communities as well.

Transgender characters in scripted television can seem like a phenomenon. The very fact that there are shows on air that feature transgender characters in reoccurring or starring roles is a huge step for the transgender community. Visibility in the media is the first step in the long journey of erasing the bias and hate that the transgender population faces. However, these steps are only productive if the depictions are positive. Television helps inform and shape the public opinion of the transgender community, and has a strong effect on the formation of self-identity when watched by transgender individuals. Using examples from The Golden Girls, Matlock, Orange is the New Black, The L Word, and Transparent, this paper shows common tropes and characters of transgender representation. Although scripted television shows have become more inclusive in regards to transgender visibility, the onscreen depiction of transgender individuals is still misguided.