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Comparing Vonnegut's Those Winter Sundays, And Greasy Lake

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The Coen Hasenkamp Award for Literature celebrates works of poetry and short stories that provide the reader with a deeper perception of life and humanity. Authors of works selected for awards must demonstrate a comprehensive understanding of the literary tools available within their selected genre. The 2016 finalists for The Coen Hasenkamp Award for Literature are: Harrison Bergeron by Kurt Vonnegut Jr, Those Winter Sundays by Robert Hayden, Dulce et Decorum Est by Wilfred Owen, and Greasy Lake by T. Coraghessan Boyle. “Harrison Bergeron” by Kurt Vonnegut Jr. secures first place in this year’s awards. This short story uses the science fiction genre to present a futuristic portrayal of American life in the year 2081. Unlike the technologically …show more content…

The first stanza uses concrete imagery to depict a working man “with cracked hands that ached” (3), the speaker’s father, starting a fire. The second stanza starts with warm connotations of the fire rescuing his home from the cold; however, the stanza ends with the speaker expressing his fear, a figurative coldness, of “the chronic angers of that house” (9). The third stanza completes the epiphany that the final line of the first stanza, “No one ever thanked him” (5) hints at. It is at this point that the speaker understands that his father expresses his love differently. While the speaker was looking for an overt expression of his father’s love, his father, a working man, can only show his love with the means by which he is familiar. To the father, love is an expression of actions, actions that the speaker is oblivious to during his childhood. By the setting being early Sunday morning, it shows that the father’s actions, as a symbol of his love, are omnipresent and supersede his own desire for rest. The final lines of every stanza reflect the speaker’s growing realization that he was indeed loved by his father, that he initially didn’t recognize his father’s actions as an expression of this love, and that his obliviousness to this unfamiliar expression of love helped contribute to what …show more content…

This poem originally carried the dedication “To Jessie Pope,” a propaganda poetess that encouraged “lads” (“Who’s for the Game?” 13) to sign up for “the biggest [game] that’s played,” (“Who’s for the Game?” 1) referring to young men signing up to fight in World War I. Wilfred Owen was one such lad, and this poem exposes the lie that many like him were sold: “Dulce et decorum est / pro patria mori” (27-28) (“It is sweet and proper to die for your country” in Latin). The opening stanza uses concrete imagery to paint a bleak picture of life in the trenches of World War I. The connotation of the speaker using words like “lame,” “blind,” “drunk,” and “deaf” (6-7) at the end of the first stanza implies that although the scene is bleak, it is the speaker’s adopted version of normality. The second stanza introduces a series of contradictions that highlight the absurdity of the speaker’s situation. The use of the word “boys” over equally suitable words such as chaps or men is deliberately done for the connotations that it brings to the poem. Only three lines later, one of the “boys” (9) is now a “man” who is “flound’ring…in fire or lime” (12). When the speaker observes through “the misty panes and thick green light” (13) of his gas mask and the poison gas cloud, the same scene seems strikingly less violent. The man is no longer “in fire or lime” (12) as he is “drowning” (14) instead. The filter of the

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