Comparing Women In Sir Gawain And The Green Knight

On the other hand, this mysterious woman is defined by nature. She is incredibly beautiful and she is seemed to be illustrated as a nymph because they roam around the meadow with lavishing clothing and with rare beauty. “ their clothes were in expensive taste, close- fitting tunics, tightly laced, made of deep- dyed purple wool. Their faces were most beautiful. The older of the two conveyed.”(56). As demonstrated in other works of epic and romance, usually the older women is possessed with unnatural magic or obtains bargains with the younger gentlemen just like in this story. In addition, the older woman is always illustrated to be the most beautiful woman the male character has ever seen. In Lanval, nature v. humanity comes to play when the Queen is rejected by Sir Lanval for the Nymph who stole his heart. By this display of rejection the Queen falsely accuses Lanval as a man who betrays the oath and code of conduct to King Arthur and the rest comes to play. On the other hand, in “Sir Gawain and The Green Knight” the theme of nature v. humanity is demonstrated through the characters of Sir Gawain and The Green Knight. In this poem, Sir Gawain represents humanity, civilization and honor while the Green Knight represents nature and deviance. This concept is presented in the wager the was made between the Knight and the Green Knight, in this “beheading game”.

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

The role of women was a key role in medieval times. In the poem of Sir Gawain and the Green Knight, two women represent this role. They are Lady Bertilak, who is Lord Bertilak’s wife, and Morgan La Faye. It all starts when Sir Gawain is welcomed to Lord Bertilak’s castle and then he meets these two women living there. At all times, Bertilak requests Gawain to feel at home and socialize with these women without problems. Bertilak trusts Gawain even though he would be away and Gawain would remain alone with women. However, his nameless wife uses many different ways to chase Sir Gawain and take advantage of her condition as the host’s wife. Lady Bertilak is a superior being that

In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the

The fourteenth century placed social and economic changes in the government. The founding of chivalric orders kept aristocratic ideals alive, and because of this, there were major changes in chivalry. Chivalry is the religious, moral, and social code of a medieval knight. In Sir Gawain and the Green Knight, Gawain is characterized as being one of the most loyal knights that followed chivalric orders. Not only is he deemed loyal, but he has a reputation of being a great and courtly lover. Great knights are devoted to the church before anything else. On the other hand, when courtly love is presented to him, Gawain is conflicted between the physical love and spiritual love he has for the church. Morgan le Fay and Lady Bertilak sought to use their strength and age differences to test Gawain’s knightly honor. Lady Bertilak’s role, specifically, were orders of Lord Bertilak. Behind closed doors, Lady Bertilak had a powerful presence because she tempted Gawain with tokens of love. In Sir Gawain and the Green Knight, Lady Bertilak is the most powerful female in the story because the sexual innuendos she fulfills for her husband tests Gawain’s knightly honor.

Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this

Sir Gawain and the Green Knight is a classic example of the behaviors of a medieval knight and how the code of chivalry works within the courts and towards women. When Sir Gawain visits Bertiak’s castle, he respectfully treats the elderly woman and Bertiak’s beautiful young wife with the same level of dignity. “To the elder in homage he humbly bows; the lovelier he salutes with a light embrace. They welcome him warmly, and straightaway he asks to be received as their servant, if they so desire” (lines 973-976). The treatment of women is an essential part of the code of chivalry. If Sir Gawain had only given attention to the pretty young woman, then he would not have been abiding by the knight’s code of honor. He also keeps the code of chivalry intact when he says “Lover have I none, nor will have, yet awhile” (line 1790). Sir Gawain says this to Bertiak’s attractive wife, when she tries seducing him in the bedroom, which proved Sir Gawain’s loyalty to Bertiak, upholding his chivalric code. Honorable Sir Gawain demonstrates the knightly code of chivalry throughout the poem.

During a high point in medieval chivalric romance, both Marie de France’s Lanval and the anonymous Sir Gawain and the Green Knight tell fanciful tales of knighthood, chivalry, and spiritual and temporal (courtly) love. Both Lanval and Sir Gawain and the Green Knight portray their female characters as possessing considerable power and influence, within the events in the story and in the structure of the plot. Indeed, the female characters in both works function as the catalysts of the events within the stories, and also as instruments for each author's conveyed meaning. While Lanval presents its female characters in an unorthodox reversal of gender roles, Sir Gawain and the Green Knight employs the female characters as moral and spiritual trials for the hero, Sir Gawain. I will examine how the fairy princess and Queen Gwenevere in Marie de France's Lanval present a reversal of gender roles as was traditionally understood; she presents femininity as powerful, inspiring, and morally dynamic (for a woman can be ideal, or she can be corrupt). I will compare this to the representation of Lady Bertilak and Morgan le Fay in Sir Gawain and the Green Knight, in which they are used to convey a “Biblical” warning for an ecclesiastical audience; particularly that of moral failure and the temptation of the flesh.

In Sir Gawain and The Green Knight, not only does the most prominent female character receive more respect from men, but readers -- unlike those of Gilgamesh -- are able to see and understand what she is feeling. In Sir Gawain and the Green Knight, the most significant woman featured is referred to as "the lady" and represents a

In the fourteenth century, chivalry was in decline due to drastic social and economic changes. Although feudalism-along with chivalry-would eventually fall for other reasons, including a decrease in cheap human resources due to a drop in population caused by plague epidemics and the emergence of a mercantile middle class, the Gawain author perceived a loss of religious values as the cause of its decline. Gawain and the Green Knight presents both a support of the old feudal hierarchies and an implicit criticism of changes by recalling chivalry in its idealized state in the court of King Arthur. The women in the story are the poet's primary instruments in this critique and reinforcement of feudalism. The poet uses the contrast between the

Gawain however will not coward out and will remain loyal to the agreement and shrugs off the warning. He eventually runs into the Green Chapel and calls out for the Green Knight. The Green Knight takes three swings at Gawain purposefully missing the first two, and then nipping the neck of Gawain on the third blow. Gawain, not harmed, arose and requested to fight the Green Knight drawing his sword. The Green Knight says he didn’t want to fight only because Gawain has fulfilled the agreement already. He explains that he spared Gawain the first two times for receiving the kisses back from him but the third blow was for not returning the Green Girdle he received. Gawain was thankful and explained that women were the reason for men’s downfall giving examples. The Green Knight introduces himself as Lord Bertilak and explained the Old lady whose face was covered was his Aunt Morgan Le Fay, Merlin’s apprentice, and that he had a spell cast on him. He says the main reason he came to King Arthur’s court was Morgan Le Fay’s plan to scare Queen Guinevere to death. He asked Gawain to come and stay at his castle because he is loved there but he declines and rides back to Camelot with The Girdle under his left arm to show that he committed fault to enemies back along the way as well as the

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

In medieval literature, the role of women often represents many familiar traits and characteristics which present societies still preserve. Beauty, attractiveness, and grace almost completely exemplify the attributes of powerful women in both present and past narratives. European medieval prose often separates the characteristics of women into two distinct roles in society. Women can be portrayed as the greatest gift to mankind, revealing everything that is good, pure, and beautiful in a woman's life. On the other side of the coin, many women are compared to everything that is evil and harmful, creating a witch-like or temptress quality for the character. These two aspects of European culture and literature show that the power of

During the Medieval times of England, society was created as a pure patriarchy by the Christian church, and nearly everything was made male-dominated where the men held the power and their female counterparts held little to no power at all. Arthurian texts such as Sir Gawain and the Green Knight showcase many of the characters mostly following these traditions with the men being portrayed as strong-hearted knights who follow a code of chivalry, and the women as passive and submissive beings to the men. However, Arthur’s half-sister Morgan Le Fay is featured in Sir Gawain, and she does not play any parts given to her as a woman, as she is portrayed as an enchantress and an evil, manipulative woman, which is an archetype that was given to women who did not follow their given gender roles. Morgan Le Fay subverts the traditional roles for women by having her own power in the play, and overall presents herself as the antithesis to the church and the patriarchy of the Medieval times.

Upon first Reading Sir Gawain and the Green Knight, I noticed that it comes off as a romantic normative poem about chivalric ideals and traditions of the ruling class with covertly Christian Images. The protagonist character Sir Gawain stands out as the role model of the chivalric ideals of the 14th century while displaying Christian images on his armor. The combination of Gawain’s armor and actions throughout the poem exemplify his characteristics of Christian perfection and chivalric ideals. The very first scene with Bertilak of Hautdesert known as the Green Knight begins to mold your perception of how chivalrous Sir Gawain is by portraying him as valiant, humble, and virtuous knight to Arthur. I felt that the interruption of Arthur