Comparing Women in Raisin In the Sun, House On Mango Street, and Yellow Raft

Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Ed. By Patricia Hill Collins. (New York: Routledge, 2000. ii, 336 pp. Cloth, $128.28, ISBN 0-415-92483-9. Paper, $26.21, 0-415-92484-7.)

In Elise Johnson McDougald’s essay “The Task of Negro Womanhood,” she elaborates on the difficulties of being a black, working woman in society. In order to understand the struggles of a black woman in America, “one must have in mind not any one Negro woman, but rather a colorful pageant of individuals, each differently endowed” (McDougald, 103). This is because to be able to understand the problems they face as individuals one must think of black women as a collective unit. McDougald focuses on the women living in Harlem because they are more free and have more opportunity to succeed than in the rest of the United States. Though they are considered more

Mama really looks at herself as a strong women that could do anything a man could, if not better. She is built like a man and even dresses like one too. Without a doubt Mama could, and will always, provide for her family. Mama “can kill and clean a hog as mercilessly as a man. One winter I knocked a bull calf straight in the brain between the eyes with a sledge hammer and had the meat hung up to chill before nightfall.” (Everyday Use pg1). As one could see, Mama is in fact very masculine, and could pull her own weight, physically and metaphorically. Mama isn’t skinny but, her “fat keeps her hot in zero weather” (Everyday Use pg1). Mama “can work outside all day, and breaking ice to get water for washing clothes” (Everyday Use pg1). Even though Mama is such a strong woman, there are many flaws, but not so much with her, more of her family. Her youngest daughter, Maggie, was burned in a house fire, which has left her broken and battered, and her oldest, Dee, was her bright child, who Mama always adored and loved. Maggie was always overlooked because she was never the pretty one nor the smartest one. Mama was so proud of Dee, because Dee is going to college to expand her knowledge and she had a bright

To be a woman meant that one had no say in regards to political affairs or in government making decisions. If being a woman had limitations, imagine what a black woman experienced, as they were considered less than human and mistreated more than any other female from any different background. In “A Plea for the Oppressed”, Lucy Stanton, one such black woman, tried to avail her people’s plight upon an audience of white women, to support the antislavery and reform cause.

Through humorous comments, the mother paints a picture of what she is thinking, and allows the audience to see her as she is, and not as the world and those around her perceive her to be. Specifically the mother describes the characters appearance, and actions, as well as offers analogies, such as mothers on T.V. To support her view of reality, or how things really were, in her opinion. As the story progressed, she reveals cultural differences between Mama, Maggie and Dee. Walker also points out the importance of respecting your immediate heritage such as parents, and other family, and truly knowing and internalizing the real meaning of racial

Oppression starts in the home. Despite its omnipresence, we don’t even notice its influence. And how could we? It is normal. It is all we know. We were raised, quite literally, in the domestic lair of oppression. People of color, in particular, face a particularly insidious type of oppression, one that is rationalized, one that forces households to strive endlessly to reach an ideal that is unattainable. Queer of color theory and intersectionality serve as frameworks through which to discuss the relationship between domesticity and gender, race, and sexuality for people of color.

This week, the readings touched on issues relating to resistance and social change. Martinez explains how the U.S. has struggled to see issues of race beyond just Black and white. She also stresses the importance of including other races when speaking on these issues. Hernandez argues that the mainstream feminist movement fails to include minority and low-income women and the issues they face. She states that the movement only benefits white middle class women. Collins explains how people’s ideas and behaviors actualize other people’s inequalities. She says comparing levels of oppression is a competition for attention and instead we should use a new mentality that interlocks these inequalities. Harris

Gender inequality has engulfed the United States and placed copious varying roles onto the male and female sexes. According to Leila Aboulela, Minaret, “All through life there were distinctions - toilets for men, toilets for women; clothes for men, clothes for women - then, at the end, the graves are identical.” Discrimination places women into different roles and takes away numerous privileges. However in America today after more than a century of struggles by dedicated activists who fought to alter these ideals and gain further rights, the perception of women in society and their contributions to society have been greatly transformed.

Over the last one hundred and thirty years African Americans have little by little-gained freedom for themselves as slaves and domestic servants. Now as a culture they are legally capable of obtaining jobs and positions in all areas of private and public organizations, (Hayes, A. F., & Preacher, K. J., 2010). This particular ethnic group are known to be instrumental in holding their cultures together through times of constant struggle. They have used rallies, protests, silent marches and received help from volunteer organizations to fight for rights as well as obtain justice in a racist and sexist society. This work explores the troubles African Americans face in Americas society today, through stereotypes and how gender roles as African Americans differ from each other as well as the American population.

Some critics have argued that Richard Wright’s women are “flat, one dimensional stereotypes, portrayed primarily in terms of their relationship to the male character”. (Quote, p540) However, in Uncle Tom’s Children, Wright resents three very distinct types of female characters who did not fit this description. Wright portrays women as an Avenger, a Sufferer and a Mother figure whose actions propel the stories to their final conclusion. In the story “Bright and Morning Star” Wright places the protagonist, Aunt Sue, in a domestic environment. “Her hands followed a lifelong ritual of toil” (pg222) as she cleans and cooks. Interestingly, Aunt Sue is the only heroine in the stories, who shows a different type of bravery than perhaps shown by

Sojourner Truth’s words in her speech, “Ain’t I a Woman?” served as an anthem for women everywhere during her time. Truth struggled with not only racial injustice but also gender inequality that made her less than a person, and second to men in society. In her speech, she warned men of “the upside down” world against the power of women where “together, [women] ought to be able to turn it back, and get it right side up again!” Today, America proudly stands thinking that Truth’s uneasiness of gender inequality was put to rest. Oppression for women, however, continues to exist American literature has successfully captured and exposed shifts in attitude towards women and their roles throughout American history.

Women have been the most discriminated-against group of people in the entire history of humankind. They have been abused, held back in society, and oftentimes restricted to the home life, leading dull, meaningless lives while men make sure the world goes round. It seems strange that half of the world's population could be held down so long; ever since the dawn of humanity, women have been treated like second-class citizens. Only in the past 100 years or so have women started to win an equal place in society in the Western world. However, the fight for equality has not been a short one. The seeds of the liberation movement were planted hundreds of years ago, by free-thinking

Mama, however, is strong, spiritual and eager to help her children in any way she can. She values family above and beyond all else, but has the deep insight into the other character's motivations even when she doesn't agree. In the middle of the play (at the fuse for the final conflict), she recognizes that Walter is miserable because no one believes in him and his dreams. She gives him a large chunk of the insurance check to invest in a liquor store even thought she doesn't agree with it. She trusts him with it and, when he loses the money to a "trusted friend," she becomes enraged and begins to physically attack him. However, by the next scene she has forgiven him and tells her daughter that she should do the same; "There is always something to love: when do you think the time is to love somebody the most? It's when he's at his lowest and can't believe in hisself 'cause the world done whipped him so!" With those words, Mama seems to symbolize all that is good, solid and peaceful in the world.

In an attempt to define Black Feminism, Collins clarifies that it must “avoid the idealist position that ideas can be evaluated in isolation from the groups that create them (Collins 385).” In reality, this forms her basis for why Black Feminism is necessary, and who it serves. Thinking about feminism historically, the concerns of black women were pushed aside in favor of fighting sexism, most notably during the Suffrage movement. And even when feminism began looking at other social injustices, such as racism and class issues, only prominent feminists were invited to the discussion. What resulted was, and often continues to be, a problem of white women speaking for oppressed people. It’s impossible, Collins argues, to have Black Feminist thought without examining the experiences and positions of African American women. Therefore, Black Feminism must be a movement that “encompasses theoretical interpretations of Black women’s reality by those who live in it (Collins 386).” However, such a definition brings about many questions: who’s experiences are valued, how do black women take their voice back, and how can they center feminist thinking on their own unique standpoint?

As African-American women address social issues that are important to their life experiences, such as class and race, instead to acknowledge “common oppression” of gender inequality, they are often criticized by “white bourgeois feminists” (hooks, 2000). Their ability to gain any form of equality within society is tarnished by such groups as they develop a “fear of encountering racism” from simply joining this movement (hooks, 2000). As white men, black men, and white women oppress them, their issues are often ignored due to reoccurring stereotypes and myths that claim black women are strong, independent, and “superhuman” (hooks, 2000). It becomes extremely difficult to seek liberation and equity within a “racist, sexist, and classist” society, as their gender and race causes them to be at the “bottom of the occupational ladder” and “social status” (hooks, 2000, pg. 16). As black women are perceived to demonstrate strength and dynamic qualities as white women perpetrate the image of being