Comparing and Contrasting the Relationships of Beatrice and Benedick, and Hero and Claudio in Much Ado About Nothing

“FRIAR FRANCIS: (to CLAUDIO) You come hither, my lord, to marry this lady?” “Claudio: No“ (Shakespeare 150). At the beginning of Much Ado About Nothing Benedick and Beatrice strongly disliked each other so they would “roast” on each other. Towards the middle of the book they started to not roast on each other so much. But in the end they get married. In the book Much Ado About Nothing by William Shakespeare, Beatrice serves as the foil of Benedick, by which Beatrice's pompous and rational qualities highlight the pompous and unreasonable qualities of Benedick; thus, perpetually impacted their conflicted relationship.

In this Shakespearean comedy ‘Much Ado about Nothing’ two similarly obstinate characters of Beatrice and Benedick are presented between the rather normal relationship of characters Hero and Claudio. Shakespeare presents Beatrice and Benedick’s obstinacy towards the rather obligatory act of marriage and also their particularly similar personalities that cause reason for their familiar act of squabbling; he does this whilst also presenting two characters that are completely interested in marriage and who are hardly intellectually capable of squabbling in a similar manner. As the play unfolds both characters remain combative with one another but as love becomes the better of them, they begin to reveal that somewhat secretive sensitivity

Beatrice and Benedick as a Couple in William Shakespeare's Much Ado About Nothing 'Much Ado About Nothing' is a Shakespeare play set in Mecina. It is a comedy, about Don Pedro and his friends. The play focuses on the relationships of the characters, especially that of Beatrice/Benedick and Claudio/Hero. The two romances follow two different ideas, one an average romance in Shakespeare's day, the other a not so average romance. Beatrice and Benedick's history together is made clear from the start, when Beatrice tells the messenger bringing news of Benedick's return, that he 'is no less than a stuffed man', implying that he is very full of himself.

During the beginning of Act 1 Claudio is introduced to Hero the daughter of Signior Leonato and is immediately interested in her stating that quote, “she is the sweetest lady that ever I looked on.” Though interested in her, Claudio wanted Benedick’s approval. When hearing that Claudio was attracted to Hero Benedick immediately was in disapproval of the thought, for in his eyes she was quote “too low for high praise, too brown for fair praise, and too little for great praise. Though disappointed of Benedick’s disapproval, Claudio chose to still peruse Hero. Later on Claudio and Hero get engaged but when Don John an evil man here’s about the engagement he devises a plan to deceived Claudio and destroy the marriage. When Don John’s plan is put into action Claudio falls right into the trap and believes that Hero is cheating on him. Though Claudio is furious he does not confront Hero with his problem but rather holds on to the information until the wedding. The wedding day arrives, and everything is in place. Once Hero has come down the aisle Claudio then starts accusing her of cheating on him. Instead of confronting Hero alone to talk about what he saw, Claudio choose to humiliate her in front of her family and friends. His reaction

They are also hurt by each others remarks as Benedick says ‘she speaks poniards, and every word stabs’. This shows how seriously Benedick takes her insults and how badly he is affected by them as these are all signs of love.

Claudio is very gullible he will believe you if you said a tsunami was coming and he lived in russia.Claudio and hero both hate and love each other. They believe things they shouldn't of and things they ignored. Claudio and hero go back and forth of hating and loving each other.

Shakespeare’s play ‘Much Ado about Nothing’ has two main female characters, Beatrice and Hero, who are cousins. Both appear to be completely different in the beginning of the play but, as things progress and their characters develop, there are also some very obvious similarities between them. Hero and Beatrice have a very close relationship; they are best friends. Leonato is Hero’s father but Beatrice has no parents, which gives her greater freedom. Where Hero is polite, quiet, respectful and gentle, Beatrice is feisty, cynical, witty, and sharp.

 Much Ado About Nothing is one of William Shakespeare’s best comedies and love stories.  What is not to like about a play that is hilarious, romantic, and has a happy ending?  In this play the foremost and most intriguing character is Benedick, a man who is a devout bachelor and who does not believe he will ever find the perfect woman; --because perfect is exactly what he must have.  This may seem to be a harsh and pessimistic outlook on life, but the way Shakespeare brings this character to life portrays Benedick as a funny and caring man who really is not that certain about what he wants for the future.  Benedick’s counterpart in the play is Beatrice who is an independent woman

develops, and by the beginning of Act 3.1 she goes into a speech of 15

Through rich imagery and a comic context Shakespeare uses characters to explore his ideas about love and marriage, using relationships to show the trials of love. In his play Shakespeare makes Beatrice and Benedick the critics of love and through them the modern audience is shown how Elizabethan society maltreats the female role and how the male code of honour and pride can lead to devastation.

In Much Ado About Nothing, William Shakespeare depicts both Benedick and Beatrice as characters with one major flaw: both are full of pride. With the use of the masquerade scene, as well as the orchard scenes, Shakespeare allows the characters to realize their awry characteristic. By realizing their erroneous pride, Benedick and Beatrice are able to correct this and not only become better citizens, but fall in love.

Benedick’s attitude to love & marriage in ‘‘Much Ado About Nothing’’ In the play ‘‘Much Ado About Nothing’’ by William Shakespeare, the character of Benedick shows mixed emotions towards loves and marriage throughout. In the two extracts we studied, Benedick shows a large contrast of opinions: In Act 1 Scene 1, Benedick portrays strong feelings of contempt towards love and marriage, whereas by Act 2 Scene 3, Benedick has completely changed his views and he is prepared to make the commitment and marry Beatrice, a woman he appeared to dislike in the beginning of the play and who seemed to have mutual feelings towards Benedick. Act 1 Scene 1 portrays that Benedick has a very negative attitude towards love and marriage. When conversing with

In the play of Much Ado About Nothing, the characters of Benedick and Beatrice have a love-hate relationship. On the surface, it appears that their relationship is built on a war of wits and insults. However, in Benedick’s soliloquy, the reader discovers that at the core of their insults actually lie the true feelings of love. It is also apparent that Benedick even sees loving each other as a competition, in that he wants to love her to a point of outdoing her love for him. Not only is Benedick constantly warring with Beatrice, but he is also undergoing an internal struggle, which is made quite apparent in Benedick’s soliloquy in Act 2 Scene 3.

Deceit and trickery play a huge part in the play Much Ado About Nothing by William Shakespeare. Deception is a key theme in the play, it also moves the plot along. Trickery and deception is used in the love stories of couples Hero and Claudio, and Benedick and Beatrice, with opposite results. This play demonstrates two different kinds of deceit: the kind whose only purpose is to cause trouble, and the kind that is used to form a good outcome. In the relationship of Hero and Claudio, deception nearly succeeds in breaking them apart forever, while in the case of Benedick and Beatrice, it brings them closer together.

Benedick's feelings for Beatrice become more obvious after the masqued ball, in Act 2 Scene 1. He reacts quite strongly to Beatrice' comments about him. Shakespeare uses the dramatic device of the masqued ball, and the inherent confusion of identity, to allow Benedick to believe that Beatrice intended to speak ill of him to another person, when all along Beatrice knows whom she is speaking to. The fact that Benedick reacts in the way he does to these comments shows he is hurt by the thought that Beatrice might feel this way about him. There is a suggestion that he does not mind such comments when directed at him in a 'skirmish of wit', but the idea that she may speak ill of him to another person is quite different, as he must have previously thought that she shared whatever secret feelings he had