Comparing the Black Album and Rushdie's The Satanic Verses Essay

Control of reproductive decisions of black women is a highly prevalent a form of racial oppression in America. Due to this form of control, the meaning of reproductive liberty in America has been significantly altered. These issues are addressed in Dorothy Roberts’ Killing the Black Body. The novel demonstrates the way in which black women were consistently devalued as a tool for reproductive means, which in itself was a form of racial oppression. The novel also provides the reader with insight as to how experiences of black women since times of slavery have drastically changed the present day connotation of reproductive freedom.

In her essay “My Two Lives,” Jhumpa Lahiri, an Indian American, explains the balance between the identities of the two countries inside her heart, as well as her psychological struggle between her bicultural identities. She describes herself as an Indian-American because she moved with her family from India to the United States when she was very young. However, confused with her identity through her growth, she feels that she doesn’t belong to either of the two countries because of its completely different cultures. When she is at home, she deals with her parents in an Indian way, which is strange compared to the American way that she come across outside. She says that she has a distinctive identity in spite of her Indian appearance

In his novel, The Kite Runner, Khaled Hosseini depicts his homeland Afghanistan as a host to many different cultures and classes, such as Pashtun and Hazara, Sunni and Shiite, with this dichotomy of beliefs and attributes being powerful enough to shape diverse, sometimes negative relationships amongst the characters of the novel and their behavior to each other, as well as establish that individual’s identity. Each person interprets the impact of the role of belief and social status differently, while all living in the same setting, adding to their complexity and depth as a character in the novel with many different figures tied together by the same geographical and cultural conditions.

This excerpt from the text shows how Fadi was harassed and discriminated against for how he looks. Another reason race is the biggest challenge for immigrants is the culture is very different from where you were from and stereotyping could take place. For example, in the book Shooting Kabul, some bullies show stereotyping. “”Look it’s Osama!” shouted a familiar rough voice… “Why aren’t you with your towel headed friends?” growled the voice again””(144). This shows that race can lead to stereotyping. The bullies show this perfectly by discriminating against Fadi’s people and culture as a whole instead of taking into account that not all people in Afghanistan are terrorists. It also shows how race is a big problem for immigrants. Likewise, in Shooting Kabul, an Afghani is once again discriminated against because of his Afghani culture and looks. Here in the book, Uncle Amin states “”He was attacked because the men thought he was a Muslim since he wore a turban and beard. They blamed him for what happened on September eleventh”(165). This shows that even though an innocent man who had nothing to do with the attack and just had race in common with the attackers was jumped and

4. Pashtuns are of the wealthy class. They are the ones that usually get a good education and become powerful. Baba, Amir, Rahim Khan, Assef, Wali, and Kamal have been introduced as Pashtuns so far.

Arthur Black is a very opinionated man. In his essays about Canada, he has many short pieces about the differences between Canadians and Americans. He states how there is never anything bad said about Canada, and that Canada could even be considered a “wallflower”. In his essay Canadian Passion Not Flagging, Black talks about how the Americans wave their flag and Canadians do not. Americans have their flag everywhere; hanging inside malls, and even at the gas stations. In his essay Canada: Too Polite to Live, it says how the American Declaration of Independence demands life, liberty, and the pursuit of happiness. Canadians have settled for peace, order, and good government. Another difference between Americans and Canadians according to

The documentary, “Unforgivable Blackness” directed by Ken Burns casts light on the extraordinary life story of legendary boxer Jack Johnson. The documentary is about the barriers Jack Johnson had to overcome to satisfy his hunger for becoming the best and living “The American Dream.” Johnson had humble beginnings in Galveston, Texas and it was in those beginnings that glimpses of his bright future were slowly but surely beginning to show. Through out his life, he showed independence, relentlessness, ability to improvise, call attention to himself and get around rules meaning to tie him down. Jack Johnson was a self made man who had the drive to go forward and achieve what he wanted to achieve

struggles with self identity after moving from Iran to America for asylum. In addition to fleeing Iran due to the political climate and his family’s involvement with the Shah, Behrani is presented to the reader as the quintessential immigrant and refugee. He and his family move to San Francisco, California in order to start a new life. With very little money compared to what they were accustomed to, Behrani and his family reside in a relatively wealthy area.

We hear some personal stories of Sheikhs daughter, which showcases a generational gap. The interview brings into light some issues that these immigrants face in their household. It supports the research, because it gives the audience a preview of second-generation immigrants, who face problems in settling into the American culture. These issues create problems in families, because the kids would want something else than what the parents would expect. Sheikh is an Indian, but she states that, “Immigrants who come from different countries, value ethics and culture moral more, in comparison to the liberal minded Americans, who value the present more than ancient morals left behind by ancestors.” Her statement is supporting the American way of life, but fears to make a change. Her interview showcases the way she keeps a balance between her roots and her new way of

This year, the American police have already killed more than 500 people. Of those, 25% have been Black, even though Black people make up only 13% of the population. Last week in Louisiana, two White police officers killed a Black man named Alton Sterling while he sold CDs on the street. The very next day in Minnesota, a police officer shot and killed a Black man named Philando Castile in his car during a traffic stop while his girlfriend and her four-year-old daughter watched. Overwhelmingly, the police do not face any consequences for ending these lives. Our community knows these tragedies, too. Anthony Nunez, Melissa Ventura, Pedro Villanueva and Alex Nieto were all killed by police officers, though none of it was caught on film.

First, Amir’s relationship with his father, Baba, helped create Amir’s identity. Their intricate relationship often left Amir feeling worthless as if he could not live up to the standards of a Pashtun. This negatively impacted Amir growing up; his values constantly changed as he tried to form a close bond with his father. Baba raised Amir to believe that everyone in Afghanistan had a certain role to play in life, but they should all be treated with respect. Baba’s values made Amir think he had disappointed his father. The high expectations that Baba had for Amir showed that he cared about their reputation. Being the child Amir was, he translated Baba’s hardness as though his father were unhappy to have a child such as Amir. Amir recounts the emotion displayed on his father’s face after an afternoon together; he laments, “Mostly I will never forget Baba’s valiant efforts to conceal the disgusted

   In the opening scenes of the documentary film "Hearts of Darkness-A Filmmaker's Apocalypse," Eleanor Coppola describes her husband Francis's film, "Apocalypse Now," as being "loosely based" on Joseph Conrad's Heart of Darkness. Indeed, "loosely" is the word; the period, setting, and circumstances of the film are totally different from those of the novella. Yet, a close analysis of character, plot, and theme in each respective work reveals that Conrad's classic story of savagery and madness is present in its cinematic reworking.

Francis Ford Coppola’s Apocalypse Now lacks the impact of its inspiration, Joseph Conrad’s Heart of Darkness. While the basic elements of imperialism and human nature remain intact, the characters of the film bare little resemblance to their literary counterparts. The film serves as a re-interpretation of Conrad’s novella, updated from 19th-century British imperialism in the Congo to a critique of 20th-century U.S. imperialism in Southeast Asia. Coppola’s changes in setting and plot structure, however, force the film to sacrifice the character development so crucial in the literary work. This detracts from the overall effectiveness of the film.

On February 15, 2016, Kendrick Lamar took the stage at the 2016 Grammy Awards show. Shackled in chains, he moved lethargically across the stage in a prison uniform. Words began to stream out of his mouth and I imagined the elephant that filled the room as an unapologetically black male made a statement to the world about African American oppression in the United States. Kendrick Lamar’s showcase included an intricate set that addressed social issues such as mass incarceration with song, “The Blacker the Berry”, while keeping hope towards better days with song “Alright”. The elaborate performance on February 15, 2016 would be a performance that will go down in history. An artist used his platform to discuss important issues in the United States to a diverse audience. With so much passion invested into the song, it was almost impossible to pick any other song besides “The Blacker the Berry”, as it discusses a wide range of issues within the United States, especially related to the black body.

John Milton’s Paradise Lost is an epic poem that describes the fall of Satan and the expulsion of Adam and Eve from Paradise. Satan is the protagonist of Paradise Lost and has several characteristics in which readers may identify with him. Throughout the poem, Satan is not only a tragic hero but also the key character that drives the plot and portrays many flawed human qualities. As an angel fallen from the high esteem of God and a possessor of hubris that leads to his downfall, he represents a tragic hero but also a character in which readers may identify with.