Comparing the Role of Women in Their Eyes Were Watching God and Go Tell It On the Mountain

When Janie is about sixteen her grandmother finds her in the act of kissing a boy, and afraid for Janie, she arranges for Janie to be married to Logan Killicks, who is an older man with vast property to his name. Nanny, as Janie calls her, is unable to wrap her mind around the idea of marrying for love and mocks Janie saying, "So you don't want to marry off decent like, do yuh? You just wants to hug and kiss and feel around with first one man and then another, huh?" (Their Eyes Are Watching God, 13). Her grandmothers’ gift of life is different from the life that Janie wants to live. She tells Janie, “De nigger woman is de mule uh de world so fur as Ah can see.'” (Their Eyes Are Watching God, 11). Nanny doesn’t believe that trying to find love and make a better life for you will succeed, she tells Janie that marrying and older man with land to his name will bring security, and she shouldn’t want more than that. Because of this Janie agrees and goes along with the plan. She is depicted as very compliant and rarely speaks her mind, even saying “But Ah hates disagreement and confusion, so Ah better not talk. It makes it hard tuh git along” (Their Eyes Were Watching God, 90).

Got a house bought and paid for and sixty acres uh land right on de big road…Lawd have mussy! Dat’s de very prong all us black women gits hung on’” (Hurston 23). In Nanny’s speech, Hurston is trying to emphasize that the female’s only role is to marry and look good, and let the man do all the work. Also in her article, Hartman says that “…due to the fact that the man was almost always working, little room was left to develop a connection between husband and wife; love was a foreign concept.”, which describes what Janie and Logan have together exactly. Despite being given all she should want, Janie seeks more.

Janie Mae Crawford started off as a girl who spoke her mind, but she soon began to stop whenever she discovered that she could be punished for speaking her opinions. In chapter two on page fourteen of Their Eyes Were Watching God, Janie says, “Naw, Nanny, no ma’am! Is dat whut he been hangin’ round here for? He look like some ole skullhead in de grave yard.” This was Janie’s response when Nanny tells Janie that she is planning on marrying her off to Logan Killicks. When Janie speaks her opinion, Nanny becomes very upset. Nanny responds to Janie with outrage by saying, “So you don’t want to marry off decent like, do yuh? You just wants to hug and kiss and feel around with first one man and

The first chapter in “Song of Solomon” immediately sets a precedence for the traditional gender roles for this particular community of the man working and of the woman taking care of domestic duties and ensuring her outward appearance matched the societal expectations (Morrison 3-4). The Author writes “men were at work; and most of the women were fastening their corsets and

Nanny Crawford grew up as a slave on a plantation owned by a rich man, who raped her and impregnated her with Janie’s mom. After Nanny escaped slavery, she was very poor. Because of this she wanted to make sure that Janie was married and financially stable before Nanny died. “Me, married? Naw, Nanny, no ma’am! Whut Ah know ‘bout uh husband?” (Hurston 12). This quote represents Janie’s view on getting married. Janie is reluctant to get married because she wants to be free and independent. She is also very young and I think that the thought of becoming tied down to a man she does not even know at such a young age is frightening to her. “Tain’t Logan Killicks Ah wants you to have, baby, it’s protection. Ah ain’t gittin’ ole, honey. Ah’m done ole” (Hurston 15). This quote represents Nanny’s view on Janie getting married. Nanny does not necessarily care about Janie getting married, she just wants Janie to have that financial security and protection that she never had, especially before she dies. Janie and Nanny have a trusting relationship. Janie often goes to Nanny for advice, trusting the advice that Nanny gives her. Though they have a relatively good relationship, they both also have very

Nanny controls Janie’s love life, her first marriage with Logan at least, because of her experiences with slavery in the past. Her purpose is to have readers acknowledge Janie’s background and take that into consideration when the setting fades into the town in Florida with Joe as the mayor. Janie does show minimal resistance against the marriage between her and Logan because she does not yet have the experience of what love is supposed to be like and “asked inside of [herself] and out” (25). By not just superficially contemplating the idea if “marriage [ended] the cosmic loneliness of the unmated” or if “marriage compel love like the sun the day”, the concept of love and marriage is something that deeply troubles Janie. The pear tree symbolizes sexuality and it functions as a catalyst for Janie’s curiosity regarding what love is. With the imagery of the pear tree and the bee, it shows that love to Janie is interpersonal for the most part. However, this interpretation Janie has from seeing the pear tree and the bee changes as the novel progresses. At this point in the novel with Nanny attempting to inflict her own values and mentality onto Janie, Janie is viewed as the mule at the moment because Nanny is brought up in the slavery time period with patriarchal system to run their society and the ideas of women being independent and having their own voice are just

At the same time, however, Janie begins to confuse this desire with romance. Despite the fact that nature’s “love embrace” leaves her feeling “limp and languid,” she pursues the first thing she sees that appears to satisfy her desire: a young man named Johnny Taylor (Hurston 11). Leaning over the gate’s threshold to kiss Johnny, Janie takes the first step toward her newfound horizon. Nanny sees this kiss and declares Janie’s womanhood. She wants Janie to marry Logan Killicks, a financially secure and well-respected farmer who can protect her from corruption. The marriage of convenience that Nanny suggests is “desecrating … [Janie’s] pear tree” because it contradicts her ideal vision of love (Hurston 14). Because she did not have the strength to fight people in her youth, Janie’s grandmother believes that Janie needs to rely on a husband in order to stay safe and reach liberation. Ironically, Janie’s adherence to Nanny’s last request suppresses her even more because it causes her to leave behind her own horizon.

     The plan for Janie’s future begins with her lack of having real parents. Hurston builds up a foundation for Janie that is bound to fall like a Roman Empire. Janie’s grandmother, whom she refers to as “Nanny” takes the position as Janie’s guardian. The problem begins here for Janie because her Nanny not only spoils her, but also makes life choices for her. Nanny is old, and she only wants the best for her grandchild, for she knows that the world is a cruel place. Nanny makes the mistake of not allowing Janie to learn anything on her own. When Janie was sixteen years old, Nanny wanted to see her get married. Although Janie argued at first, Nanny insisted that Janie get married. “’Yeah, Janie, youse got yo’ womanhood on yuh… Ah wants to see you married right away.’” (Page 12). Janie was not given a choice in this decision. Her Nanny even had a suitor picked out for her. Janie told herself that she would try to make the best of the situation and attempt to find love in her marriage to Logan Killicks. But, as time went by, Janie realized that she still did not have any feelings of what she had considered to be love in her husband.

Janie receives this definition of Nanny’s love and protection with the faith and obedience that one would offer God; “[i]n the few days to live before she went to Logan Killicks and his often-mentioned sixty acres,” Janie decides, “Yes, she would love Logan after they were married. She could see no way for it to come about, but Nanny and the old folks had said it, so it must be so” (21). When the forced marriage quickly threatens to annihilate her, however, Janie uses her voice and fights to salvage her dream and her life; “[s]he beg[ins] to cry” to Nanny and announces, “’Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think’” (24). Unfortunately, Janie uses her voice to little avail with her first parental figure because Nanny hushes her and says, “’Better leave things de way dey is…Yo’ mind will change[,]’” and she “sen[ds] Janie along with a stern mien” (24).

 It is Janie’s relationship with Nanny that first suppresses her self-growth.  Janie has an immense level of respect towards Nanny, who has raised Janie since her mother ran off.  The respect Janie has for her grandmother is deeper than the respect demanded by tradition, from a child toward his caretaker, probably because

Janie is not afraid to defy the expectations that her grandmother has for her life, because she realizes that her grandmother's antiquated views of women as weaklings in need of male protection even at the expense of a loving relationship, constitute limitations to her personal potential. "She hated her grandmother . . . .Nanny had taken the biggest thing God ever made, the horizon " (Their Eyes 85-86).

Nanny’s idea of a marriage is “a haven from indiscriminate sexual exploitation and as a shelter from financial instability” (Jordan). Janie’s marriage to her first husband, Logan Killicks, is an unexpected grief and he disgusts her sexually. She tries to love him but their relationship lacks intimacy, romance, and fun. Throughout the novel, Janie is on a mission and she soon finds out “that marriage did not make love. Janie’s first dream was dead, so she became a woman” (24). Killicks think Janie is spoiled and “counts Janie among the livestock on his farm, estimating her value by her ability to produce greater surplus value” (Ha 33). It is when Janie realizes Killicks plans to put her to work on a mule because she does not bore him any heir that she runs off with Joe Starks.

Nanny makes Janie believe that marriage makes love and forces her to wed a much older man, Logan Killicks. Jones believes that Janie?s first efforts at marriage show her as an ?enslaved and semi-literate? figure restrained to Nanny?s traditional beliefs about money, happiness and love (372). Unfortunately Janie?s dream of escasty does not involve Killicks. Her first dream is dead. Janie utters, ?Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think? (Hurston 23). Logan began to slap Janie for control over

Having money doesn't mean the marriage will be a success, it’s just a little advantage of a secure good life. Logan has 60 acres and for an African American to have that much land is set off to be a well known man. That is why Nanny decides to marry Janie to him, she wants her to have a secured life unlike she did. Janie tries to love Logan but she can’t she is disgusted by this older man. She complains to Nanny “his belly is too big too, now, and his toe-nails look lak mule foots” (Hurston 24). Logan may have the land, but he doesn't have the attractive looks that a young woman like Janie would like. Janie unlike any girl adores the feeling of attraction, which is what she can’t offer to Logan. Janie must give up her youth and her pear tree illusion. As her young self she romanticized and glamorized ideas about love. Thus, the idea of marrying such an older man just for a financial security reasons and pleasing Nanny is repugnant to her and it desecrated her vision. But as the months pass “she knew now that marriage did not make love. Janie’s first dream was dead, so she became a women” (25). The more time she gets to analyze Logan she realizes that there is no love in their relationship. He never shows her the compassion she desired with such enthusiasm. He may keep a roof over her head and food on their plate, but he is not the dream man Janie

While Janie yearns for “idyllic union” and emotional fulfillment, Nanny maintains the “prevailing sexual and racial milieu” by arranging her marriage with wealthy landowner Logan Killicks (Meese 264). Hurston purposefully compares Janie’s progressive ideals to those of feminists who were coined as “New Women” who sought marriages based on equality. She directly relates this contrast in beliefs to feminist’s dreams of and efforts towards success and equality through female autonomy rather than material wealth and security under a man’s control. Furthermore, as Janie settles in her second marriage with Jody Starks, she becomes increasingly dissatisfied. Janie’s feelings of confinement and entrapment steadily rise as Jody orders her to remain introverted and shuttle between the general store and home (Moss and Wilson 3). He forces Janie to play the role of a beautiful and submissive wife and “does not allow her to articulate her feelings or ideas [although she] longs to participate in everyday town life” (Moss and Wilson 3). Accordingly, Hurston scorns Jody for believing “She’s uh woman and her place is in de home” (43) and utilizes his chauvinistic outlook to promote women to establish importance outside of homemaking and caregiving. Hurston’s proposal directly reflects and supports Catharine Beecher’s influential efforts to “reconcile women to the limitations of the domestic sphere” (Cott 40) and expand women’s ability to excel in a multitude of different