Comparing the Roles of Women in Arcadia, The Importance of Being Earnest, and Look Back in Anger

By stating that he did not know anyone by the name of Cecily, Jack initiates his own debacle. He has to clarify that Cecily is actual his ward. Nonetheless, Jack bears no anguish to dissembling to his closest companion. Jack’s morality has been impaired by his lies and it implies that his animalistic qualities control him. Yet, he falls in love and he must tell Gwendolen, his sweetheart, of his morally wrong character. In order to do so Jack has to disclose that Ernest was not in fact his real name but a mere alias created to cover up his dastardly ways. He can think of no other way than to “kill” his brother. Wilde shows how Jack’s urbane nature begins to be marred by his animalism since he was willing to kill a man, fictional or not. Ensuing in the play Jack is speaking with Algernon and he begins to ponder on how to commit the murder. He states “My poor brother Ernest is carried off suddenly in Paris, by a severe chill. That gets rid of him” (Wilde 16). Though fictional, Jack’s murder of Ernest still seems to carry the same implications further into the book. This murder eventually skews his reputation once his lies become known. Wilde proves how Jack’s lies soon catch up to him and flaw his esteemed moral persona. Later in the play Algernon sets off on a trip to Jack’s country estate and claims he is Ernest Worthing. Later when Jack arrives Cecily informs her caretaker that his brother Ernest is in his room. Jack replies

Oscar Wilde’s play entitled “The Importance of Being Earnest” illustrates the concept of dual personality, fantasy, love, and lies. Jack, Algernon, Gwendolyn, and Cecily all live in lies. They are manipulated by their fantasies and desire for perfect relationship and love. Jack, the protagonist in the play, is the root of lies because of his imaginary brother named Earnest. Algernon uses the name to win Cecily, while Gwendolyn and Cecily are both fascinated by this name because it expresses strength and perfection of manhood. Due to their search and desire to have Earnest, the male and female characters escape from the reality. Therefore, Wilde in The Importance of Being Earnest portrays a gender doubled

Gwendolyn and Cecily act as friends until they learn that they are supposedly engaged to the same person. Then they learn neither of them are engaged to anybody named Ernest, and are friends again. In act three, we discover Jacks history, including that he is Algernon's elder brother. In the end, despite several lies, arguments, and much turmoil, everybody gets married.

A Doll’s House and The Importance of Being Earnest were both written in the late nineteenth century at a period in time when gender roles in society were not only significant to the structure of society but were restrictive and oppressive to individuals. This was particularly true in the case of women who were seen as the upholders of morals in polite society and were expected to behave accordingly. A Doll’s House and The Importance of Being Earnest challenge society and its inclination to categorise and expect certain behaviour of individuals based on their gender.

The first essay, “The Roles of Women in British Drama,” represents my first exposure to a new genre of literature. The essay was also one of my first formal and interpretative essays at the college level. As a woman and a student of literature, I feel a special connection to this essay’s topic of women’s roles in literature. In addition, this essay shows my “knowledge of the social, political, philosophical, and religious forces that influence authors and the people they write about” (Oral/Portfolio). After reading some of the most prominent British plays of the twentieth century, I observed a discontinuity in the roles of women in this genre. Sadly, women’s roles in literature were very similar to their role in society. During the twentieth century, women were still trying and failing to emerge out of the roles they had been cast in by a male dominated society. Even though women were almost always portrayed as inferior to men, I found a strong exception to this stereotype through the role of Thomasina. I admire Thomasina’s intelligence and wit, but I truly admire Tom Stoppard for creating this character.

Wilde attacks social behavior with the continuation of speeches by his characters that are the opposite of their actions. While Cecily and Gwendolen agree to keep a dignified silence, Gwendolen actually states that they will not be the first ones to speak to the men. In the very next line she says, "Mr. Worthing, I have something very particular to ask you." Wilde seems to be saying that

insinuates the importance of being honest and truthful, while playing on the male name, Ernest. The pun in the title is a case in point. The earnest/Ernest joke strikes at the very heart of Victorian notions of respectability and duty. Gwendolen wants to marry a man called Ernest, and she doesn’t care whether the man actually possesses the qualities that comprise earnestness. She is, after all, quick to forgive Jack’s deception. In embodying a man who is initially neither

Reflecting upon their role in society, women in literature are often portrayed in a position

Cecily and Gwendolen were perfectly happy to become attached to something that appears to be true and real rather than taking a closer look to expose the genuine nature of Jack and Algernon proves that the two young women were more attached to the name of both men, and did not consider their actions and words to verify them not being earnest – exposing both women as superficial. Algernon’s occupation with his outer appearance and Lady Bracknell’s need to look good in the eyes of others proves them both to be superficially committed to their external manifestations. It is possible that Wilde was revealing what the upper class life resulted in, and that as one rises higher in status one loses themselves, becoming preoccupied with what others want and what others think, forgetting one’s true

Jack illustrates the purpose of deception by using Earnest to escape his role of Cecily’s warden. When Algernon finds Jack’s cigarette case, he is shocked to find the name Jack graven inside. Jack attempts to explain by saying, “[M]y name is Ernest in town and Jack in the country” (Wilde Act I). As Jack, he has to be a responsible adult and take care of his niece Cecily but as Ernest he is able to live the wild life of a young bachelor. By pretending to be Ernest in town, Jack is freed from the restrictions of being a caretaker, yet he still fulfills the duties of one as he resides in the country. While explaining why he has two identities to Algernon, Jack states that being a guardian does not “conduce very much to either one’s health or one’s happiness” (Wilde Act I). Jack has to take care of Cecily, be responsible for her, and set rules and guidelines for her to follow. In his role of guardian, he finds himself unable to have fun, so he creates an irresponsible, carefree

Role of Women in Hemmingway's Hills like White Elephants, Lawrence's The Horse Dealers Daughter and Faulkner's A Rose for Emily

Gwendolen and Cecily are both fixated on the name Ernest because the superficial society surrounding them unconsciously causes them to gravitate towards men that they believe have earnest dispositions. Gwendolen asserts her fondness of the name Ernest declaring, “my ideal has always been to love some one of the name of Ernest. There is something in that name that inspires absolute confidence” (Wilde 980). Cecily also admires the name Ernest and makes a statement almost identical to Gwendolen’s when she admits, “it had always been a girlish dream of mine to love someone whose name was Ernest. There is something in that

Compare and contrast how gender roles are presented in The Importance of Being Earnest and a Doll’s House in light of Ibsen’s statement that “there are two kinds of moral laws, two kinds of conscience, one for men and one quite different, for women.”

All things considered, women are very underestimated when being compared to men. All women in this play were without power, a stay at home wife, without a clue and without the ability to stand on their own two feet. Whereas every male character in the play held all the power, were the bread winners, were rational and more than capable to think and be on their own. What this

One thing that Jack and Algernon have in common is that they both have these false faces. Algernon’s alter ego Bunbury is a version of himself used in the country but he uses Ernest to marry Cecily. The story deals with Ernest, this immorally imaginary man that both Cecily and Gwendolyn become engaged to, it exemplifies the irony within the name. Most of the irony comes from this character. One of Wilde's satiric targets is romantic and sentimental love, which he ridicules by having the women fall in love with a man because of his name rather than more personal attributes. Gwendolyn said “No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces