Comparing the Supernatural in William Shakespeare's Hamlet and Macbeth
In the time of William Shakespeare there was a strong belief in the existence of the supernatural. Therefore, the supernatural is a recurring theme in many of Shakespeare's plays. In two such plays, Hamlet and Macbeth, the supernatural is an integral part of the structure of the plot. It provides a catalyst for action, an insight into character, and an augmentation of the impact of many key scenes.
The supernatural appears to the audience in many varied forms. In Hamlet there appears perhaps the most notable of the supernatural forms, the ghost. However, in Macbeth, not only does a ghost appear, but also a floating dagger, witches, and prophetic
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Hamlet, having no suspicion of the ghost after the production by the players, encounters the ghost next in his mother's room. In this scene the ghost makes an appearance to "whet" Hamlet's "almost blunted purpose"(III.iv.126). Hamlet is now convinced of the ghost and he no longer harbors any suspicion. He now listens to it, "Speak to her, Hamlet"(III.iv.130). The supernatural is the guiding force behind Hamlet. The ghost asks Hamlet to seek revenge for the King's death and Hamlet is thus propelled to set into action a series of events that ends in his own death.
The supernatural occurs four times during the course of Macbeth. It occurs in all the appearances of the witches, in the appearance of Banquo's ghost, in the apparitions with their prophecies, and in the "air-drawn" dagger that guides Macbeth towards his victim. Of the supernatural phenomenon evident in Macbeth the witches are perhaps the most important. The witches represent Macbeth's evil ambitions. They are the catalysts that unleash Macbeth's evil aspirations. Macbeth believes the witches and wishes to know more about the future so after the banquet he seeks them out at their cave. He wants to know the answers to his questions regardless of whether the consequence is violent and destructive to nature. The witches promise to answer and, following Macbeth's wishes, they add further unnatural ingredients to the cauldron and call up their masters. This is
Except for the episode of Hercules leaving Antony, where mysterious music is heard again, there is nothing really supernatural in Shakespeare's tragedies that is not connected with the murder of the order-figures. In Macbeth we have Banquo's ghost instead of Duncan's, partly because of the emphasis on the repose that Duncan has gained by getting murdered, and partly because the line of the reigning monarch descends from Banquo. (24)
In the thrilling tragedy of Macbeth, William Shakespeare uses key devices in order to effectively establish and sustain a suspenseful atmosphere. Shakespeare tells the story of a brave Scottish general, Macbeth, who receives several prophecies from a trio of sinister witches. His positive mind set is soon overcome with ambitious thoughts, leading to a series of selfish murders. The overall mood throughout the play is predominately dark and ominous in which many tragic plays inhabit. The major theme running through the play is the destruction wrought when ambition goes unchecked by moral constraints. Actions carried out without thought have the potential to present undesirable consequences and self-guilt. This argument is particularly concerning for Macbeth as his lust for power seizes control over his sanity, ultimately leading to his tragic flaw. Shakespeare clearly implements three vital devices to further
Macbeth’s insanity is resulted from the true supernatural things he encounters in the play. The three witches are supernatural characters that play an important role in Macbeth’s spiral to becoming insane. Right off the bat the readers or audience feel the creepiness and uneasiness that radiates off of the witches. The witches famous line “Double, double toil and trouble; Fire burn and cauldron bubble” (cite), gives everyone a look at how dark this play is. Macbeth’s first time meeting the witches paved a way for his insanity. The three witches inform Macbeth that he will be Thane of Glamis and then one day become king. This causes Macbeth to over think things, and have contradicting thoughts on whether he believes in such prophecies, or if they are trying to trick him. Macbeth’s second visit from the witches included visions of different people. After the witches add ingredients to the cauldron, the visons start appearing. The first one was an armed head telling him to beware of Macduff. The second, was a bloody child that said he could not be hurt by anyone who was born of a woman. The third one is a child holding a tree and wearing a crown. This vision meant that Macbeth would not be defeated until Birnam Wood moved to Dunsinane. All of these visions allude to the fact that Macbeth is becoming insane. Slowly but surely as supernatural events occur he has trouble deciphering what is real and what is not. A
Superstition in William Shakespeare's Macbeth Throughout Elizabethan times, Witches and witchcraft were considered to be in existence. Seeing a large proportion of the female community being condemned to death, which involved either drowning, hanging or being burnt at the stake was quite plausible at this time. Such savage practices were urged on by macabre and fevered fantasy of the supernatural. In my essay I intend examining how Shakespeare deployed this obsession of superstition in Macbeth and how it is a crucial element of the play. To begin with, the tone of the paranormal theme is set right from the beginning when
The aura of darkness, deception, and horror present in William Shakespeare's tragedy, Macbeth, envelopes the entire play and is created mainly by the sense of violence and foreboding that is evoked by the imagery. The dominant images of nature and the supernatural contribute to the atmosphere of this tragedy. The predictions of the weird sisters, along with natural forces and supernatural images, have lead to chaos in Scotland due to their impact on the characters of the play, which brings about many delusions and deaths.
In William Shakespeare’s Macbeth, there are many fascinating sections which could be focused on due to the suspense and the connection of the supernatural. The supernatural is what causes conflict in the play and the prophecies from the witches in act one scene three is the inciting action in the piece. The supernatural causes the forthcoming conflict by inspiring Macbeth to execute Duncan so he could become king of Scotland. Through temptation, the supernatural stimulates Macbeth to contemplate arrogantly and for his own advantage. The supernatural in Macbeth presents prophecies which tempt Macbeth with the idea of power. This leads Macbeth to contradict his faithful and courageous nature by planning an assassination on King Duncan with the egotistical intention of becoming king and later annihilating other characters in the play with the determination of retaining his own powers. Macbeth was tempted by the original prophecies and showed clear motivation to act upon them.
In the play by William Shakespeare, the ghost of King Hamlet approaches his mourning and depressed son, Hamlet, who is still affected by his death. The ghost explains to Hamlet how he died and demands that Hamlet avenge his death. Note how the ghost approaches Hamlet when he’s the weakest and still mourning to persuade and manipulate him into taking revenge for him. In Act one Scene 5 the ghost states, “If thou didst ever thy dear father love-/ Revenge his foul and most unnatural murder.” The way King Hamlet words his request is more as a challenge; in which Hamlet’s love for his dead father can only be proven by carrying out whatever his father wishes. The ghost influences most Hamlet’s behavior, which not only affects the plot, but also the relationships with other characters. The ghost influences the relationship between Hamlet and his mother, Gertrude. He becomes angry at Gertrude because of her fast marriage with his uncle Claudius. Through the use of innuendos, antic disposition, and metamorphic plays, Hamlet makes it his duty to get King Claudius back for killing his father. Hamlet agreed to avenge his father without second thought. As the play advances, Hamlet begins to doubt the apparition. In act 3 Hamlet begins to have second thoughts and states, “The spirit that I have seen/ May be a devil…” This shows Hamlet’s inner conflict between listening to his father and avenging his death or following his ethics. To be sure that Claudius
The ghosts that are presented in the play also cause a great deal of conflict. When macbeth sees the dagger in front of him in his soliloquy in act 2 scene 5 before he kills king Duncan, this is supernatural because he is seeing something that isn’t there. This causes conflict because this dagger ends up being the murder weapon that is used to kill Duncan. After they find king Duncan assassinated they are conflicted on why and who did it. They also have to find a new king to take a spot. After banquo’s is killed, macbeth has a dinner party and at the party he sees Banquo’s ghost sitting in his chair. Macbeth is frightened and is fighting with the ghost, this is supernatural due to it being a ghost and it caused a conflict between the two of them. In Mr. Polanski’s film, Macbeth he sees fleance put on his crown while macbeth is in bed. This does not occur in the play but it is also supernatural since macbeth is seeing something happen that is not
Thunder and lightning is used once again to open Act I Scene 3. As the
In Shakespeare's play The Tragedy of Macbeth, Shakespeare uses an underlying motif of the supernatural to control the characters and add a new dimension to the play.
The supernatural was a popular element in many of the plays written in Shakespeare's time (including Hamlet) and everyone of Shakespeare's time found the supernatural fascinating. Even King James I took a special interest in supernatural and written a book, Daemonologie, on witchcraft. It must be remembered that, in Shakespeare's day, supernatural referred to things that were "above Nature"; things which existed, but not part of the normal human life and unexplainable. The play Macbeth involves many supernatural actions that act as a catalyst for suspense and thrill, insight into character, foreshadowing of future events as well as making connections with the theme.
It is human nature to be intrigued by all things mystical and dangerous. We fear the unknown but seek it nonetheless out of greed. Most of Shakespeare’s works hold an element of the supernatural and the play Macbeth is no exception. In this play we see a contemporary morality that warns of the dangers of trafficking with instruments of darkness; the witches in the play prophesize of Macbeths future as king, and Macbeth blinded by his hunger for power fails to recognize that the witches prophecies are luring him to evil . In act 1 scène 3 we see the effect that the excitement of the prophecies has had on his imagination as he begins to contemplate murdering the king. As Macbeth gets closer to
According to the Oxford Advanced Learner dictionary, `supernatural' refers to things that cannot be explained by natural or physical laws. The presence of supernatural forces in "Macbeth," provides for much of the play's dramatic tension and the mounting suspense. In this paper we shall look at some of supernatural elements in the play.
with the power of the audience in the play as well as the story seems
The supernatural in Macbeth is an integral part of the structure of the plot. It provides a catalyst for action, an insight to characters and enhances the impact of many key scenes. The supernatural appears in many varied forms; the ghost of Banquo, floating dagger, witches and prophetic apparitions. The witches were a symbol of evil, they were meant to give the play a haunting and an eerie atmosphere, they give the impression of supernatural because they can foretell the future and everything they say sounds like they are chanting a magic spell “Round about the cauldron go...charmed pot”– Act 4 scene 1. Another magical element is the floating dagger