Analysis of “Battle Royal” and “Birthmark” Short Stories INTRODUCTION Social injustice is an issue that faces humanity today. In particular, women discrimination and racial discrimination are issues that the modern world is trying to grapple with. The “Birthmark” and “Battle Royal” are two stories that were written during different historical eras, but they highlight a united message nonetheless. The thesis statement of this article will seek to determine whether a man is in a constant quest to define and identify himself, and to fight for his right of equal opportunities with fellow men. Setting The “Birthmark” is set in the late 1700s as the narrator states that it takes place “in the latter part of the last century” (Hawthorne, 1843). This historical setting shaped the characters’ behavior. Women were supposed to be submissive and could not question their husbands’ decisions, even if they affected them. This is clearly seen when Aylmer insisted that Georgiana remove her birthmark. She was at …show more content…
He is very determined, as he is keen on delivering the speech to the Whites, regardless of the fact that he has been beaten, electrocuted, and is being taunted at by the audience. He is undeterred on delivering the speech to Whites despite the fact that he is Black and they might not listen to him. We never get to know the young man’s name as the writer intends us to view the writer’s identity as being determined by the Whites. He is a representation of the struggle of Black people in the segregation era. The young man’s grandfather was a wise man who dispenses words of wisdom to his son to aid him in his survival. His last words are a revelation of the humble life that he has lived. They point towards the inequality between Blacks and Whites and state that the only way to survive is to pretend to be agreeable to social injustices and the status quo but secretly work for change (Ellison,
Georgiana had always lived with the birthmark, and was quite fond of its charm. Many people in the town believe it was a fairy’s handprint left to sway all hearts; to them the mark only magnified her appeal. The mark’s charm had rarely been questioned by anyone other than the jealous women of the town, and its peculiar nature had once intrigued Aylmer and amplified his attraction to Georgiana. He begged for her hand in marriage, but soon after they were wed, he queried whether Georgiana had ever considered having the birthmark removed. She was hurt by the implication that the mark depreciated her and grew upset with her husband. As time passed, Aylmer continued to stare at the mark, unable to keep his eyes from wandering to it. This continued until Georgiana was no longer able to ignore the way his eyes were always fixated on this sole imperfection, the crimson hand that kept him up at night and plagued his dreams. She asked Aylmer to remove the mark, or take her life because she no longer wanted to live if she had to live with the mark. She preferred death to the harsh scrutiny from her husband.
Paragraph 98, as with the majority of the text, utilizes symbolism to communicate the pervasive, institutionalized nature of anti-blackness. The narrator, still recovering from attempting to deliver a speech in the style of Booker T Washington to an audience of white men while simultaneously “swallowing blood” after being forced to fight blindly against members of his own Black community, finds himself gifted a “gleaming calfskin brief case” from the local superintendent. The brief case, connotatively signifying notions of power, wealth, and corporate success, is a symbolic transition of power to the narrator by someone fully established in the position of the oppressor. However, the text characterizes this transition of power as fraudulent or superficial. First, the superintendent addresses the narrator as a “[b]oy” in a linguistic assertion of dominance and power. Continually, the superintendent implies that the brief case will only be “filled with important papers” if the narrator “[k]eeps developing as [he is].” In characterizing the narrator’s endurance and acceptance of overt anti-black violence, as well as his advocacy of the dismissive and conservative philosophies of Booker T Washington, as “developing,” the superintendent’s language symbolizes a broader desire for those in positions of power and privilege to encourage marginalized individuals to submit to systems of violence and oppression. To contextualize, the text employs the symbol of the brief case to argue that when oppressed individuals receive ‘help’ from the system, the system’s position of benefit from oppressing those individuals will ensure that that ‘help’ is never genuine nor effective.
in what Aylmer deemed an almost fearful distinctness" (166). Aylmer's fearful distinction shows how utterly engrossing and preoccupying his feelings of hatred for the mark had become. Many admire the mark as a distinction of Georgianna's innate beauty and uniqueness. Some, however, deem it the very mark that completely obliterates all semblance of her beauty by claiming that the birthmark quite destroyed the effect of Georgianna's beauty" (166). Aylmer represents the latter group. Most, however, if they did not adore it "... contented themselves with wishing it away so that the world might possess one living specimen of ideal loveliness without the semblance of a flaw" (166). Aylmer proceeds much farther than this by completely eradicating the birthmark and killing his wife.
Aylmer uses Georgiana’s love and trust for him against her, turning her into a scientific experiment, and taking away her life. Aylmer tells Georgiana about his displeasure with her birthmark. After an initial shocked reaction, Georgiana quickly changes her mindset to agree with her husband and lets him know: “I know not what may be the cost of both of us to rid me of this fatal birthmark. Perhaps its removal may cause cureless deformity, or may be the stain goes as deep as life itself” (222). Throughout her life, other men tell her birthmark is beautiful; however, after Georgina marries Aylmer , Georgiana now no longer wants it and wishes for it to be removed because of her husband’s wishes. This accommodates with what Aylmer wants and is the start of his scientific experiments on his wife. Later, Georgiana and Aylmer have a tense conversation debating about the
Although, the grandson fears his grandfather’s words, he begins to follow them. Once he delivers his graduation speech he says, “Everyone praised me and I was invited to give the speech at a gathering of the town's leading white citizens.” (3) Now the narrator has excitement because he is being praised, but he does not realize he said yes to giving his speech to
He is forced to fight at this “battle royale” as he calls it, and with a mouthful of blood delivers his speech. As he is coughing on his own blood, he accidentally switches the words “social responsibility” with “social equality,” infuriating the white men there. He hastily insists it was a mistake, and after all of that, he receives a scholarship to go to a black college. He rushes home so proud, and stands in front of his grandfather’s portrait, feeling triumphant (Ellison, 30-33). He followed his grandfather’s advice of doing as he was told, but at that point has yet to realizes why that makes him a traitor. As he is faced with more challenges and more racism the narrator begins to understand why simply doing what is wanted of him to get ahead is traitorous. At his college, the President is a black man named Dr. Bledsoe. This man has used servility to get ahead in life, and when faced with the narrator, rather than attempting to help another black man succeed, he purposely squanders his chances of success. At this point, the narrator begins to understand what it means to be a traitor to your race. After being sent away from school and sabotaged by Dr. Bledsoe, his perspective on people, racism, and his own identity begins to shift.
In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.
As the narrator’s grandfather explains, he has been “a traitor for all [his] born days, a spy in the enemy’s country” because internally, he has continued to resist, while externally remaining “the meekest of men” (1211). Meekness is not a weakness but a necessary survival mechanism for African Americans: direct action will lead to more restrictions, so they must comply to receive any opportunity possible of moving up in society. The narrator understands that his compliance “[is] really against the wishes of the white folk” who “[are] fooled” but feels conflicted about whether to act to their expectations or his own desires (1212). However, the white community is more aware of African American resistance than he believes and actively suppresses it through a combination of debasement and concessions. When the narrator accidently utters social equality, a citizen reminds him that “[he’s] got to know [his] place,” highlighting that the white citizens are not only aware of racial inequality but will not do anything to change it (1220).
The archetype of Georgiana can be seen as the perfect women, however, her birthmark acts as a symbol of imperfection and mortality that keeps her from fully pleasing her husband. Georgiana is described as beautiful and perfect except for one flaw, the birthmark. “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain” (Hawthorne 220). The hand-shaped birthmark can be seen as her being touched by nature and acts as a symbol of imperfection and mortality in humans. The symbol of the birth-mark standing for mortality can be seen again towards the end
Nathaniel Hawthorne like many other writers during the nineteenth century focused their writings on the darker aspects of life. “The Birthmark,” is set in New England and has a Puritan perspective. Aylmer, a well-known scientist, marries Georgiana who has a hand shaped birthmark upon her face. After some time during their marriage Aylmer and Georgiana decided to remove the mark through scientific means. Advancements in science and the ability to change nature were at the center of plots throughout their short stories and poems. Hawthorne believed that it was not unusual for science and women to rival for one man’s love (Hawthorne 12). Hawthorne used his critical thinking to write about taboos and dissention not spoken of during his lifetime to the forefront. In “The Birthmark,” Hawthorne focuses on science verses nature. Hawthorne attempted to create the perfect human being through science by using setting, character, and symbolism to undo the imperfections he saw within God’s work in “The Birthmark”. With all of his intellectual and spiritual qualities, Aylmer still does not have wisdom.
Aylmer is so repulsed by the birthmark that he is willing to put his newly wife’s live in danger to remove the mark. Even though the experiments he intends to use on his wife fail, he is too determined to remove the mark. Willing to make her husband happy, Georgiana decides to let him removed the mark from her. As stated in the story, “The Birth-Mark,” “But Georgiana had no sooner touched the flower than the whole plant suffered a blight, its leaves turning coal-black, as if by the agency of fire.” After Aylmer was able to remove to mark from Georgiana’s cheek, she slowly died as the mark faded away.
Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.
The Birthmark is the story set in the late 18th century, it tells about the scientist named Aylmer who wants to remove the birthmark from his wife’s cheek as he believes it makes her imperfect. Also, he sees it as a sign of Georgiana’s «liability to sin, sorrow, decay, and death». He is sure that it needs to be removed. Aylmer succeeds in his attempt to remove the birthmark, but destroying the original design of Nature, he also destroys his wife. She eventually becomes perfect and
By looking at symbolism in The Birthmark, the reader can interpret that the birthmark is a symbol for imperfection and mortality which is not obvious to most people. This is important because it turns the birthmark into something all readers can relate to since no one is perfect. Georgiana’s birthmark was “the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions” (Hawthorne 12). As stated before, nothing is perfect, Nature has a flaw on everything and Georgiana’s was her birthmark. Her husband, Aylmer, notices the birthmark and also sees it as an imperfection even though other men would often tell her it was a charm. “No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Hawthorne 11). Aylmer at first is the only one, other from jealous women, to point out her birthmark as an imperfection but his constant talk began to make her believe she was in fact flawed. This is important because it ultimately leads to the death of Georgiana.
Georgiana is an important character in this story, she not only is the owner of the birthmark that Aylmer sets out to remove, but she also shows us how women in the nineteenth century are treated and how they are supposed to act. “Women were thought to be more pure, innocent, and morally superior to men; however, they were also more easily corrupted. More importantly, women who expressed traits or desires contrary to these ideals were ostracized and deemed to have "unsexed" themselves” (Radek). Women in the nineteenth century were supposed to act passively, women were just