‘Oedipus Rex’ and ‘Streetcar’ | Similarities | Contrasts | Clever Points | Actions / Events | Both ‘Oedipus Rex’ and ‘A Streetcar Named Desire’ have scenes where a character’s past is revealed, whether it is to other characters or to the audience (e.g. Oedipus’ parentage or Blanche’s past). This shows an underlying tone that they cannot fully escape their past, whether it is an eventual surfacing (in A Streetcar Named Desire) or an abrupt revelation (in Oedipus Rex). This is linked to the theme of the inevitability of fate. | There are hardly any action scenes in ‘Oedipus Rex’, while there are action scenes in ‘Streetcar’ (e.g. the beating of Stella and rape in ‘Streetcar’). This could be due to the fact that …show more content…
Oedipus is only able to truly see the truth when he cannot see light, i.e. he is blind (“O Light, This be the last time I shall gaze on thee, who am revealed to have been born of those of whom I ought not…”). | Themes | Both Blanche and Oedipus refuse to accept reality (Blanche – her age and the things she did in her past, Oedipus – the fact that he may have killed Laius). | Blanche is content to remain in her fantasy
Oedipus seems to believe that he is some sort of god, and that he is omnipotent. He tells the priest, “I see – how could I fail to see what longings bring you here?” (575, 70-71). Towards the beginning of the play, Oedipus is accusing a man, Tiresias, of trying to overthrow him and of killing the old King Laius. Keep in mind – Tiresias is blind himself. Oedipus condemns, “…short of killing him with your own hands – and given eyes I’d say you did the killing single-handed” (583, 396-397). This is just one of the first instances where loss of vision is mentioned. Oedipus is blindly calling him a liar, while he does not even know the truth himself. Oedipus many times claims that Tiresias cannot see something; however, the “things” he cannot see are almost always moral, not physical. It seems as though Oedipus blames Tiresias’ blindness for not being able to understand ethical situations. For example, “…you cannot see how far
In the play, Oedipus Rex, written by Sophocles, an honourable and admirable Greek king named Oedipus rules the town of Thebes. He is left in mental turmoil and decay as his unknown, corrupt and immoral past is slowly revealed during his quest to find the culprit who murdered King Laius. The newly exposed past suddenly transforms his glory and respect into shame and humiliation. After he learns about his wicked past he stabs his eyes, which lead to his blindness. During the course of the play, references to blindness and vision constantly recur, giving the reader an enhanced and more insightful look into the themes of the play. Some themes that are expressed through these references include truth and knowledge, guilt, and freewill versus
He, not Teresias, can see what is good and what is bad, who is innocent and who is guilty, which is the correct answer and which answer contradicts itself. Of course, all of these beliefs will come to haunt Oedipus. In arguing with Teresias, Oedipus claims that the truth "has no strength / for you because you are blind in mind and ears / as well as in your eyes . . . [unlike] me or any other who sees the light" (26). Oedipus believes that his powers of insight will lead him to the truth and guide him down the correct path, but in fact, he is like a man who studies the ground so intensely right in front of him that he never bothers to look up. The actions that he thought were good will turn out to be bad. He professes his innocence only to discover his guilt. And, in what might be the greatest piece of irony, his cleverness and insight lead him to a contradictory truth—that he, with all his intelligence, is a fool. Oedipus has spent a lifetime looking out, garnishing cognitive power and insight, but now it is time for Oedipus to look inward. We are all blind to the truth until we have the strength to blind ourselves, to start over by seeing the world in whole new way.
When you think of blindness you think of sight and when you think of ignorance you think of knowledge. Throughout the play Oedipus, sight and blindness imagery is very noticeable, along with ignorance and knowledge. Sophocles creates Oedipus as a character of ignorance, confidence, and good insight. The story starts out as Oedipus is the son of King Laius and Queen Jocasta. The oracle told the parents that their son would kill his father and marry his mother. The parents refused to let this happen and sent the servant to pin Oedipus’s feet together and leave him on the mountain to die. The messenger knew this was not right and stepped in immediately to help the poor child. As Oedipus grew older he found out the truth about his life and why certain things happened. Over time, Oedipus's blindness shows him the lack of knowledge he knew about his true life story.
Oedipus finally realizes how "blind" he has actually been. He now can say that he can "see", even if it is not what he wanted to see and know. The "LIGHT" represents answers and truth of his life. Kilborne points out that by knowing the truth, Oedipus is seeing:
One of the many symbols Sophocles portrays throughout the play is sight and blindness. Sight represents how Oedipus had eyesight, but was still “blind” to the truth of himself throughout most of the play. He was both hesitant and unaware of the events that built up to
Teiresius, the blind prophet, happens to be one of the very few people to know who Oedipus really is and what he has done, however he wishes he did not
In a way he was similar to a child, blind to the world around him and carefree. As his story progressed, he began to mature into a teenage stage and become more aware of his surroundings. When Oedipus arrived at the end of his story, he finally began to grow into adulthood, fully conscious of his deeds and able to carry their weight. Oedipus, now visionless, possessed metaphorical sight, no longer blind to the fate the gods had decreed for him. Clearly, Sophocles used vision and blindness to illustrate that wisdom, knowledge, and understanding are not attributes limited to only those with
Originally, Oedipus is blinded to the truth because of his selfishness and ignorance in order to preserve his throne as king. As a matter of fact, Oedipus thought Creon was plotting against his him, he states
Oedipus flees from Corinth falsely believing that Polybus and Merope are his parents, he hopes that this will make the oracle's prediction that he will murder his father and sleep with his mother impossible. This virtuous act is of course a massive error since it leads him to his real parentsIt is interesting to note that Nora only borrows money in "A Doll's House" in an attempt to save the life of her sick husband. Her act of kindness misguided as it may be, is the catalyst for the events that follow. The way in which the actions of both Nora and Oedipus backfire in such a tragic way is an example of what in Greek literary tradition is known as Peripitia. This word translates as a "reversal" and to gain an understanding of the tragic condition it is important that the theme of reversal is examined. In Oedipus there are many examples of reversal, when actions have the exact opposite effect to that which were intended. When Oedipus sends for the shepherd whom he hopes will allay his fear, over his parentage, his arrival has the exact opposite effect. In this respect the tow plays are very similar they employ many of the same dramatic devices to achieve their goals.
In the play, “Oedipus Rex”, many ironies took place, as well as fate playing a huge part in the story. “Oedipus Rex” is a story about a man that tries to overcome adversity but cannot escape his prophecy. His parents took him to a hillside as an infant, sliced his Achilles tendons and left him there. A shepherd soon came to his rescue. “King and Queen of Thebes, gave their infant to a shepherd in with orders that he be left on the side of the mountainside to die” (Johnson 1205). As he grew older and much wiser, he went to see the Oracle of Delphi. The Oracle informed him that his destiny was to kill his father and marry his mother. The main ironies in the play are the killing of Oedipus’s biological father, the odd relationship with his mother, and the inability of Oedipus to avoid his fate.
Oedipus the King by Sophocles’ is intertwined with many powerful themes and messages, establishing what real vision and real sight are. Sophocles’ play also demonstrates that sometimes in life we have to experience great loss in order to rediscover our true selves. In Oedipus’s quest for truth, lack of self-control, ignorance and tragic self-discovery prevail. Physical vision does not necessarily guarantee insight, nor impart truth. Intertwined with dramatic and cosmic irony, all of these elements contribute to the major theme of blindness and sight, depicting wisdom
People may be blinded to truth, and may not realize what truth is, even if truth is standing in front of them. They will never see truth becase they are blind to it. In Oedipus Rex by Sophocles it is easy to see how blindness affects the transition of the story. It is said that blind people see “in a different manner” because they sense the world in a totally diferent way, such as Teiresias in the play. Oedipus Rex is a tragedy due to the content the Sophocles, the playwright, decided to include, first, murdering his father, king Laius, then marrying his mother, Jocasta, and ending by blinding himself. Oedipus has been blinded to the truth all his life. Eventually, when he seeks the truth he intentionally loses his physical vision, and
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe
Oedipus Rex and King Lear are, as their titles announce, both about kings. These two plays are similar in theme and in the questions they pose to the audience. The kings in each play both fall from the pinnacle of power to become the most loathed of all classes in society; Oedipus discovers that he is a murderer and committer of incest, and Lear becomes a mad beggar. Misjudgments occur in both plays, and the same questions about the gods, fate, and free will are posed. In spite of these similarities, however, the final effects of these two plays differ greatly.