Comparison Between The Matrix And Inception

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, even if for just a few short hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Despite the popularity of the recent films The Hunger Games and Divergence, the dystopian theme in film is not a new one. The Matrix shows a society where humans exist without any freedom. The film, not only entertaining but thought provoking as well, paints a world with two different dimensions, a world very much like today’s when the film is closely examined. The Matrix questions the benefit of technology and influence over society.

When the film The Matrix debuted in 1999, it was an instant box office success that captivated many viewers. However throughout the featured famed actors, costumes, special effects and fight scenes, many viewers failed to notice the philosophical issues. Plato and Descartes, just like the characters in the movie are faced and driven to extreme measures to understand the world around them. They are compelled to seek knowledge in understanding what is real, evaluating the mind-body problem, and are left wondering if there is any good. These philosophical features of the movie have raised questions and have made it an interesting film to watch. While many viewers can agree that The Matrix is highly action packed, not all can truly appreciate

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, if only for a mere two hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Dystopian themes are not new, and have historically provided a template to gage the course of human existence. The Matrix portrays a society where humans exist without freedom. The film is not only entertaining, but also thought provoking. It paints a world with two different dimensions, one with the mind numbing

The Matrix, written and directed by Lary and Andy Wachowski, is a 1999 science-fiction action film that has been regarded as one of the most igneous and highly imaginative films of all time. It depicts the complex story of a dystopian future in which the reality perceived by most human beings is actually a simulated one created by AI machines who use the suppressed humans as energy sources. Though the main characters of the story have freed themselves from the matrix, one character named Cypher (a.k.a. Mr. Reagan) regrets learning the truth and wants to return back to the dream world. Cypher is an example of antagonist Agent Smith's belief that "as a species, human beings define their reality through misery and suffering" as he believes

After watching and analyzing the action adventure film, Indiana Jones - “Kingdom of the Crystal Skull” (2008) and the Sci-Fi thriller, The Matrix (1999) many cinematic elements attracted my attention. With three very distinct and ingenious directors, (Spielberg and the Wachowskis siblings) these two films exemplified extraordinary uses of lighting, framing, editing and sound techniques unique to its own genre.

Although the best reasons for “going to the movies” are to be entertained and eat popcorn, understanding a film is actually quite complex. Movies are not only a reflection of life, they also have the capability of shaping our norms, values, attitudes, and perception of life. Through the media of film, one can find stories of practically anything imaginable and some things unimaginable. Movie-makers use their art to entertain, to promote political agendas, to educate, and to present life as it is, was, or could be. They can present truth, truth as they interpret it, or simply ignore truth altogether. A movie can be a work of fiction, non-fiction, or anything in-between. A film is an artist’s interpretation. What one takes away from a film depends upon how one interprets what has been seen and heard. Understanding film is indeed difficult.

The first section will explore how the philosophical question of determining dream from reality is brought up in the movie, Inception. By using scenes and dialogue from the movie, the personal dilemma of determining dream from reality for Cobb will be illustrated. The second section will use Descartes’ Rationalist theory and Hume’s Empiricist theory to examine Cobb’s dilemma and to explain the challenges faced by one who questions whether they are dreaming or in reality. In the third section, the writer of this paper will provide advice to Cobb on how to handle his dilemma of dream versus reality and compare and contrast which philosopher, Descartes or Hume, would agree with that advice. The paper ends with a conclusion highlighting the philosophical question of whether one can determine the difference between dreaming and reality, Cobb’s dilemma of dream versus reality, and how Descartes and Hume would view it.

Films are created as a reflection of society. They are designed to be a storytelling platform that inform the viewing audience about a specific message. Often time, films are created to address society’s present state, but rather end up predicting the future. From the 1968 hit film, 2001: A Space Odyssey, that predicted space tourism and algorithm operating systems, to the jaw-dropping 1984 film, Star Trek III:

What is real and what is really real? Philosophy is interesting and can be really confusing at times. The film I will be analyzing with philosophical views does a good job on giving examples of the nature of reality and the Methodological doubt. I will show by giving examples of Descartes rule that everything is to be doubted and Plato’s allegory of the cave.

In this essay ,I will be comparing two films, The Matrix and Charlie Angels. I will discuss the use of cinematography, the genres of the films, and how effective they are. I will also look at the characters, action, plot ,sound and atmosphere created, and how these are aimed at each film 's target audience.

Man undergoes stages and travels in a fairy tale like dream unknowingly of the living life (Wachowski, A, & Wachowski, L, 1999). Plato and Descartes paint a picture of perception of the Earth that rises questions of what is real. The Matrix is much different than the other stories, because it shows humans are controlled by an unknown artificial intelligent figure. The figure deceives individuals to believe that they are actually living a productive normal life in the world (Wachowski, A, & Wachowski, L, 1999). Furthermore, the story of Descartes is different than the other stories because it describes God and the creation of mankind. This story, shows God having control over the people, and their minds (Descartes, R., 1641). Overall, this story shows mankind not having control over the predestined of the early part of birth of life to the ending of death of life.

Conflict, spanning simply from man versus man, to more complex issues such as man versus technology, overwhelmingly dominate modern science fiction films. Directors explore dark issues that humanity collectively faces with--through their portrayal of dystopian societies, advanced technology, and extraterrestrial life--potential answers based upon their own interpretation of the “unanswered.” In 2001: A Space Odyssey, Stanley Kubrick examines the relationship between the human race and technology, or rather the blurred line between technology and man. Kubrick constructs HAL , an advanced computer system, that holds crucial and vital responsibilities regarding the space shuttle operations on the spacecraft. Though HAL conforms to carry out

A world where everyone lives inside of a simulation that is being controlled by machines after humans lost the war, but they are unaware that it is not the real world. A group of people that are trying to take down this simulation called The Matrix. The directors, Lana Wachowski and Lilly Wachowski, use themes, chemistry, and special effects to capture attention and make The Matrix the greatest film ever made.

The Matrix Written and directed by the Wachowski brothers, ‘The Matrix’ is a science fiction film, which was released in the year 1999. It was the first film to use the now famous camera technique of ‘bullet time’ and also introduced wirework martial arts into conventional cinemas. Its vision of the future is similar to other science fiction films such as ‘Men In Black’ with the agents always wearing sunglasses and the idea of man vs. machine\evil. In the opening sequence of the film, I am going to analyse the effects of different camera shots, as well as other factors, which engage the viewers’ interest.

Inception, a science-fiction thriller, was directed by Christopher Nolan and released in 2010. The film’s protagonist, played by Leonardo DiCaprio, works for various corporations, stealing information from the subconscious of each of his subjects. He is tasked with planting an idea into the mind of an heir to a business empire, a process known as inception. Nolan’s use of cinematic techniques fully engages the viewer and leaves the audience speculating about the film’s conclusion. In this essay, I will analyze the various film techniques used throughout the film to portray the separation of order and chaos, the perception of time, and the idea that absolutely nothing is certain.