Comparison Between What the Tapster Saw and the Yellow Wallpaper

The two texts I am going to analyse are The Yellow Wallpaper and The Picture of Dorian Gray. I am going to compare and contrast the theme of madness and mystery around the main characters. Both texts were published in the era of 1890. During 29, 1890: the artist Vincent Van Gogh died in France at the age of 37 after shooting himself two days earlier. This may have inspired The Picture Of Dorian Gray as Basil is an artist who also dies as a result.

The vivid descriptions in “The Yellow Wallpaper” help to bring the reader along in the narrators decent into a kind of psychosis. It starts mildly, with her describing the color of wallpaper as “repellant, almost revolting; a smoldering unclean yellow” (Gilman 528). As more time passes she begins to see more things in the paper such as “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes start at you,” and for it have “so much expression in an inanimate thing” (Gilman 592). As the pattern and descriptions get more twisted, we get visual clues of the madness that is slowly consuming the narrator. The color of the paper even begins to become a physical thing she can smell descried as, “creep[ing] all over the house...sulking...hiding...lying in wait for me…It gets into my hair” (Gilman 534). In the end we get a graphic visual representation of her full psychosis

The purpose of “The Yellow Wallpaper” is to tell the reader that you can have negative effect on someone’s mental health if they are denied their freedom of expression. This is because the narrator (Jane) was kept in a room that had yellow wallpaper, which she did not like. Soon after being unable to work or write Jane began to see creepy figures in the wallpaper and everyday it got worse, she soon began to see a women trapped in the wallpaper. This began to feed her hallucinations and paranoia that someone else is going to find out about this women, and help her escape the yellow wallpaper. This made Jane insane, she would see women walking around outside, and she soon became addicted to the room and writing about the wall in her journal.

‘The Yellow Wallpaper’ is centred in the writer’s narration, by setting the narrator to be not entirely reliable and an oppressed woman. The character are showed to be feeling trapped and unhappy with

Maybe one of the bigger underlying messages in this short story is confinement, which is represented by one of the bigger symbols,the yellow wallpaper. When Jane begins to first describe the wallpaper she says,”The color is repellent, almost revolting; a smouldering unclean yellow,strangely faded by the slow-turning sunlight’(Gilman 3). Jane doesn’t seem to understand what is truly eating at her and causing her depression because she feels suppressed but because it is a social norm she continues to go along with it. The yellow wallpaper is weird at first, it repels her, is revolting to her and it is strange because it seems to represent freement of confinement. Continuing on in the story Jane states, ‘There are things in that paper that nobody knows but me, or ever will’(Gilman 4). Proving that the wallpaper is

Toward the beginning of her entries, her relationship with John appeared civil, if not loving: in one of her entries, she wrote “Dear John! He loves me very dearly, and hates to have me sick” (DiYanni 546), and several lines later, described how “… dear John gathered me up in his arms, and just carried me upstairs and laid me on the bed, and sat by me and read till it tired my head. He said I was his darling and his comfort and all he had, and that I must take care of myself for his sake” (DiYanni 547). Jane seemed to believe that he truly loved her and wanted her to feel better. Her conversations with Jennie, John’s sister and the housekeeper, were initially also pleasant, and Jane described her as “a dear girl… and so careful of me!” (DiYanni 545) The “woman in the wallpaper” did not yet exist. However, Jane separated herself from both of them: John was away for much of the day, “and even some nights when his cases are serious” (DiYanni 545). Even when he was home, he was often asleep, leaving his wife to spend her nights with the wallpaper and the woman running around within it (DiYanni 548). Toward the end, Jane even mentioned that she was thankful that John would not be returning until the next morning, so she would be able to finally do something about letting the woman in the wallpaper out. Jane also began to

“The Yellow Wallpaper” tells of the journey into insanity (brought on by postpartum depression?) of a physician’s wife. Persuaded by her husband that there is nothing wrong with her, only temporary nervous depression, a diagnosis that is confirmed by her brother( Gilman, 647). What is telling is that she suspects perhaps her husband John is the reason she does not get well faster. She and/or we are led to believe that they have rented a colonial mansion for the summer for her to get well. She is however isolated in a home three miles from the village and on an island. (Gilman, 648). She wants to stay in the downstairs room with roses and pretty things, but her husband insists on the room at the top of the house ostensibly because it has room for two beds. But the room’s description of barred windows and walls with rings and things in them (Gilman, 648) could leads the reader one to conclude that this is his own private asylum, and not “a nursery first and then a playroom and gymnasium” (Gilman, 648) as the woman believes. It is this room, and more precisely the wallpaper in the room

It is believed the narrator (sometimes identified as Jane) in “The Yellow Wallpaper” is diagnosed with temporary nervous depression after having a baby. Her husband, John, denies she has a “real” problem (Gilman 87). He takes

----------------Another symbol in The Yellow Wallpaper is marriage. Marriage, in the eyes of the narrator represent a kind of imprisonment and suffocation by men. Because of her marriage, the narrator is held captive in the bonds of marriage and is unable to control her own mental stability. Her husband is often portrayed as a domineering man who treats the narrator as a child. He refers to his wife by; “a blessed little goose” and “Bless her little heart”. And at one point in the story he even says; “What is it little girl.” Though John is carful and loving, he is also domineering and condescending. In the marriage he, the husband, is the provider and caregiver and therefor will not allow the narrator to work.

Jane is often irritated from the wallpaper in her room. The wallpaper above her bed is stripped off and this bothers her immensely. She claims, " I never saw a worse paper in my life"(4). In fact, she hates it with great passion by saying "no wonder the children hated it! I should hate it myself if I had to live in this room long"(4). She refers back to the children from her imagination, the children that were living in the so-called nursery before her. Towards the end of the story, Jane learns to hate the room as a result of spending so much of her time in there. She is really disturbed from the patterns of the wallpaper. Jane comments on the patterns, as "a constant irritant to a normal mind"(12) because she thinks that she has a normal mind. The color is "repellent," that is, "almost revolting." She says that "it is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide" (4).

protagonist in “The Yellow Wallpaper” wants to take another room “but John would not hear of it”

The yellow wallpaper symbolizes Jane’s depression and her struggle with her overwhelming mental illness. At night, Jane lies awake studying the paper desperately trying to keep watch over the woman behind it (316). Gilman shows that Jane’s depression

Placed in a room of yellow wallpaper the protagonist, Jane, fights the battle of nonfiction versus fiction; Symbolic Order versus Imaginary Order. John, representing social order by only following practical ideas, is in an uneasy relationship with Jane which shows the weak bond between her and reality. Given her isolation, the words that she writes at first constitutes her thoughts, then as her mental state diminishes, her subconscious starts to make up her journal, giving importance to Suess’ ideas that language is the key symbol of women’s inner experience of postpartum depression. Psychotic symptoms of paranoia and hallucinations appear to have formed, and were controlled, before the

“The Yellow Wallpaper” provides an insight into the life of the narrator- a woman suppressed and unable to express herself because of her controlling husband- leading the reader down her fall to insanity, allowing for her inner conflict to be clearly expressed. The first person point of the view the author artfully uses and the symbolism present with the wallpaper cleverly depicts the inner conflict of the narrator, losing her own sanity due to the constraints of her current life. However, while it seems that the narrator in “ The Yellow Wallpaper” succumbed to her own insanity, the endless conflict within herself and her downward spiral to insanity is seen through a different light, as an inevitable path rather than a choice taken as the story develops.

The yellow wallpaper is a story about John and his wife who he keeps locked up due to her "nervous condition" of anxiety. John diagnoses her as sick and has his own remedy to cure her. His remedy s to keep her inside and deterring her from almost all activities. She is not allowed to write, make decisions on her own, or interact with the outside world. John claims that her condition is improving but she knows that it is not. She eats almost nothing all day and when it is suppertime she eats a normal meal. John sees this and proclaims her appetite is improving. Later in the story, the woman creates something of an imaginary friend trapped behind the horrible looking yellow wallpaper in