Comparison Carree And Gallier Hall

For a great many years, architecture has been a breaking point for different artisticeras in history. Some of the most famous “works of art” have been chapels, temples, and tombs. Among the most dominant and influential eras of great architecture are the sophisticated, stoic Greeco-Roman periods and the more mystical, elemental Japanese eras. These two very distinct and very different eras have more in common than you may realize.

On each side, two terraces with gates gave access to the interior rooms. One of this terraces displayed pictures from that time. It was built with pentelic marble.

Neo-classical designs with a touch of Romanesque, hence the pillars and the A-line pitched roof, the dome on top of the roof and Modern design from the use of brick facade. The home also has bay style walls to show somewhat of a roundest to it, but not like the other structures as mentioned above. The columns used on this house seem to be more of Ionic order, slender fluted pillars.

On a modern construction historical design is attached. The Statue itself was built by the famous architect, Gustave Eiffel, of the Eifel Tower in Paris, which likewise shows the European influence on New York’s architecture; not only one, but also some important European architects participate in shaping the American continent.

The ingeniousness and beauty of Roman architecture has not been lost on us in the 2000 years since it was built. Even today, we still marvel at what incredible builders the Romans were, and at the sheer scale and integrity of many of their projects. It is hard to argue that today’s architecture will maintain the same lasting grandeur as that which the Romans built. If we can still respect and admire the grandeur of Rome as it was in it’s day, one can only imagine how much of an influence people of the time felt, due to the incredible innovations that the Romans brought to the new regions of their empire. In fact, it is because of the superior engineering skills and architectural ideas possessed by the Romans, and respected by others,

When we regularly take a look at old sanctuaries, we pick up this sort of warm feeling in our souls, influencing us to address ourselves the entirety of its reality, how it remained to become, and what the distinctive brilliant occasions that occurred in this place. We investigate history, and learn the significance of the sanctuary, making it more exceptional than what we definitely know about it. We get awed with fulfillment while taking a look at its structure, and how it could emerge regardless of the numerous years it had long stood. The building that constitutes a turning point in the historical backdrop of architecture with its arch transition and load-bearing framework is none other than the Hagia Sophia in Constantinople.

Architecture serves a variety of purposes in the world. This can be seen through the architectural design of buildings as well as the materials used for their development. Greek and Roman architecture is an excellent example of this development, and the evolution of Greek architecture follows a distinct pattern; that is, and it developed organically to serve the needs of the Greeks through various phases of Greek history. Each style of architecture carries its own unique and separate characterizations, yet their importance in relation to the Greek’s and Roman’s remains relatively static. Specifically, architecture in Mycenaean, Archaic, Classical, and Hellenistic times, while serving different uses and purposes for the specific and different

Architecture history is always suspicious when an idea sits by itself (Seligmann, 2005:56). Ideas, culture and people have always been analysed against time frames (fig.1). Taking a look at the modern age, especially the effervescent culture of the industrial period, it seems that Wright choose to be closer in the way of thinking to the Renaissance artists, “ than to any of his contemporaries” (McCarter, 2005:16). Although in his 91 years life he encountered many historical changes, he remained loyal to his vision of America and democracy. For him, architecture was never about progression, but about timelessness.

The organization of the columns around the main body of the temple varies in about five major styles. The first three have a small rectangular shaped building called a cella with two to four columns in front, as with the in antis style and the prostyle, or with an additional four columns in back as with the amphiprostyle temples. The last two styles consist of a larger rectangular building divided into two rooms, one functioning as a cella. These two styles are mainly differentiated by one row of columns surrounding the structure, called peripteral, or with two rows of columns, called dipteral. If one looks at the picture with these standards of Greek architecture in mind, some noticeable similarities and differences occur.

Whether simplistic or complex in style, the Greek Parthenon and the Roman Pantheon, respectively, exhibit uniqueness to their era. Each showcases wonderful and historic characteristics of architecture throughout the passage of time. This essay will explain the similarities and differences in the use and functionality between these two ancient temples.

Doorframes and pediments would have also been included in the marble detailing. One scholar has said “ The house has been preserved as a kind of museum to the past influence and power of an important Pompeian family” 2.

''The mother art is architecture. Without an architecture of our own we have no soul of our own civilization''.

Throughout the course of history, architecture has been formed by what necessities we have had as civilization through time. One of these required needs has always importantly included religion and what a society generally believes on. Simultaneously, this affects the trajectory of architecture as well itself in terms of how it is molded and to whom it is accredited to. This can be seen through civilization such as the Sumerians, Greek city-states, and Ancient Roman empire. Religion or ideology has always taken authorship and authority on how it is driven. It is an aspect that has played a more significant role in ancient and medieval architecture.

Athena. Reed (2005) The building is a classical Greek structure in the Doric order known as a peripteral

The facade is situated up fourteen steps and features the three classical orders of architecture one atop the other. The ground floor features three bays with pairs of fluted columns with capitals of the simplest Doric order, with a classical pediment. The Doric capital is adorned with the echinus and the abacus. The Doric entablature is simple, the architrave is the lowest portion, and is divided into the guttae and the taenia, from bottom to top. The frieze features triglyphs, two vertical grooves in the center and half grooves at the edges, separated by metopes, which