Comparison Of Annabel Lee And The Highwayman

True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.

b & c. In the first stanza, Noyes uses metaphors on almost every line. For example, “The wind was a torrent of darkness…”,“The moon was a ghostly galleon…” and “The road was a ribbon of moonlight…”. All these metaphors effectively create a dark and scary atmosphere at the start of the poem. Similes are also used throughout the ballad to create interesting descriptions of characters and actions. For example, “Dumb as a dog…”, “his hair like mouldy hay” and “He spurred like a madman…”.

In “Annabel Lee”, Edgar Allan Poe, like in many of his stories, describes the death of a beautiful woman. He describes for the reader that the love of him and Annabel Lee was so strong, that the angels in Heaven envied them and this was the cause of her death. It is disputed that the woman named Annabel Lee in this poem, is in real life, Edgar Allen Poe’s wife, Virginia. “Annabel Lee” is a perfect example of how Edgar Allen Poe used romance to illustrate the essence of death. He describes how the love that he had for her was so strong and it ended up causing envy in the angels and they in return took her away from him. The poem illustrates the misery that can be

The imagery in the poem, specifically natural imagery, helps use the reader’s senses to develop a vivid depiction of the speaker’s connection to nature and dissatisfaction with the surrounding reality. The speaker’s continued use of the “moon” reflects her attribution of feminine identity and idolistic character to the moon. As opposed to referencing herself and her personal insomnia, she uses the imagery of the moon “beyond sleep” to convey her internal struggles with insomnia and her reality. Throughout the poem, the speaker also refers to shining, reflective surfaces, such as “a body of water or a mirror”, to describe the inverted reality in which the speaker experiences reciprocated love. Reflective surfaces often invert the image that is projected into them, seemingly distorting the true nature and reality of the projected image. The speaker’s reference to this reflective imagery highlights her desire to escape the burden of a patriarchal society and assume an independent and free feminine identity. Specifically, the use of natural imagery from the references to the “moon” and “a body of water” convey the speaker’s desire to take refuge within the Earth or in the feminine identity of the Earth, Mother Earth. Feminine identities are often related and associated with aspects of nature due to the natural cycle of the menstrual period and the natural process of procreation. The speaker takes advantage of these connotations to suggest Earth and natural imagery as an escape from the man-made terrors of male dominated society. In the second stanza, the speaker uses extensive imagery to develop metaphors conveying the speaker’s experience of jealousy of the moon

William Shakespeare once wrote, “the course of true love never did run smooth.” Shakespeare’s philosophy, extracted from A Midsummer Night’s Dream, appropriately pertains to the storylines of Edgar Allen Poe’s “Annabel Lee” and Alfred Noyes “The Highwayman”. Within Poe’s “Annabel Lee”, the narrator depicts of the true love that he and his “Annabel Lee” harbored but it evokes resentful angels to pursue and murder his lover. As within Noyes’ “The Highwayman”, the narrator portrays of a love so pure between the highwayman and Bess, the landlord’s daughter, in which Bess willingly sacrifices her life in hopes of saving the highwayman from being killed but unfortunately, leaves both lovers dead. Both Poe and Noyes managed to exercise certain

Empric, Julienne H. “A Note on ‘Annabel Lee,’.” Poe Studies 6.1 (June 1973): 26. Rpt. In

Many describe unrequited love as a bee sting. At first nature blinds you with it’s beauty, but suddenly it strikes out and pain overwhelms you, feelings of betrayal and distrust linger. In William Shakespeare’s 1600s comedic play Twelfth Night, Olivia portrays how the rejection in unrequited love leads to violence and obsession, thereby, causing an individual to act irrational and vindictive.

With its majority of scenes set in a fairy land, Shakespeare’s A Midsummer Night’s Dream still feels much more authentic and tangible than many other love stories, such as Romeo and Juliet, because the play greatly exposes the real difficulties of love. Such difficulties come not from external causes, but instead from the dark vision of our own human natures. In real life, the various impediments of love that Lysander and Hermia have mentioned, including “war, death, or sickness,” actually barely exist, but what we do face is the all-thwarting tests given by our own hearts (Shakespeare 1.1.142). To be more specific, in “The Darker Purpose of A Midsummer Night’s

In his novel “As I Lay Dying” William Faulkner the job of narrator is divided amongst a large number of character both Bundren and non-Bundren. Through the novel each of the narrator is given a chance to express their own view of how a situation went or how it looks. Now while the main number of narrators are members of the Bundren family the family is comprised of the least reliable narrators. In fact the best sources of information in the story usually come from narrator’s outside the family.

Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.

This man suffers, as many have, from the pangs of a pierced heart. He has been left alone after the death of his only true infatuation and has undoubtedly found that, contrary to the old adage, it is not better to have loved and lost than to never have loved at all. The “rare and radiant maiden whom the angels name Lenore” (95)- in fact a type and shadow of Poe’s own young bride, who at the time of this poem’s publication was suffering from fatal attack of tuberculosis- was no longer at his side, and our story-teller wonders if, however impossibly, he would ever clasp her to himself again.

Furthermore, Poe shows that he longs for the reader to be with Annabel, because she was adored and loved by all. This diction gives the poem a romantic feel, which is outside of its gloomy morbid tone, showing his true love for his deceased. This shows that Poe wants the reader to feel a different side of the poem, most of the tone of the poem is dark and extremely morbid, but by saying this he adds a bit of relief to the readers, showing them that it’s not all bad. The most dramatic illustration of this poem is when Poe uses the lines in the poem that suggest imagery such as “For the moon never beams, without bringing me dreams of the beautiful Annabel Lee” “and the starts never rise, but I feel the bright eyes” This imagery shows the reader what Annabel Lee was like, it glamorizes her showing the reader that she was an incredibly amazing and beautiful person. The diction in Annabel Lee cannot be any more applauding; by doing this he sets the tone for the whole poem, which makes the poem so wonderful in the first place.

The death of Edgar Allen Poe’s young bride prompted a wealth of bitter resentment in the writer. While this is evidenced in many of his works, nowhere is his antipathy more explicit than in the poem, “Annabel Lee”.

“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love.

In one of AMND’s most enduring passages, Lysander states (Act one scene one, line 134) ‘The course of true love never did run smooth.’ The conflict that is inevitably born out of love is a central theme at the heart of Midsummer’s Night’s Dream and Hamlet, but is extended by Shakespeare not only to romantic relationships, but to familial bonds as well. The conflict is ultimately resolved in diametrically opposing ways in each play, according to the conventions of their respective genres. Hamlet is a tragedy, and therefore can result only in death, but AMND, as a comedy, uses the traditional method of marriage to resolve its conflict.