Comparison Of Blake's Songs Of Innocence And Songs Of Experience By William Blake

“Holy Thursday” wherein he bluntly, yet poetically says, “Is this a holy thing to see/ In a rich

As a forerunner to the free-love movement, late eighteenth century poet, engraver, and artist, William Blake (1757-1827), has clear sexual overtones in many of his poems, and he layers his work with sexual double entendres and symbolism. Within the discussion of sexuality in his work Songs of Innocence and of Experience, Blake seems to take a complicated view of women. His speakers use constructs of contraries, specifically innocence/ experience and male/female. Of the latter sex, he experiments with the passive (dependent, docile, virtuous) and active (independent, evil, a threat to the masculine) female subjects. Blake’s use of personification specifically of nature and botany suggest the use of nature to discuss human society. In Songs

Before watching your presentation, I only knew the basics regarding William Blake. There are various interesting things that you mentioned that I did not know about. For example, you mentioned how he was more commonly known for his art rather than his poems. His art as a whole is really interesting. You mentioned how he took his encounters with the people around him, his brother’s death, and visions and reflected them into his work. One thing from that list that stood out to me the most were his visions. He was able to take his visions and portray them in his paintings even when many people found it difficult to understand the meanings behind it.

The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of

William Blake was deeply aware of the great political and social issues during his time focusing his writing on the injustices going on in the world around him. He juxtaposed the state of human existence through his works Songs of Innocence (1789) and Songs of Experience (1794), showing differentiating sides of humanity. The contrast between Songs of

Blake wanted to show that there are two sides to every situation by writing companion pieces for most of his works. “The Chimney Sweeper”, for example, has the same title in Songs of Innocence and Songs of Experience, as well as “Holy Thursday” that appears in both. “The Lamb” and “The Tyger” are also paired poems contrasting the concept of good and evil that Blake focused on through out his poems.

Though William Blake was a religious man, he held ‘a highly critical attitude toward the religious conventions of the established church, which [he] identified […] as the “state religion” […] with notorious “state tricksters”’. This is explicitly conveyed through his two versions of ‘Holy Thursday’ in both ‘Songs of Innocence’ and ‘Songs of Experience’. In the ‘Songs of Innocence’ version, though on the surface it seems sweet and sublime, there is an underlying danger and brutality to the words expressed. For example, in the first quatrain, the children are described to be “walking two & two in red & blue & green”. Although this use of bright, simplistic colours gives the impression of childhood, hope and joy, there is a sinister undertone, hinting at the colours being bruises on the children’s skin, from being beaten from the euphemistic “wand” that the “grey-headed beadles” held. Also, the notion that they are to walk “two & two” suggests a large amount of control from their

William Blake focused on biblical images in the majority of his poetry and prose. Much of his well-known work comes from the two compilations Songs of Innocence and Songs of Experience. The poems in these compilations reflect Blake's metamorphosis in thought as he grew from innocent to experienced. An example of this metamorphosis is the two poems The Divine Image and A Divine Image. The former preceded the latter by one year.

London is a city of many faces. Through the writing of these two famed authors, William Blake and William Wordsworth, they both manage to effectively illustrate the two very different views on London. Blake shows us the dark and twisted side of London facing poverty and oppression, while Wordsworth highlights the bright, peaceful, and beautiful aspects of London. The two poets write their contrasting views by using tones, imagery, and senses; can open the reader's eyes to change and how quickly it can happen.

Blake also airs his issues with the church’s policy on the spiritual status of “unsaved” people who die, children and adults alike. He addresses the “spiritual status of babies” in several of his poems (Dilworth, 43). The child in “A Cradle Song” is depicted as an “Angel mild” in whose face the

These figures are the characters in many of his works. The role of Religion as a strong influence in Blake’s life was probably formed by the events he experienced during his upbringing. Blake came from a poor family and among other hardships witnessed the death of his older brother Robert at the relatively young age of 20. Robert’s death had a profound impact on Blake and after witnessing it he said that he saw his brother's soul "ascend heavenward clapping its hands for joy". The inspiration that William received from his brother death is an underlying theme in many of his works and most likely in his view of life as well. Songs of Innocence and Songs of Experience are two of Blake’s collections that emphasize his ideas. Many of the things that affected Blake’s life as a child: poverty, struggle, loss, confusion, and faith can be seen in these works.

Blake’s two poems are both told from a child’s point of view, which is different from many works and forces adult readers to realize the fault in society’s standards through the bleak eyes of the many unfortunate children.

The works of William Blake cannot be entirely discussed, so my project particularly focuses on 'Songs of Innocence and Experience'.

William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.

Some of William Blake’s poetry is categorized into collections called Songs of Innocence and Songs of Experience. Blake explores almost opposite opinions about creation in his poems “The Lamb” and “The Tiger.” While the overarching concept is the same in both, he uses different subjects to portray different sides of creation; however, in the Innocence and Experience versions of “The Chimney Sweeper,” Blake uses some of the same words, rhyme schemes, and characters to talk about a single subject in opposite tones.