Comparison Of Claude Monet

During his ‘Dutch’ period, Van Gogh’s subject matter was primarily focused on the lifestyle of the poor and the bible (Dubecky). In his ‘French’ period, Van Gogh had begun to shift his focus to drawing nude figures and portraits. Monet, conversely, liked to paint his subject matters in series. He would paint “the same subject at different times of the day in different lights” (Brown 1536). Some series that he painted included water lilies, bridges, and haystacks. Something that Van Gogh and Monet both really took passion in is basing their art on their life experiences. They both painted their surroundings such as landscapes, seascapes, and people around them. Van Gogh would also draw still lifes of food and would paint paintings based on his emotions during his recovered bouts of mental illness.

Seurat and Monet both approach the same ideas and concepts to create too very separate and unique works that actually have a lot in common in subject matter as well as both historically and stylistically. Overall, both paintings, A Sunday Afternoon on the Island of the Grande Jatte by Georges Seurat and La Grenouillère by Claude Monet, are excellent

Pablo Picasso’s way of drawing can be seen as very different and rather similar at the same time compared to Vincent Van Gogh’s method. Drawing allowed van Gogh to capture light and images more quickly than with painting and

Both groups painted contemporary pieces, inspired by landscapes and modern life. Impressionists focused on the lighting, and the natural movement of the setting they were painting. They painted things en Plein air (in open air). In order to truly capture the essence of an image, they believed that you must be experiencing it firsthand. They started to break away from the Realist perspective, with the lack of dimension and modeling. Impressionist had a particular interest in capturing transitory moments in time. They used unique angles and thinner brush strokes to capture the visual element of being in motion. There was a bigger emphasis on the use of color in impressionist works. They used a technique in which they applied color to already wet paint, to develop the colors of the painting. This style of painting was a gateway for post- impressionism.

Jean-Michel Basquiat known as the famous artist Basquiat was Born On December 22nd, 1960 in Brooklyn, New york, Basquiat, who eventually became a famous artist . Basquiat was the son of Puerto Rican and Haitian parents, Matilda Andrades and Gerard Basquiat. Basquiat was the second child out of four siblings Max Basquiat, Jean-michel Basquiat, lisane Basquiat , and jeanine basquiat. However, shortly before Jean Michel Basquiat was born , his older brother Max Basquiat had died. When Basquiat was little he always loved to draw. On one incident Basquiat; who was a self taught artist,

There are some similarities between Cassatt’s and Monet’s style of painting. Such as their use of bright colors. And how they would stray from the contemporary style of some artists when they used theses bright colors. They were both impressionist artists. They also added the effect of chiaroscuro. However, there were some differences between them. Monet mostly painted landscapes, and he tended to use brighter colors when he painted. He would like to paint multiple pictures to capture the beauty in a land scape. Cassatt focused more on self-portraits, and her paintings were more structured, in my opinion. She really brought out the facial features of the people she

Through a series of solid strokes of paint in his canvas, Monet managed to present society with a completely new outlook, literally, on one’s visual aspect. Claude-Oscar Monet, famous French painter, was a highly innovative artist back in the 1800s. His works inspired other artists who followed suite and teamed up promptly with Monet, soon enough gaining for themselves the title of “The Impressionists.” He contributed not only to the art culture, but also to the entirety of society through his paintings as if telling the world not to be afraid of anything different and emphasized the importance to look at things with deeper perception other than that which our vision enables us to see. Claude-Oscar Monet is also known as the father of Impressionism,

John Everett Millais was born in Southampton, England in 1829. His mother, being very interested in art and music, encouraged Millais to pursue the same interests. Millais grew to become a child prodigy and was admitted into the Royal Academy Schools at the mere age of 11, an unprecedented achievement. There, he formed the Pre-Raphaelite Brotherhood with fellow students, whose goals were to relay a message of artistic renewal and moral reform. Millais produced many controversial works during his time as part of the Brotherhood. When he married his wife, Effie Millais, and his family grew with children, he realized he had to change his style to please the public; Millais needed the money to support his large family. Thus, he began to paint with

In the year of 1840 little did France, let alone the world, know that it was a year to be put in the history books. On this beautiful year a man of great recognition in the art world was born. The founding father of Impressionism, Claude Monet. He had been a painter of a new style. One of his paintings titled “Across the Meadow” was simply one of the art pieces among a multitude of other phenomenal impressionist works he had completed.

After his birth on December 2, 1859, in Paris, France, his father was a customs official, he was not at home that often which led Seurat, his brother and his sister to grow up with their mother Faivre. He learned arts in his early age from an uncle and started formal education at the age of 16 from a local art school.

Pierre Auguste Renoir was born to a working class family in Limoges, Haute-Vienne on February 28, 1841. He worked in a porcelain factor as a young boy which helped to develop his paint skills as he was selected to paint designs on fine china. In his early years, he visited the Louvre, and studied the master artists of France. Renoir, like Monet, studied art under the hand of Charles Gleyre in Paris in 1862. Renoir was married to Aline Victorine Charigot in 1890, and had three children. Two years after marrying Aline, Renoir developed arthritis, causing him to adapt his painting methods to the point of strapping a brush to his paralyzed fingers. He never stopped painting however. In 1919. Renoir revisited the Louvre, and saw his own paintings

In addition to the influences in Edouard’s life from Spanish and Dutch artists, The Louvre and Renaissance painters inspired him. Courbet, Goya and Velázquez had major impacted in Manet’s artistry. Early in Edouard’s life, many days were spent studying and copying artwork at The Louvre. Elements of Renaissance compositions were combined with Manet’s own realism. Courbet influenced Manet with choice of subject matters and the styles in which he portrayed them.

Impressionism began in the mid-1800 's while Paris was the artistic capital of Europe. While Impressionism was rejected by the Salon de Paris, numerous artists grouped together so they could finally paint what they wanted to paint. Impressionists broke away from traditional artists who covered their canvas with dark undercoats versus the Impressionists painted on a white or cream-colored background for a brighter look. What attracted many to impressionism paintings was the shift from paintings focused on religious beliefs, historical moments, and influential people to art that emphasized both beauty and feelings. Two of the most well-known impressionist artists are Claude Monet and Vincent Van Gogh. Even though Monet and van Gogh were

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are

While the painters after the Impressionism period were called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by ignoring a Naturalistic approach that attempted to merely depict the “real.” However, the two had distinct styles which attempted to achieve the same goal: to access Nature’s mystery and meaning beyond its superficial, observable level. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.