Comparison Of Destruction In The Walking Dead And Post-Apocalyptic Literature

Mccarthy creates a bleak post apocalyptic society through the use of imagery. He describes a world where there is no wildlife and all that’s left are the ashes. “The road was gullied eroded and barren. The bones of dead creatures sprawled in the washes. Middens of anonymous trash”(177). While the man and the boy travel the road, they rarely come across other living things. The boy even shows a lack of knowledge about animals, constantly asking his father questions about them. They always have to keep moving due to the constant threat of danger. Their nomadic lifestyle prevents them from becoming attached to anything. This gives the feeling of absolute isolation. Throughout the novel, the man often has dreams of life before. His dreams are described in vivid colors, "walking in a flowering wood where birds flew before them he and the child and the

The love between the protagonists in the times of hardship is the most profound relationship in the book and the strength of it raises the standard of the novel. The relation of the father and the son is very strong and symbolizes protection to the child. They take the initiative to struggle and live in an apocalyptic place which has been completely destroyed. The father is like the soul of his son and the very last hope for the son to survive .The son finds support in his son when he goes through the stages of loneliness and despair. It is a natural way for people to rely on others for support and by survival instincts; it is deeper when there is such a close relationship between a father and a son. McCarthy in terms of characterization makes the buy very innocent as he does not know how to differentiate between the “good guys” and “bad guys”. He wants to help everyone and on the other hand the father is very strong and is wise. He lives each and every day as a normal day so that he can keep his son strong as well. The father is very intelligent as he responds to his son questions thoughtfully to keep his son’s hope up. The father is very optimistic even when they are facing a hard time moving forward. To quote, “The lay listening, Can you do it? When the time comes? When the time comes there will be no time. Now is the time. Curse God and die. What if it doesn’t fire? It has to fire. What if it doesn’t fire? Could you crush that beloved

The road written by Cormac Mccarthy; one of the most praised contemporary novels. The road tells the story of a man and a boy traveling in a post apocalyptic world. “Nights dark beyond darkness and the days more gray each one than what had gone before. Like the onset of some cold glaucoma dimming away the world”(Mccarthy1). The world is now filled with ash and inhabited by cannibals and bandits. The boy and man’s goal is to get to the south as they think it’ll be warmer there. The novel’s grammer is abstract as they’re barely any periods written as they talk. This style is used to make the reader pay attention as one can easily lose who’s talking. One of the biggest themes in the novel is the fire in all to live and stay alive; Survival. Cormac Mccarthy’s biggest critique on this novel was that the ending was too hopeful and positive, opposed to Mccarthy and the entire style of the book. The book is entirely filled with grave feelings pondering suicide and a feeling of nothing ever getting better. In the end the man dies but the boy is picked up by another man and women who seem nice. People 's opinion of the Road differ within the last pages. Though the ending might seem hopeful, it has two different interpretations, and Cormac has shown that he’s not a happy ending kind of guy.

In the novel The Road, Cormac McCarthy illustrates the actions, geographical setting, and expressions to shape the psychological traits in the characters struggle to find survival in the gloomy and inhumane civilization. McCarthy uses imagery that would suggest that the world is post-apocalyptic or affected by a catastrophic event that destroyed civilization. In Gridley’s article The Setting of McCarthy’s THE ROAD, he states “On one hand the novel details neither nuclear weapons nor radiation, but the physical landscape, with his thick blanket of ash; the father’s mystery illness; and the changes in the weather patterns of the southern United States all suggest that the world is gripped by something similar to a nuclear winter”(11). In other words, Gridley asserts that McCarthy sets the setting as an open mystery, so that anyone can draw his or her own conclusions. The surrounding of the colorless and desolate society affects the characters behavior positively and negatively. Similarly the surroundings and settings of the society illuminate the meaning of the work as a whole.

The Road by Cormac McCarthy details a post-apocalyptic world with mysterious origins. While there are many questions about this world, the reader is left to their own imagination to determine how it got that way. Within this world, there is a man and a boy, father and son trying to make their way and survive until they can find a safe haven that may or may not exist. The see many things along the way and the man instills in the boy that it is important to remain a good guy and always “carry the fire”. Carrying the fire refers to the light inside of you that makes you who you are and may also carry the “goodness” of human nature. Inevitably, the man meets his fate via a mysterious illness leaving the boy on his own. The boy is then introduced to a family that has been following them knowing that the man was not well and the boy would need someone to look after him.

We were making our way to the doors slowly. While killing every walker in sight and range, we fought our way through the horrendous herd of walkers. Guts, flesh, and meat went flying out to every direction with every swing of the baseball bats that we had. I fancied a long pipe with scissor blades taped at the end of the pipe. The others decided to go old fashioned and just use a good old, trusty baseball bat. I’ve been dreaming of this day ever since I’ve started watching The Walking Dead. We’ve been killing walkers non stop. I was lucky enough to have found Thomas walking around the halls. Finally, the doors were barricaded, and the final battle of the second trial came close. I had to finish this. Deus and Onaga, the two deities gave me hints on where to go. I followed their wishes and went to the chorus room. Again, more danger was there. This was Olivia’s class… Why is it that everytime I go do a trial for these deities, I always end up in Olivia’s room. Chapter 9 : FROM START TO FINISH

Cormac McCarthy’s The Road portrays a gripping tale of survival of a father and son across a post-apocalyptic world that is devoured by marauders and cannibals who have abandoned all of their beliefs, morals and values and do anything to survive. In contrast, the two protagonists are portrayed as the ‘good guys’ who carry the ‘fire’, and try to survive in the obliterated world. They are challenged to maintain their own beliefs, morals and values as they enter their quest. As a young adolescent who has witnessed the harsh environments of a war torn country such as Afghanistan, and has prior experiences of being a refugee. The novel effectively

Fear itself is seldom a cause of trauma in everyday existence, but having to face close-range interpersonal aggression is a traumatic experience of an entirely different magnitude (Grossman). During the initial outbreak of terror while everyone is scrambling to save his or her own life, survival mode kicks in and an individual starts to plan on saving one’s self. The need to be a powerful motivator drives an average person to do what any normal person would consider unthinkable. Abandoning monsters plaguing the entire world, helping others in need, or deciding to save one’s self is a decision that will be made. The decision to save one’s own life will bring a person to question his own humanity while discovering the benefits of self-

Children between the ages 7 to 12 are exposed to many television shows. These television shows, play an important role in children this age by opening their eyes to new ideas, cultures and to new places. As a 5th grade teacher, I was surprised to hear how many of my students were excited about the return of The Walking Dead on February 14, 2016. Before today, I had never seen this show, but I knew it was not appropriate for 10 and 11-year-olds to watch.

Imagine a middle-age man and a young boy walking on a road of ashes in a post apocalyptic world. A novel called The Road by Cormac McCarthy describes a similar situation of where a father and son are trying to survive in post apocalyptic world. However, the emotion of hope forms inside of the two main characters throughout the novel. The father’s role is to protect his son from dangers, and keep them both alive as long as possible. The son’s role is to keep his father’s humanity, and being a media of hope and goodness to the father. In the novel, the father and the son are traveling toward the coast and south to seek hope. On the road the father and the son have experience countless darkness, death, and terror, for example, the son is capture

“The Road” depicts a solemn and deteriorating environment that can no longer provide the fundamentals to a society due to the nuclear disaster. The sudden depletion of the resources within their environment made it difficult for the father and the son to find sustenance. They were constantly traveling towards the South looking for safe places to situate themselves because the father knew that they would not be able to survive the nuclear winter. The genre of the novel is post-apocalyptic science fiction because it revolves around a dismantling society. Cormac McCarthy’s “The Road” depicts how environmental destruction finally gave sense for people to value the world and what it had to offer.

The Road is a story where is set in a post-apocalyptic world, where the date and location is unnamed. The author of the novel Cormac McCarthy doesn 't describe why or how the disaster has demolish the earth. But after reading the novel, I can sense that the author wanted to present a case of mystery and fear to the unknown to the reader. By the author 's exclusion I think that the story gains a better understanding of what the author wanted to express to the reader. An expression of a man and his son surviving in a post-apocalyptic setting.

The Road takes place in post-apocalyptic America after an unknown disaster occurs. The novel centers around a boy and his father, both of whom are never given names. In an analepse, the reader learns that the mother of the boy kills herself with “a flake of obsidian” as she fears that she would be raped and murdered (McCarthy 30). “[The man] hadn’t kept a calendar for years” and the reader is left unsure what year or month it is (McCarthy 2). The man is sure, however, that winter is approaching and it would be best for him and the boy to travel south where it is warmer. They have nothing but a pistol, their clothes, and a cart with food they scavenged for. The world is barren with “dust and ash everywhere” (McCarthy 3). The story chronicles the man and boy’s journey to the south while they look for food, supplies, and shelter. The pair must fend off “bad guys” during their journey as well (McCarthy 39). When one of these “bad guys” puts his knife at the boy’s throat, the man is left with no other option than to shoot the “bad guy” leaving a “hole in his forehead” (McCarthy 34). Another gruesome event occurs when the man and boy are looking for food in a house they found. While walking down a cellar’s stairs, they smell an “ungodly stench” (McCarthy 56). In the cellar, there are “naked people” who are whispering “help us” and a maimed man on a mattress with his “legs gone to the hip and the stumps of them blackened and burnt” (McCarthy 56). These people are being kept to be eaten eventually and the man and his son

One element that seems apparent in almost every post-apocalyptic novel is the constant fear of unavoidable death. The Road takes the classical form of a journey between the man and the boy. From the beginning of the story, the man and the boy are on a journey south. They aren’t traveling to any specific destination, but are mainly hoping for warmth in the south. However, as the story progresses, the reader realizes the boy and the man are actually trying to escape the constant fear of death by following the road. This becomes apparent when the man and the boy reach the destination of the sea, but are greatly dissatisfied. Throughout the man and the boy’s journey, death seems

Another post-modern element of The Walking Dead is its intertextuality. It borrows from Romero and ingrains itself in the survivalist genre “given impetus by 9/11” but it also draws inspiration from Westerns. Rick is representative of the ‘Sherriff’ with his dress codes and values. He sports a sheriff hat, hoister and is intent about keeping the law. The series poster emulates the western genre as Rick rides a horse amongst a congestion of cars. Walkers are referred to as herds. Western narratives typically revolve around individualistic battles that mirror a wider society or the cat and mouse chasm between the protestation of the powerful and powerless. The repetition of tensions in every The Walking Dead episode mirrors classic