Comparison Of Impressionism In A Sunday Afternoon On The Island Of The Grande Jatte

Additionally a more recent and immediate example of this happening is the progression from impressionism to post-impressionism, both share the use of vivid colors, everyday objects and settings, as well as thick application of paint, but the post-impressionism movement rejects the spontaneous and naturalistic rendering of light and color that the impressionistic

Ferdinand Loyen du Puigaudeau was a French Impressionist, so his paintings were created in the Impressionism movement. Impressionism is where the artists would want to capture a moment of any time a day and to focus on weather conditions. The most popular paintings from the Impressionism movement are landscapes. The artists would paint by doing light brushing strokes and use bright colors. The impressionists were the first group to embrace painting outside.

One of the most influential painters of the twentieth century was Paul Cezanne. He was willing to break the traditionally accepted artistic practice in order to better portray his artistic creativity. Cezanne was became part of the movement that followed the Impressionists called the Post-Impressionism movement. The artists who were the driving forces behind this movement were Gauguin, Van Gogh, Seurat, and Cezanne. These artists were placed in this grouping because they were the avant-garde artists of the time period, who wanted to be able to express their emotions rather than simply representing what they saw. Cezanne’s Mont Sainte-Victoire seen from The Bibemus Quarry was painted in 1985. Mont Sainte-Victoire is a mountain that is in the South of France and overlooks the Aix-en-Provence, which happens to be the hometown of Paul Cezanne. This work exemplifies the Post-Impressionistic techniques because Cezanne utilized the avant-garde techniques, while at the same time demonstrating the relationship between the artist and the work.

Impressionism can be considered the first distinctly modern movement in painting. Developing in Paris in the 1860s, its influence spread throughout Europe and eventually the United States. Impressionism was a style of representational art that did not necessarily rely on realistic depictions. The Impressionists loosened their brushwork and lightened their palettes to include pure, intense colors.

The Harbor of La Rochelle is a 50.5 x 71.8 cm oil on canvas painted by Jean Baptiste Camille Corot in 1851. In this painting, the artist depicted a picturesque scene of the everyday life in a placid harbor city in a sunny warm day. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting. His work simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

Claude Monet was the leader of impressionist painting movement. Manet, Cezanne, Degas, Morisot, Pissarro, Renoir, and Alfred Sisley, gave art the ability to

Claude Monet's Grainstack (Sunset) is the painting I chose from the Boston Museum of Fine Arts. Monet was an impressionist painter in France, and did most of his work at his home at Giverny. Impressionism got its name from a painting that Monet painted, Impression Sunrise. Impressionist paintings are put into a category based on characteristics such as light that draws attention to objects, rough textures, and visual pleasure that the viewer receives upon looking at the paintings. Impressionist paintings are art for arts sake and focus on leisure and nature. These paintings are generally the most well known and popular paintings because of their attractive appearance.

Seurat is commonly known for being a post-impressionist painter whose work did not signify the fluid and naturalism of impressionism. He used highly calculated geometry to develop his compositions and perfected the technique of pointillism, a method of placing small dots or brushstrokes made out of pure color right from the tube of paint. When viewing Seurat’s, A Sunday Afternoon on the Island of La Grande Jatte (1884-1886), you recognize the pointillism technique making up the entire composition, as well as Seurat’s reaction to the 19th-century social hierarchy in Paris. This colossal artwork, measuring in at 7x10 feet, shows the day in the life of a bourgeoisie person. The figures represent a range of bourgeoisie types that would have been easily recognizable to the 19th century viewer with their confident stance and expensive attire. Unfortunately, many are unsure what Seurat was trying to translate in this work. One theory believes that Seurat is mocking the barren habits and unyielding attitudes of the upper-middle

Each one contains a subject matter of either urban scenes, landscapes or seashores. A Sunday on La Grande Jatte is his most famous painting and the one that set the stage for his new found techniques. The size of the painting was very much different than that of the smaller paintings of the Impressionists. It was huge for the time, roughly taking up an entire wall, the painting commanded attention from any viewer within the vicinity. The colors of the dots blend together optically by the viewer’s eyes to create a magnificently composed work of art.

Although Seurat chose common Impressionist subjects such as popular entertainment, he adopted traditional techniques of preparation and painting.” (Wallis 52) During 1884-86 Seurat was working on his second large piece of artwork “A Sunday

I chose A Sunday on La Grande Jatte by Geroges Seurat for my critical analysis. When I was in 4th grade, my gifted class studied this artwork by Seurat. After studying this piece, we were allowed to replicate A Sunday on La Grande Jatte in the form of a mural in one of the hallways. I was beyond fascinated with the different colored “dots” we were using, and how in the end it all came together as a whole. Seurat’s pointillism technique catches my eye each time I see a piece of his, and to this day, I am in awe of this particular piece.

Paintings that have textures that can be smooth and flat or have tooth and be lumpy which can depend on the type of paint or how it is applied the surface of a canvas. In many of Monet’s Impressionism paintings, he uses a dry brush technique and created dabs. In Sunrise, the paint is not blended together instead it is layered, which created a

Claude Monet’s piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in March or April of 1873. The piece’s present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in morning light. Claude Monet was part of the impressionist movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished painting, however other artist saw it as an honor and eventually called themselves “impressionist”. The painting brings out a beautiful image due to the colors, texture, and technique that plays an important role in society and culture.

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are

Impressionism in its simplest form is characterized as an artist’s impression of an actual scene, using smaller than average painting strokes to help