Comparison Of Into The Wild And Campbell's Monomyth

Throughout Jon Krakauer’s Into the Wild, there are many details that help give the reader a deeper, more profound, meaning of the book's intended purpose. Krakauer is one of the most renowned American writers, publishing many books focused specifically focused on nature, and people’s struggles in nature. Through much of the book, Krakauer incorporates many examples of diction and imagery to help the reader grasp the essence of the book. By using a wide range of literary techniques, Krakauer is able to communicate the events that transpired throughout the book.

“Nothing can bring you peace but yourself, Nothing can bring you peace but the triumphs of principles.” This is a quote from Ralph Waldo Emerson’s Self-reliance which resonates with Krakauer’s and McCandless’ shared beliefs and interactions. This quote can help us to understand why McCandless and Krakauer enjoyed going into the wild. They were searching for themselves. By looking at their shared beliefs, their respective journeys, and Krakauer’s opinions of McCandless it can be seen that they have similar stories, but their stories both ended very

“England is bad enough I know, and English society is all wrong” (Wilde, 145). The Picture of Dorian Gray and The Importance of Being Ernest are both ingenious literary works by the witty Oscar Wilde. The lead roles Dorian Gray and Jack Worthing are the perfect examples of how the Victorian society was phony. Although one is tragic and the other comedic both works by Oscar Wilde offer a social comment on the hypocrisy of the Victorian Era. Through the protagonist’s superficiality, deception and consequence of living a double life such comments are presented. While their superficiality and ability to deceive people are quite similar their consequences for their actions differ a great deal.

To any regular student, two and two equals four, analyzing is a chore, and George Orwell’s 1984 is nothing more than the psyche of the novel’s protagonist, Winston Smith. However, when such a student disregards a mundane way of thinking and adheres to Thomas C. Foster’s, How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines, it becomes blatantly obvious that two plus two could indeed equal five as Smith’s psyche could very well as easily become theirs. No novel is ever simply just a novel and with chapters such as “Nice to Eat You: Acts of Vampires”, “It’s All Political”, “Yes, She’s a Christ Figure Too”, and “...Except Sex” from Foster’s literary guide provide insight into the abstractness

Furthermore, Dorian’s moral principles get progressively worse, eventually leading to the murder of Dorian’s longtime friend, Basil Hallward. Dorian acts impulsively and erratically while showing Basil the mutilated portrait, “and suddenly an uncontrollable hatred for Basil Hallward came over him” (115) spurring Dorian to stab Basil repeatedly. Due to his impulsive nature and devotion to seeking pleasure, the moment his anger took over, Dorian chose to ignore his conscience. He retains his childish behavior because he never

The first stage of the monomyth is the departure. In this stage, the hero first receives “call to adventure,” either directly or sometimes unwittingly. In a real life example, this would be taking on a task, one that is assigned by someone else or one that is chosen by oneself. This could be an assignment at a job, or it could be the desire to pursue a new hobby. Campbell mentions the “refusal of the call,” or the turning away from the journey. In life, when taking on a task, it can seem too difficult or frightening, and the natural desire may be to turn away. Campbell warns that this “converts the adventure into its negative… [and] the subject loses the power of affirmative action and becomes a victim to be saved” (59). Though an adventure may be difficult, the hero will usually gain the assist of a supernatural aid. Many

The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.

The day is unlike any other. The mail has come and lying at the bottom of the stack is the favored Outside magazine. The headline reads, “Exclusive Report: Lost in the Wild.” The cover speaks of a twenty four year old boy who “walked off into America’s Last Frontier hoping to make sense of his life.” The monotony of the ordinary day has now vanished from thought as Jon Krakauer’s captivating article runs through the mind like gasoline to an engine. The article is not soon forgotten, and the book Into the Wild is happened upon three years later. The book relates the full story of Christopher Johnson McCandless and how he left his family and friends after graduating college in order to find himself. Krakauer based the book off of his article

In his work “Into The Wild”, Jon Krakauer writes about a young man who escaped on an expedition to invent a new life for himself. However, the reasons why he decides to partake on such journey raises many questions because Christopher McCandless lives a life of valuable possessions which his rejection of his economic class to disperse in a cultural background of nature steers Krakauer decision to report his story. Krakauer believes that a young man with a great amount of opportunities must have a logical reasons to abandon all the achievements and most importantly his family to live in the Wilderness. Although, Krakauer intends to portray McCandless as a genius of his choices and ethical to his ideas, as the book unfolds Krakauer

Jon Krakauer’s Into the Wild, describes the adventure of Christopher McCandless, a young man that ventured into the wilderness of Alaska hoping to find himself and the meaning of life. He undergoes his dangerous journey because he was persuade by of writers like Henry D. Thoreau, who believe it is was best to get farther away from the mainstreams of life. McCandless’ wild adventure was supposed to lead him towards personal growth but instead resulted in his death caused by his unpreparedness towards the atrocity nature.

Throughout history, people encounter a stage in their lives where they feel the necessity to assert their independence and challenge their abilities and self-worth. In the book, Into the Wild by Jon Krakauer, the author shares his understanding and kinship with the main character, Chris McCandless, a young man who thrusts himself into a life of solitude and a harsh environment during his search for meaning to his life. Krakauer depicts himself and McCandless as modern day transcendentalists with an abundance of competency, resourcefulness and skills as naturalists. Although McCandless chose to experience a life of solitude and face the hazards that nature presents, his lack of preparedness prevented him from completing his endeavor successfully.

Happiness is not easily achieved in this life and sometimes it will make you pay high prices for it. Into the Wild by Jon Krakauer is a book talking about an adventurer named Chris McCandless that lost his life looking for his happiness. Chris was a smart boy that had the potential to go to Harvard law school, but he left his family, friends and education to go to Alaska. Krakauer wrote about McCandless’ journey to provide clear the reasons McCandless went to Alaska and why he did it and what he went through because Krakauer saw In McCandless. Krakauer wrote about McCandless’s journey while including some detailed reasoning and excuses for McCandless actions. Krakauer’s purpose of writing Into the wild furnish to the writing style

The first major event of the novel is Dorian’s relationship with Sybil Vane, as it marks Dorian’s first practical experience with Lord Henry’s instruction. Although Dorian superficially embraces and attempts to follow the Hedonistic ideals,

At times of strife with oneself and during periods in one’s life, people tend to find answers or peace by disassociating from their immediate surroundings and replacing it with the natural world. Although Wild by Cheryl Strayed and Into the Wild by Jon Krakauer share the same word in their titles, the two are completely different stories with separate narrative purposes. Wild is about the author’s journey of self-discovery and self-acceptance through hiking the Pacific Crest Trail, and Into the Wild is the author’s discovery of Chris Mccandless’s natural journey, which ultimately led him to his death. Even though the ending of Wild leads to Strayed’s renewal of life, and the ending of Into the Wild leads to the insight on the ending of

“If it were I who was to be always young, and the picture that was to grow old! For that -- for that -- I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!" (Wilde 30-31). After making this deal Dorian start to become a horrible person he make his girlfriend and soon to be fiance Sibyl to commit suicide after he yelled at her, he smokes cigarettes, ruins other people's lives, does drugs such as opium, and goes on to kill Basil. All of society knows that something is up with Dorian because he has never aged and still looks like he's twenty. As the years go on Dorian begins to lose his soul while still remaining young which seems similar to the state of limbo in “Inception” where you don't grow older physically but your mind and soul do. Dorian eventually goes on a downward spiral after killing Basil and sees that the painting gets ugly for every bad deed he does.. So in response he tries to do a good deed to change the painting. But when this backfires and the painting gets worst he stabs it which basically means he stabbed his soul and he ends up dying and the painting returns to normal.