Comparison Of King Lear And The Catcher In The Rye

    Holden Caulfield, the main character in J.D. Salinger's novel, The Catcher In The Rye, feels that he needs to protect people around him, because he failed to protect his brother Allie from death. Holden feels that he has to care for those close to him. He watches over Jane, Phoebe, and even Mrs. Murrow when he meets her on the train. Holden tries to shield these people from distress. He does not want to fail anyone else.

In J.D. Salinger’s The Catcher in the Rye, the main character, Holden, cannot accept that he must move out of childhood and into adulthood. One of Holden’s most important major problems is his lack of maturity. Holden also has a negative perspective of life that makes things seem worse than they really are. In addition to Holden’s problems he is unable to accept the death of his brother at a young age. Holden’s immaturity, negative mentality, and inability to face reality hold him back from moving into adulthood.

He was unscrupulous.';(Salinger 40) Holden acknowledges Jane's purity and wishes not to have to think otherwise with Stradlater. Holden feels the responsibility to defend the pure and the innocent. Besides his conflict with Stradlater, he is also involved in a physical battle with Maurice.

Holden does not want to accept that growing up results in losing one’s innocence. After Stradlater comes back to the dorm following a date with Jane, Holden’s childhood friend, Stradlater claims that they just sat in a car. Holden persists in asking him if he did anything sexual with her and Stradlater doesn’t take it seriously, therefore angering him. He states, “All I know is I got up from the bed, like I was going down to the can or something, and then I tried to sock him, with all my might, right smack in the toothbrush, so it would split his goddam throat open”(Salinger.56). The phrase “split his goddam throat open” and the word “sock”, which means a forceful blow, shows that Holden tries to use all his strength in order to hurt Stradlater, meaning that Holden is infuriated by him taking his questions as a joke. He is infuriated because he is being serious, but

Stradlater doesn’t know or care. Holden becomes so overwhelmed by the thought of him “giving Jane time,” he gets into a physical altercation with his roommate. After this incident, Holden begins to idealize Jane’s image increasingly, leading to him imagining a fantastic scene after he gets robbed by a pimp, Maurice. “Then I’d crawl back to my room and call up Jane and have her come over and bandage up my guts. I pictured her holding a cigarette for me to smoke while I was bleeding and all” (Salinger 104). This is why Holden can’t talk to Jane; he has created another disjointed image of her in his mind that he uses to rescue himself. Jane saves him; but it’s not really Jane, more likely than not, the Jane in Holden’s head hasn’t existed for years. His image of her becoming more and more warped, and his cowardice in refusing to talk to her, show Holden’s inability to reconcile the past, his childhood, with the present: the fact that he and others around him are growing up. [ADD SOMETHING HERE?]

Holden Caulfield, the protagonist in J.D Salinger's The Catcher in the Rye, has had great difficulty interacting in a productive way with people he encounters during the novel. Holden doesn't take responsibility for his actions, he creates excuses for himself after realizing he is failing in school as well as other aspects of his life. His constant use of the defense mechanism, displacement, and blaming other's 'phoniness' for everything bad that happens to him, is intended to protect his own insecurities about what he is going through in his life.

Families play a large role in our world. Sometimes families keep you together but at other times they can tear you apart. The subject of family is a major theme in Khaled Hosseini's extraordinary novel, The Kite Runner and Shakespeare’s well-known tragedy, King Lear. In both of these writings, family is a constant theme that occurs throughout both works of literature. Family relationship is often expressed through the actions of the characters and by what they say. Although Shakespeare’s well-known tragedy, King Lear, has father figures, they do not act very fatherly. Khaled Hosseini’s fiction novel, The Kite Runner has better father figures. This can be proven by examining the different

At the beginning of “King Lear,” an authoritative and willful protagonist dominates his court, making a fateful decision by rewarding his two treacherous daughters and banishing his faithful one in an effort to preserve his own pride. However, it becomes evident during the course of the tragedy that this protagonist, Lear, uses his power only as a means of projecting a persona, which he hides behind as he struggles to maintain confidence in himself. This poses a problem, since the audience is prevented from feeling sympathy for the king. Shakespeare’s ironic solution is to allow Lear’s progressing madness to be paired with his recognition of truth, thereby forcing Lear to shed his persona, and

King Lear, a tragedy by William Shakespeare, is about the delegation of power from the old generation to the young, new generation. Furthermore, the play demonstrates problems that can arise from a transfer made too early, from one generation to the next. A Thousand Acres is a modern retelling of King Lear, that is similar to King Lear, but it is not an exact word for word copy. The overall plot has been retained from King Lear, but some of the minor details have been changed to provide an intriguing new take on the same story. One such change is the fact the story goes from a third person view in King Lear, mostly following King Lear, to a first person narrative from the perspective of Ginny in A Thousand Acres. Ginny is the modern day version for Goneril’s character. King Lear and A Thousand Acres may take place in two different time periods; they both offer comments on the status of women, family relationships, and the natural order of things. The two time periods may be different, one modern day and the other set in the past, however the ideas presented are not that different on a whole. Both works presented share the same common thematic and universal elements throughout.

In King Lear two of the older characters, King Lear and Gloucester, fight with their own sanity not only in the eyes of their hateful children but also from their own view. Lear says this very early on in the play in regards to his sanity “Oh, dear god, don’t let me go mad.” Even very early on in the play Lear foreshadows and maybe even feels his sanity starting to weaken. While Lear and Gloucester deal with issues with sanity their children are taking every vital power position not only in Britain but also in France. Goneril states this in regards to Lear’s credibility “Just because a senile man with poor judgment calls something an insult doesn’t necessarily mean it is one.” Goneril is trying to discredit her father and also gain dominance over him in one statement. As the story progresses the older characters

King Lear's View of Himself "King Lear" is a play all about the cruelty of human nature and the ways in which all people, "good" and "bad", can sin, or be sinned against. Lear is a very difficult character to categorise as either "good" or "bad" as he is both "sinned against" and "sinning". It is also very difficult to use these sins as a measure of his character as they a varying in severity. When we first meet Lear he is in the process of dividing his kingdom into three, preparing to hand it to his three daughters. This is a sin, as according to The Divine Right of Kings, each monarch is chosen by God, and is there fore answerable to none but him.

All texts can be read and understood, interpreted and represented in many different ways according to the views of the responder and their context. Many different interpretations of “King Lear” have been made, each valuing and highlighting different aspects and themes of the play. It is necessary for these interpretations to be made and adapted in order for “King Lear” to have relevance within the context of the society. Each interpretation of the text extracts and concentrates on certain ideas, issues, themes, values of the play, altering the way the play is received amongst audiences and critics.

How does a sixteenth century tragedy play correlate with a modern and horror anthology television series some may wonder? A coven full of murderous witches fighting for survival may seem divergent compared to the Great Britain’s royal family feud. Besides the obvious that both stories have a character name Cordelia, if you take a closer look you will see that not only do some of the characters mirror each other, but the overall themes of the play and television show are more strikingly similar than you can imagine. Despite the major differences, you cannot overlook the resemblances that both the stories harbor.

King Lear by William Shakespeare tells the tragedy of Lear, King of England, who slowly, throughout the course of the play becomes mad and eventually dies. There have been many film adaptations of the play all of which try and remain as close to the original play; however, none appear to keep the same meaning of Shakespeare’s text more than director Richard Eyre’s film version of King Lear (1997). Shakespeare focuses in on each character’s flaws and their contributions to the consequences at the end of the play and although Eyre does the same in his film, he adds minor actions and scenes to the play to give characters of the play a light

King Lear is a character who displays a great deal of anger throughout the course of the play, he often allows his anger to take over him. A lot of things that are said and during the course of the play are due to Lear’s anger which is a leading factor for his insanity. Lear loses his temper during a love test when his daughter does not give the answer that he was looking for, he disowns her calling Cordelia his, “sometime daughter,” (1.1.119) and gives her share of the land to her sisters. This in turn leads to his insanity because in his blind rage he does not acknowledge the sincerity behind Cordelia’s veiled words; unlike her sisters she does not try to flatter her father in order to receive more land, whereas her sisters have their secrets agendas and do not truly love Lear. In addition to this, King Lear is also enraged when the Earl of Kent who is a loyal follower of Lear, goes against the banishment of Cordelia and speaks up in favour of the youngest daughter. Lear is livid with Kent going against him and banishes Kent, as well reminding him that, “if on the tenth day