Comparison Of La Boheme And Die Walkure

Musical theatre started in the fifteenth century, in Greece. They incorporated music and dance into their performances, which many were comedy based. Slowly, music and dance was integrated into Roman theatre as well. In the 1700-1800’s, Opera became a popular musical entertainment to the British, French and Germans. They enjoyed ballad operas which included popular tunes at the time with comedy or sentimental plays, such as John Gay’s “The Beggar’s Opera” performed in 1728 (http://www.odl.ox.ac.uk/balladoperas/what.php) Many of these opera’s were mimicked and comic operas with original scores and many romantic plot based plays. Many believe that musical theatre is a descended of Operas, however Operas are actually spoofs of Greek musicals as the artists in the Renaissance Times were trying to bring out Greek music that faded over many years.

Music affects our emotions and has much to do with our everyday lives. Music has always and will be a part of my life. I would have to say that without music there is no life -- something is missing in our lives without music. If there were no music society we would only have people speaking to each other, and there would be no entertainment. The form of musical entertainment that I attended was the opera, La Boheme, composed by Giacommo Puccini and Libretto by Giuseppe and Luigi Illica. The opera took place at The New City Opera on November 10, 2001. La Boheme takes place in 1830, 19th century Paris around Christmas time. This opera tells the tragic love story of a young Bohemian, Rodolfo, who finds a love interest in

In any musical drama, be it opera, oratorio, or even musical theatre, it is possible for a composer to convey the personality of their characters through compositional and musical techniques. Doing so heightens the audience’s understanding of the characters, their motivations, and the relationships between them. Monteverdi, as a pioneer of opera, was one of the first to capitalize on this opportunity to heighten the audience’s understanding of the characters. This is highly apparent in his last opera, L’Incoronazione di Poppea. The music for two of the characters, Poppea and Nerone, is especially well composed to demonstrate personality, and this is no more apparent than in the dialogue which introduces the audience to them, Signor, deh

The key ideas are depicted throughout the transitional piece. These ideas are shown through various images, quotes, police reports stories told by bystanders. The crime committed is talked about within the song constantly and this is also shown in the newspaper article. The audience of the music and also the transformed text is anyone who keeps up with current

By making a contrast between the psychological situations before and after Coss begins to sing, the author suggests that artistic expression is a cure for stresses and fears. The opera changes the tone of this hostage situation from distant and stressful to loving and caring. Listening to the beautiful music has become the path to hope, or a way to escape from the reality. People become gradually unaware of the terrible

The art of the Baroque period was very colorful and dramatic, which translated into the music created at the time. The idea of being very expressive and embellishing in detail would lead to the development of opera. Opera is a dramatic play that is acted out through music. In opera, a soloist must be able to act and sing out the mood of the text or libretto. This expressive singing accompanied by a bass line or basso continuo is called monody. This idea of a new texture would feature the distinction between the high voice that carries one melody and the low voice or bass. The accompanying bass line was played by harpsichord with the addition of a bassoon or cello (Wright 6-3a,6-3b).

Don Giovanni can be characterized as a comic opera due to its indulgence with tragic themes, such as crime and murder, in an astoundingly funny manner. By definition, an opera is an art form in which the composers combine dramatic works with musical scores and libretto or text in theatrical settings. The singing may be either melodic or recitative. Traditionally, operas incorporate most of the typical elements of spoken theatre, including

The Utah Opera was formed not only to perform operas, but to promote and educate the public on operas as well as development of youth for career opportunities in the opera. Their attendances levels are approximately 130,000 residents of Utah and neighboring states and over 70,000 students. The opera’s artists are not under any contract. Opera in general are very artistic and innovative with product sets, designs and costumes.

I just think it was something new that America was not ready for in the 19th century. Composers from Europe began expressing themselves more than usual. They wanted to be individualist and shown extreme interest in nature, death, love, and fantastic which started the maturity of their personal musical styles. Intimacy, one of the subjects, were now talked about in songs. Operas glorify romantic love and started sharing the stories of their relationship. Mostly, the song was about lovers being unhappy and the obstacles of love. This form of art was rising overseas and finally made its way to America in 1825. The allure for opera though was not well receive at first because the people of America preferred more sensible musical entertainment sung

The Renaissance and Baroque era entailed very different characteristics, due to the Renaissance composers writing more freely and being more individual then those of the Baroque era where they followed more ‘rules’ and experimented less. This essay will show the difference in two pieces by different composers, even though they were written less than a century apart.

During the Baroque Era, opera performances gained a lot of publicity especially in Italy. It involved a lot of comic dances, which was the main attraction to the audiences. As years went by, the actors came up with high level of costume design, which helped to raise the competition among these works even higher (Meetze). The people held the authors of opera pieces at that time in high esteem, and they remained influential individuals in the society.

This work was composed during the Classical period, 1750- 1820. One aspect of the classical music style beign applied to this work includes the reoccurance of two or more contrasting themes. Another is the use of short and clearly defined musical phrases. Lastly, this piece, on a purely musical level, was simply more to hum along to. This type of melody took over the complex polyphony of the Baroque period.

Oratorios were composed with this genre a lot. They were kind of like an opera but less musical-theatre-like and were strictly concert pieces. They involved an ensemble, choir and soloists for the music, but also contained characters. Though usually there is little to no interaction between characters. Oratorios often dealt with religious matters whether that be about the bible and god or even the lives of saints.

Opera is the combination of drama and music. Like drama, opera embraces the entire spectrum of theatrical elements: dialogue, acting, costumes, scenery and action, but it is the sum of all these elements, combined with music, which defines the art form called opera.

The return to the home key can be seen as a relief from the “dissonance” produced by the passages of second themes in E major and b minor. Yet, the tonality on G major is not distinctive enough to induce a home-returning emotion in the listeners. Therefore, the composer restated the opening of the first theme in G major and continues with arpeggiando passages (Fig. H) (mm.288-295) establishing the dominant of the home key. The coda (mm.295-324) consists only