Comparison Of Oedipus The King And Antigone By Sophocles

“Your temper terrifies them” (Sophocles 222). In Sophocles’ tragedy “Antigone”, Creon, the obstinate king of Thebes, embodies the stereotypical monarch. Ancient Athens, where Sophocles called home, used plays to educate their audience and persuade them to think a certain way; thus, Sophocles wrote of the struggle between Creon, and his son, Haimon, from the perspective of a member if a democratic government. Sophocles sought to influence his audiences political beliefs by creating the character Creon, the King of Thebes’, whose power hunger and temper makes monarchies appear absurd; however, strengthening stereotypes as a political weapon did not cease in Ancient Greece. In the past century, American screenwriters have

Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who

Saint Augustine once said, “It was pride that changed angels into devils; it is humility that makes men as angels” (Saint Augustine). In the human brain, one’s pride can quickly switch to arrogance. It was King Creon’s own pride that ruined everything he ever loved. Thinking he was superior to those surrounding him, he ignored advice and criticism. He never let himself feel that humility and was blinded by the fact that he was nothing but correct. It was the citizens under his rule that were thinking incorrectly. The tragedy of Antigone begins once King Creon takes the power of the kingdom, Thebes, replacing Polyneices and Eteocles. He expand his rights as ruler by declaring Polyneices a traitor and denies him the right to a proper funeral. Out of rebellion, Polyneices’

Sophocles was a greek poet known for his greek tragedies, stories and plays popular all across Greece, and even have a strong influence on today’s culture. Tragedies, which was such a large form of amusement that men who were actors could get out of military service at the time. Sophocles is prominent for his plays: Ajax, Antigone, The Women of Trachis, Oedipus the King, Electra, Philoctetes and Oedipus at Colonus. Despite the many plays he has made, the ones being distinguish here are Antigone and Oedipus the King. Antigone and Oedipus were tragic heroes. It is beneficial to know that Oedipus is Antigone’s father and sibling due to him unknowingly marrying his mother, Jocasta, and killing his own father Laius, committing

Teiresias: “You’ve thrown down to those below someone from up above- in your arrogance you’ve moved a living soul into a grave, leaving here a body owned by god's below- unburied, dispossessed, unsanctified.” (Lines 1196-1200). Teiresias has given Creon insight on how he drove his fate to its edge. In Antigone by Sophocles, Creon is portrayed as a tragic figure who functions as a tool for suffering because he had brought a series of unfortunate events to those who were close to him by not allowing his emotions to surpass his overwhelming power and taking drastic actions towards Antigone and Haemon leading to unwanted deaths.

Greek theater encompassed many aspects that reflected the moral values and ideals of society. Their customs were tightly woven into the scripts of plays. Antigone and Oedipus the King, two renowned works of the Greek playwright Sophocles, explore these values through a plot thick with corruption, virtue, and determination. These plays reveal the burdens two Theban kings, Oedipus and Creon, as their lies and poor judgment corrode the integrity of their city, their families and themselves. Possessing a strong faith in their respective gods, the characters of these Greek plays are often led astray as they try to escape the twisted hand of fate, further warping their perception of reality. As their vain

King Creon’s tragic flaw is hubris. He does not listen to advice given to him by the blind prophet Teiresias. When Teiresias tells Creon, “Give in to the dead man, then: do not fight with a corpse- what glory is it to kill a man who is dead? Think, I beg you: It is for your own good that I speak as I do. You should be able to yield for your own good” (Antigone 36-40). King Creon does not like the fact that the prophet believes he is wrong and should do what everyone else has so far advised him to do. He accuses Teiresias as giving him such a prophecy because of bribery from others and a hunger for gold. Hubris is also revealed from King Creon in Scene III. Creon’s son, Haemon, tells Creon that the people of Thebes believe they have never seen a girl die such a shameful death and that the people live in fear of Creon. Haemon tells Creon he also believes Antigone should have been allowed to bury Polyneices and should be set free. King Creon responds with, “You consider it right for a man of my years and experience to go to school to a boy?” (Antigone 95-96). This shows that Creon does not believe a man of such age, “wisdom”, and “experience” should listen to anyone or change because of anyone else’s

Though the choices that Antigone and Creon face in Sophocles’ Antigone differ, their decisions often end up pitted against each other’s, inviting comparison. Since I am juxtaposing the characters’ degrees of rightness, I believe that the rightness of the reasoning, not just their ultimate stances, should be examined. The entirety of his or her argument, not just the conclusion, must be taken into account. I’ll also note that my perspective of rightness could and does conflict with that of the gods in Antigone and Sophocles. Furthermore, “rightness” has an element of nuance to it because of the word’s multiple definitions and their connotations.

plague of Thebes, a historical epidemic in Sophocles' Oedipus Rex." Emerging Infectious Diseases, 18(1): pp. 153-157. Web. Retrieved from: http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3310127/. [Accessed on 24 September 2012].

The tragedies of Antigone and Othello were written with great depth and are structured in such a way that both characters are victims, in spite of their crimes. Antigone and Othello are tragedy plays created by using many techniques to create the feelings of fear and pity. There are differences and similarities in characters, action, and themes between Antigone and Othello.

Power is like a virus, once it gets to one’s head, they’re corrupt. In Sophocles’ Antigone, both of Antigone’s brothers killed each other at war for the throne of Thebes. Creon, the new king, only honors and buries one, Eteocles. Creon bans anyone from burying the other brother, Polyneices but Antigone decides that she will in order to honor her brother. Creon gives two speeches, one about how he’s going to rule and how he forbids anyone from burying Polyneices, and another about bribery and how money corrupts people. He says that money is the reason someone has betrayed him by burying Polyneices. In Antigone, Sophocles uses the characterization of Creon to reveal the negative effects in the development of power.

Sophocles, a famous and renowned Greek dramatist, is the playwright to both the play Oedipus the King and Antigone. Along with Antigone and Oedipus Sophocles had also wrote Electra and Fete. Sophocles wrote many Greek tragedies which are plays in which the main character in the play suffers a tragedy due to some flaw of theirs. An example would be how Oedipus (thinking he is defying a prophecy) murders his father and weds his mother. His flaw was him trying to defy fate if he had not just stayed where he was he would’ve been fine. His works are referred to and taught all over the world in many schools along with colleges; this should give light to how will written his plays are and how

Oedipus was informed by an oracle that he would be the one to murder his father and marry his mother. It is important to know that Oedipus is a descendant of the first King of Thebes and because of this several of his relatives have met tragic deaths by taking unwarranted actions into their own hands. Before Oedipus was born his father Laius was told by the same oracle not to have any children by his wife Jocasta which he did anyway. This was not a situation that originated with Oedipus; it seems that this type of fate is destined to be intertwined in this family’s bloodline.

In Sophocles’ Antigone, and in Euripides’ Medea, the Greek authors take on the topic of justice. Each playwright addresses the issue of injustices suffered by women and the concept of natural law. In both tragedies, the female leads seek justice after natural laws had been broken, but they ultimately break the natural law themselves, resulting in more injustice.

The Greeks considered tragedy the greatest form for literature.  However, the tragic ends for the characters were not ordained or set by fate, but rather caused by certain characteristics belonging to that person.  Such is the case with the characters of Sophocles' plays Oedipus the King and Antigone.  Oedipus from King Oedipus, and Antigone and Creon from Antigone posses characteristics, especially pride, that caused their tragic ends.  As the play progress, other characteristics appear and further add to the problem to such a point that it is inevitable that it will end in tragedy.  Therefore the tragedies were not a result of a plot by the fates, but rather a result of the