Comparison Of Poe And Masque Of The Red Death

For the majority of the play, Prospero holds a grudge on the noble court and revolves around a revengeful personality. Multiple scenes throughout the play contain disbalance in the GCOB due to someone craving to be a king. After Prospero brews up a rigid and eye-opening storm, Miranda finds out it is his “[awakened] evil nature” (1.2.113) that triggered

The Masque of the Red Death, by Edgar Allen Poe, is a story of death and how it is impossible to escape. Though the book and the 1964 movie were very different, they did portray the same message. In both, story and movie, Prince Prospero throws a masquerade ball for all of his high class friends, to let all the others die out, and wait out the Red Death. Though it always ends the same way, death.

In the writings “Masque of the Red Death,” “The Cask of Amontillado,” “The Fall of the House of Usher,” and the poem “Alone,” written by Edgar Allan Poe, there are qualities about them that make them similar. Examples of some of these similarities would be isolation, mood, symbolism and death. All of these similarities are common in many of Poe’s writings because of his personal life. Throughout Poe’s life he experienced the deaths of his mother, adopted mother, and wife due to illnesses (Tuberculosis). Because of these deaths, it effected his style of writing, which is depressing, sorrowful and he goes deep into his feelings.

Poe who wrote "The Mask Of The Red Death" 200 years ago was not talking about modern day Ebola. Modern day Ebola takes up to 3 months to die. Red death kills the people faster then 30 min.

In the short story “Masque of the Red Death” By: Edgar Allen Poe he delivers the theme of age old inevitability of death and futility of trying to escape death, the setting of his story is based during a time when the bubonic “black” plague took over Europe. The black plague was a bacterium that survived in rats and rodents, human beings became infected when they got bitten by the fleas that lived on these rodents and rats; you knew you had gotten infected by several symptoms such as bleeding in the lungs, high fever and delirium but the most outstanding symptom was bubos. Now Bubos are painful lymph nodes that appear usually in the armpits, legs, neck or groin areas, if the infected

In Shakespeare's play, “The Tempest”, Prospero, the main character, is the rightful Duke of Milan. He found refuge on a distant island after his brother, Antonio, seized Prospero’s title and homeland. These events and experiences of being exiled advance character to become isolated and enriched at the same time. As a comic hero, Prospero start off as being frustrated and vengeful due to his separation from his title and homeland, but is later refined due to those experiences.

Prince Prospero does not care for the outside world and leaves them to die at the plague’s hands. Poe details Prince Prospero’s response to the plague with, “When his dominions were half-depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys.” (Poe) Prince Prospero makes no effort to aid his people, instead, isolating himself and his friends to seek protection from the disease. Isolation plays a powerful role here in providing a means of protection that ultimately proves false when the Red Death itself comes into the abbey and all succumb to it. Isolation also serves to prove the failings of self-importance in that no one is above one another. In attempting to shield only themselves, those in the court exhibited a selfish importance that isolation fails to corroborate. Even isolating themselves, Prince Prospero and his courtiers fall victim to the Red Death the same as the rest of the world. As a theme in “The Masque of the Red Death”, isolation does not equate protection and to seek it with a self-important worldview is to bring destruction to yourself. In seeking isolated protection, Prince Prospero is thus exposed in his cowardice and is proven as equal to those dying outside the walls, for he falls victim to the Red Death as well.

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince's luxurious abbey with all the amenities and

the Red Death shows the futile attempts by a prince and his guests of a party,

Throughout the history of literature we see an obvious string of religion connecting most works to the core of their beginnings. From creation stories of tribes, to colonial poems, to the twisted mind of Edgar Allan Poe, there is a connection. Poe’s “The Masque of the Red Death” may not seem to portray the ideas of religion but through close examination, the association will become less cloudy. Poe’s use of symbolism, narrator, word choice, helps readers unmask the idea of religion.

The red death is about a rich prince that thought he could outsmart death with money and ended up dying anyways. The red death is also based on the effects of the black death which killed millions of people in europe during the middle centuries. The red death is a very strange story written by edgar allen poe which describes the red death as being so deadly it kills within an half an hour. The story is very strange often including easy to miss symbolism.

The royal party’s boat is hit by a storm, which is all the doing of Prospero’s magic. He brings them to the island to confront them and perhaps redeem them. This play primarily focuses on the interaction between the characters, and what happens when each is put on trial and faces their own guilt and sin. But there are so many complex issues in this play, one of which is the relationship between Caliban the monster slave and Prospero the enlightened civilized man.

Making use of character Prospero, the author shows how the ideologies of an individual assume a different direction after suffering some of the transformation in the society. As the play kicks off, Prospero’s conduct displays a contradiction from the basic tenets of Christian forgiveness. Depending on his good fortune, the character seizes the opportunity to take vengeance of his enemy. The passage that presents the central focus of the book is one that "Prospero hopes that his plan to

“Prospero, you are the master of illusion. Lying is your trademark. And you have lied so much to me (lied about the world, lied about me) that you have ended by imposing on me an image of myself. Underdeveloped, you brand me, inferior, that is the way you have forced me to see myself, I detest the image! What’s more, it’s a lie! But now I know you, you old cancer, and I know myself as well.” Caliban, in Aime Cesaire’s “The Tempest”

This is most prominent in the character Prospero. Prospero was wronged by his brother, Antonio, who conspired with the king to usurp his dukedom and banish him to the island. In his quest for revenge, Prospero causes a tempest that shipwrecks the royals on the island. He punishes them by providing the illusion that Ferdinand has died in the shipwreck, while Ariel leads him off to fall in love with Miranda. Prospero further threatens the royals with “Worse than any death” (Shakespeare 3.3 95), which causes them to go insane with grief and regret. Prospero’s desire for revenge is evident when he states “Mine enemies are all knit up in their distractions. They now are in my power, [...] Young Ferdinand, whom they suppose is drowned, and his and mine loved darling” (Shakespeare 3.3 109). In his guilt, Prospero becomes sympathetic for the royals, especially Gonzalo, the noble lord who helped him survive the journey to the island. Prospero’s plans change, as he realizes that what he seeks is not vengeance but forgiveness and reconciliation. This is evident when he says “my nobler reason ‘gainst my fury do I take part. The rarer action is in virtue than in vengeance” (Shakespeare 5.1 34). Prospero leads the royals into his magic circle, returns their mental state and forgives all who wronged him. This ultimately leads to happiness and Prospero getting his dukedom reinstated. Shakespeare shows that it is human nature to be controlled by one’s emotions and that once forgiveness is achieved, one can focus on goodness rather than hatred. Need