Comparison Of Roman Fever And The Story Of An Hour

First, Chopin explores situational irony in “The Story of an Hour” by calling attention to Mrs. Mallard’s heart problems. At the beginning of the story, Chopin pens that “…Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death” (547). Knowing of Mrs. Mallard’s heart condition, her family takes great care to tenderly deliver the news of her husband’s death due to the railroad exit. Her family fears the tragic news will send Mrs. Mallard into a frenzy, which would intensify her heart condition. Ironically, the news of her husband’s death does not affect her heart condition, but the news that he is still alive causes the heart attack that kills her.

When a story is used to compare the social and moral standards found in human society, the writer typically adapts either a pessimistic or optimistic stance. Despite the pessimistic outlook, these two short stories, “Roman Fever” by Edith Wharton, and “A New Leaf” by F. Scott Fitzgerald, both successfully accomplish revealing a fact of human moral standards. Of the two stories I believe that “Roman Fever” gives a superior perspective into significant human values however “A New Leaf” deserves to be ranked higher in respect to the thematic message.

“The story of an hour” by Kate Chopin is described as a story of great irony having many unexpected twists and turns. Situational and dramatic irony is used throughout the story. This is a story of a woman who finds out her husband’s death in a train accident and reacts with sadness in the beginning, but then realizes a freedom and relief from her repressive life. She experiences a complete joy over the death of her husband and dies from the shock of discovering that he is still alive. The first type of irony encountered is a situational irony, where there is a contrast between what is expected to happen and what actually happens. Mrs. Mallard’s discovery of her lost freedom and regaining her

Since the beginning of time, women have been treated as second class citizens. Therefore, women were forced to face many problems. Because of this women were repressed. At that time, the Napoleonic Code stated that women were controlled by their husbands and cannot freely do their own will without the authority of their husband. This paper shows how this is evident in the "Story of an Hour" by Kate Chopin and " A Rose for Emily" by William Faulkner. In both stories, the use of literary elements such as foreshadowing, symbolism, and significant meaning of the titles are essential in bringing the reader to an unexpected and ironic conclusion.

Historically, women have been treated as second class citizens. The Napoleonic Code stated that women were controlled by their husbands and cannot freely do their own will without the authority of their husband. This paper shows how this is evident in the "Story of an Hour" by Kate Chopin and " A Rose for Emily" by William Faulkner. In both stories, the use of literary elements such as foreshadowing, symbolism, and significant meaning of the titles are essential in bringing the reader to an unexpected and ironic conclusion.

In Kate Chopin’s “The Story of an Hour” allows one to explore many ironic instances throughout the story, the main one in which a woman unpredictably feels free after her husband’s assumed death. Chopin uses Mrs. Mallard’s bizarre story to illustrate the struggles of reaching personal freedom and trying to be true to yourself to reach self-assertion while being a part of something else, like a marriage. In “The Story of an Hour” the main character, Mrs. Mallard, celebrates the death of her husband, yet Chopin uses several ironic situations and certain symbols to criticize the behavior of Mrs. Mallard during the time of her “loving” husband’s assumed death.

Charlotte Gilman and Kate Chopin were contemporary authors who were a product of their times. They wrote during the abolitionist movement, during the times when the gender roles were clearly defined and where women were given their specific roles and given a space within which they were expected to live and perform their duties. Although they had their freedom, the women of that time, especially white women in the upper middle class society were not completely free. Their position in the society and standing in their social circles was entirely dependent on their husband and in a way they were trapped in their marriage, slaves to the customs of the time. Gilman in her work, ‘The Yellow Wallpaper” and Chopin in “the Story of an Hour” talk about this situation, the protagonists in their stories trapped in

Kate Chopin’s “The Story of an Hour” is the liberating yet tragic tale of Louise Mallard. It is about Louise Mallard finding independence after hearing news of her husband’s supposed death, and later suddenly dying upon his return. In the story, Chopin does not express the true reason for Mrs. Mallard’s abrupt death, but few insights throughout the narration give indication of the actual reason. The last sentence tells that the doctors said “she had died of heart disease—of joy that kills” (217) which is ironic in the fact that Mrs. Mallard did die of heart disease, but it was not the arrival of joy, but rather the loss of it that caused the imminent end of her life. During the course of the time Mrs. Mallard spends in her room reflecting on her husband’s death, we observe as she goes through different stages of self-discovery: from a grieving widow, to the forbidden satisfaction of her newly found freedom, and ultimately to the acceptance of her situation which elates her as she descends the staircase with her sister in her final moments.

Kate Chopin’s The Story of an Hour is a brilliant short story of irony and emotion. The story demonstrates conflicts that take us through the character’s emotions as she finds out about the death of her husband. Without the well written series of conflicts and events this story, the reader would not understand the depth of Mrs. Mallard’s inner conflict and the resolution at the end of the story. The conflict allows us to follow the emotions and unfold the irony of the situation in “The Story of an Hour.”

The short story, “Roman Fever” illustrates the shocking relationship between two women, Mrs. Ansley and Mrs. Slade, by a chance meeting in Rome. As the story opens the two women are sitting on the terrace of a Roman restaurant that has an astonishing view of the Colosseum and other Roman ruins. While the women sit in silence and enjoy the tranquil view from the terrace they notice their daughters down below running off to spend a romantic evening with two young men. This triggers Mrs. Slades memories of her and Mrs. Ansley’s quixotic adventures in Rome as young adults and their first encounter with “Roman fever”. Wharton uses the term Roman fever to illustrative the women’s past relationship that is embedded with destruction,

“Roman Fever” is a short story written by Edith Wharton in 1934. The story is about two old friends Alina Slade and Grace Ansley reconnecting. Alina and Grace run into each other while on a trip to Rome with their daughters. The two women grew up in Manhattan and were childhood friends. A romantic rivalry led Alina to get feelings of jealousy and hatred against Grace. In the first part of the story, the two women talk about their daughters and each other's lives. Eventually, Alina reveals a secret about a letter written to Grace on a visit to Rome long ago. The letter was addressed from Alina’s fiancé, Delphin, inviting Grace to meet at the Colosseum. Alina had written the letter, to get Grace out of the way of the engagement by disappointing her when Delphin didn’t show up. Grace is upset at this revelation, but reveals that she was not left alone at the Colosseum. She had responded to the letter, and Delphin went to meet her. Alina eventually states that Grace shouldn’t pity her because she won by marring Delphin while Grace had nothing but a letter Delphin didn't even write. Then, Grace reveals that she had Barbara, Grace’s daughter, with Delphin. “Roman Fever” uses a lot of dramatic irony and has many events that contribute to thematic conflict. Wharton uses the letter Alina writes to Grace to trigger all the deception between them, which shows readers that when people are being deceitful with one another nobody wins. Alina sends the letter to Grace to get her out of the picture, but it gives Grace the chance at Delphin that she wouldn’t have gotten otherwise, and Grace takes advantage by writing back to Delphin without Alina’s knowledge. Both characters are keeping secrets about their relationships with Delphin and they both think that they won when neither of them did.

“Roman Fever”, written by Edith Wharton, is a short story with an unpredictable ending. Two “middle aged” widows, Grace Ansley and Alida Slade, have come across each other unexpectedly in a Roman restaurant. The outcome of envy and jealousy on each other began with wanting to conquer one man, Delphin Slade. A conversation has begun once the daughters “leave the young things to their knitting”, later leaving the reader astonished (Wharton 1). In “Roman Fever”, the strained friendship results from the envy and jealousy of one another.

Roman Fever" is an outstanding example of Edith Wharton's theme to express the subtle nuances of formal upper class society that cause change underneath the pretense of stability. Wharton studied what actually made their common society tick, paying attention to unspoken signals, the histories of relationships, and seemingly coincidental parallels. All of these factors contribute to the strength and validity of the story of Mrs. Slade and Mrs. Ansley.

Kate Chopin, a writer in the late 1800’s, focused on women’s rights and freedoms. In Chopin’s short story, The Story of an Hour, she uses Irony to convey the connection of emotional, physical and psychological freedom for the main character Mrs. Louise Mallard.

The plot of Edith Wharton’s novella “Roman Fever” is straightforward with a consciously casual setting. Words in Wharton’s work are careful and calculated, each paragraph requires an in-depth scrutiny of content from their original context. In ways “Roman Fever” encourages readers to dig through the advanced syntax in search of the conveyed messages. Hence, the story focuses mainly on Mrs. Ansley's knitting and its significance in the novella. When the author addresses Mrs. Ansley's "twist of crimson silk"(69), the descriptive imagery is intentional in the sense that knitting symbolizes Mrs. Ansley and Mrs. Slade’s relationship and foreshadows the dramatic revelations later in the story. The use of frame story to structure the narrative of their ill-matched friendship illustrates the author’s intent to invoke thought and ideas in the reader's naïve minds. Thus, although knitting is an unconscious habit of Mrs. Ansley, it is actually significant because it is an attempt to weave back the disrupted relationship between the two friends. Hence, knitting as a “crimson” alludes to the intensely passionate love and closure that blinds the two from truly understanding each other and gives a glimpse of the unstable nature within the upper middle class in society.