Essay on Comparison between Jan van Eyck and Fra Angelico

His most famous portrait is The Arnolfini Portrait. His most famous religious painting is called The Adoration of the Lamb and it is a panel painting. Van Eyck created different signatures and inscriptions that he wrote on his paintings. This made his paintings more memorable and left no question as to who painted them. Van Eyck’s artwork is

the Renaissance, the first period, emerging as a distinct style in Italy in about 1400, in parallel with developments which occurred in philosophy, literature, music and science. Renaissance art, perceived as a royalty of ancient traditions, took as its foundation the art of Classical antiquity, but transformed that tradition by the absorption of recent developments in the art of Northern Europe and by application of contemporary scientific knowledge. Renaissance art, with Renaissance Humanist philosophy, spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. Renaissance art marks the transition of Europe from the medieval period to the

Jan van Eyck was born during c. 1935 in Maaseik, Bishopric of Liege, the Renaissance period. He had a sister Margareta, and at least two brothers, Hubert (died 1426) and Lambert was active between 1431 and 1442 (Both of them were also painters). Yet the order of their births is not known. Another significant, and rather younger, painter who worked in Southern France, Barthélemy van Eyck, is presumed to be a relation. It is not known where Jan was educated, but he had knowledge of Latin and used the Greek and Hebrew alphabets in many of the inscriptions, indicating that he was schooled in the classics. (From Wikipedia) The first ever record of Eyck is from the court of John of Bavaria at The Hague, where payments were made to Jan van Eyck between 1422 and 1424 as court painter, with the court rank of valet de chambre. This suggests a date of birth

The intellectual and artists flowering in Europe during the fourteenth, fifteenth, and sixteenth centuries sparked by a revival of interest in classical antiquity.

The rectangular pattern of the tiles in back of the Italian Renaissance painting underlines the geometric arrangement of the figures in the foreground and the background. All of the images of the people look carefully 'placed' by the artist. Not only was interest in classical era sculpture and architecture revived during the Renaissance in Italy, but also interest in math and science, and the near-mathematical precision of the painting reflects this fact.

Italy was considered the birthplace of both the Renaissance, specifically the Artistic Renaissance. The Renaissance was a period of rebirth (14th to the 17th century) of learning classical knowledge, which then went more specifically into the formation of ideals and thoughts such as the focus on man and their achievements, man being fundamentally “good”, the use of measurements and science in art and the overall shift into what is more appearance oriented as well as somewhat of a realistic art style. These ideals of the Renaissance were presented through the work that artists of this period were producing.

After looking at the Italian and Northern Europe Renaissances, one can see the many similarities between the arts and cultures, but the differences of these cultures are not

"The Renaissance was a rebirth that led to new ways of thinking in the sciences, philosophy, and architecture, as well as painting and sculpture" (Spence 6). This period of European history, beginning in the fourteenth-century, saw a renewed interest in the arts. It has been characterized by

Before there was a rebirth in Europe, there was instability that resulted into deaths, famine, and destruction. Therefore, the renaissance played a crucial role in Europe, specifically in Italy. The renaissance would be defined as a cycle where Europe practiced a rebirth of antiquity based on the Greeks and Roman culture. For instance, the people of Italian Europe studied religion and the Northern people established several teachings of learning on topics of technology, philosophy, and science. Wherefore, the social status of artists changed since advanced ideas of art was always available in Europe l throughout the Renaissance. This had an impact on the church to be more stabilized because of how their power was drained in the past. In addition,

     The style and the form of these two paintings reflect the development of the artistic techniques during the Italian Renaissance. While both reflect a Biblical theme with a central focal point of the Madonna and Child, “Madonna Enthroned” has a key image that is best viewed from a central position and “Madonna and Child…” has a greater degree of importance over the majority of the surface of the canvas. In “Madonna and Child…” the viewer does not perceive that an image is being forced upon them as is found in the work by Giotto. A use of light and space is also key to preventing the Puligo piece from being “forced”, where the organization of distance visibly removes the viewer from “Madonna Enthroned” while drawing the viewer into the painting in “Madonna and Child…”. Color also serves a similar purpose, where Giotto’s work is monochromatic but ocher while Puligo’s work carries a greater expression through the detail involved.

During the renaissance, Europe went through many changes politically, socially, and psychologically. Most of this change was due to the reformation of the church, and the humanist movement. The humanist movement focuses on revisiting Greek ideas, and the church supported these thinkers, artists, and musicians (Oxford). The church slowly became morphed with politics, to the point where the church was also the law. Different churches wanted to attract new patrons, so they tried to impress others through the use of art and music, and no longer just their words.

During the shift from the middle ages into the Renaissance period new conceptions of the individual and the human mind quickly came to light. Although art in the Middle Ages was centered predominantly on religion and faith, the incoming art of the Renaissance underwent a drastic change. A vast amount of these changes mainly focused on individualism, secularism, and humanism. Following the collapse of the feudal system, thoughts of individualism quickly rose when people realized that they didn’t have to adhere to a specific group.Throughout the beginning of the Renaissance, religious figures and the Catholic Church began to lose authority which conducted in new ideas of secularism. Comparably, humanistic art and notions became preeminent when individuals focused on glorifying the human body, learning more about it and inclined more towards realistic art.

This paper will compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of

The Renaissance was a rebirth of the ideas of ancient Greece and Rome that began in the City States of Italy during the 14th century. The cultural resurgence began a new style of living in Europe after the horrors of the black death, and is seen as the beginning of the culture of the modern world. As Wassace K. Ferguson put in his book The Renaissance, the Italian artists grew tired of the darkness of Medieval Times and began to turn to the brighter times found in the classical ages (Doc 7). The Renaissance served as the evolutionary bridge between the Middle Ages and the 17th century through art, education, and religion by bringing a rebirth of the ancient Greek and Roman classics that would later define the world’s culture, while continuing the underlying beliefs of Medieval Times.