Comparison of Babylonian Art vs. Egyptian Art Essay

Ancient Egyptian art and Ancient Near Eastern art share the distinguishing characteristic of hierarchy position with the rulers presenting how significant they are in the art. The most similar pieces of art that best showcase this is the Near Eastern piece Stele of Naram-Sin and the Ancient Egyptian piece Palette of Narmer. Both pieces have Naram-Sin and Narmer significantly big on the hierarchy scale to show how important they are in the art piece compared to the other individual figures.

Although Mesopotamia and Egypt have some things in common, they are different in many ways. Mesopotamia did not have as many people as Egypt did. Also, Egypt had specialized workers that are called the wealthy landowners. Mesopotamia did not have any specialized workers that were wealthy. Mesopotamia and Egypt had different types of specialized workers.

A formal analysis, contextualizing, and compare and contrast of the Egyptian sculpture of Isis nurturing Horus and the Byzantine icon, The Virgin of Vladimir

Known as one of the earliest civilizations, Mesopotamia and Egypt both share set amounts of similarities along with a share of striking distinctions. Environmentally, these two civilizations were formed in similar surroundings, yet their weather patterns show distinctions. Politically, both governments derived from a monarch, yet their laws and punishments distinguished the two’s court systems. Economically, they both shared prosperous success in similar manners. Socially, although the two lands followed a hierarchy, the value of women contrasted. Culturally, they both believed in a higher order of creation; however, their views of them were polar opposites. Intellectually, these two societies developed skilled abilities and creations that

The artworks of Ancient Mesopotamia and Ancient Egypt are both strikingly different and similar at the same time. Consistent is the theme of serving the different gods the two cultures believed in. In Mesopotamia the various city-states each had their own protective deity, and in Egypt they sometimes differed from one dynasty to the next. Whatever the case, with the beginning of kingdoms and rulership came the need to justify a position of power and establish a hierarchy. And as more time passed came also the human need to leave an impression on their world. Looking at the example of the statues of Gudea from the Neo-Sumerian period and the Temple of Ramses II from the New Kingdom of Egypt in the 19th dynasty, will show how both rulers of

Just by looking at the image, there is a lot of empty space that is surrounded in the back ground. In that way, we would not pay attention to the background but the tension in the scene instead. Basically at first glance, there is a depiction of purity and grace on the beautiful oil master piece.

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

The setting is around 3000 BCE, surrounded on all sides by vast, arid deserts, steep cliffs, and extensive bodies of water. And, in these massive deserts civilization exists; there are grand, shining empires, pillars of humanity. Ancient Egypt and Ancient Mesopotamia, both known as cradles of civilization, were hosts to some of the greatest ancient kingdoms of mankind. These empires shared a number of common practices due to similar geographical settings, but likewise they were different in their structure, customs, and views. The ancient civilizations of Egypt and Mesopotamia shared many similarities; however Egypt was more prosperous economically, established a superior, unwavering political structure, and possessed more unified and content religious views.

When comparing two forms of artwork, it may be quite difficult to tell them apart. And when those artworks are thousands upon thousands of years old, it certainly does not help the issue. When looking at both Egyptian and Sumerian art, there is certainly a resemblance to some degree. Both are from before our time, and both express the beliefs and culture of their respective lineage. But if you delve deeper, you can certainly start to see a difference. Egyptian art is known widely for its hieroglyphics, while Sumerian art may be seen as focusing more on the naturalistic views on the human form. Both these cultures deserve the utmost respect, for their artwork to survive through the millenniums as they have, we can only give credit

This rich history inspired renditions of the goddess in many styles and forms. The two major works that will be focused on here are the Egyptian relief necklace charm of Menat of Taharqo: the King Being Nursed by the Lion-Headed Goddess Bastet and the Egyptian free standing Statuette Bastet. Both works are on view at The Metropolitan Museum of Art in New York City. (aslo known as “The MET”)

The Bust of Queen Nefertiti, which was created in 1340 BC by an unknown artist, is perhaps the most famous depiction of the Queen during her reign. The bust, being held at the Egyptian Museum in Berlin, shows an important connection between the artist and the queen herself

In this formal analysis, the subject is the wall painting Queen Nefertari and Isis, located in Nefertaris’ tomb. The painting shows the ancient Egyptian Goddess Isis “leading” the Queen by the hand. Nefertari lived around 1300-1255 BC and was the first and exclusively claimed wife of the Egyptian pharaoh Ramses II.

The piece is a red-figured, wine bowl that is attributed to the Niobid Painter. It was made in Athens, Greece around 460-450 BC, and found in Altamura. Puglia, Italy (British Museum). There are two scenes on top of one another that occur in the piece. The top scene is the creation of Pandora. She is standing rigid while five of the gods are standing around her. Athena is about to put a wreath on her head. The scene below displays a frieze of dancing and playing satyrs. Because the vase is round it isn’t possible to see all the figures in the piece. But looking at the piece from the front, six gods are portrayed in the top scene. The gods in the scene from left to right are: Zeus, Poseidon, Athena, Pandora, Ares, and Hermes. The gods in the piece are identifiable because of distinguishable traits that certain characters

The subject of the artwork is Nefertiti, who was the wife of Akhenaten. In addition to being a wife, Nefertiti was also a queen of Egypt. Nefertiti is posed in a very graceful stance. She looks very calm and put together. Due to the curvature of the very elongated neck, the Bust of Nefertiti is poised into a relaxed pose, while maintaining her eternal beauty at the same time. These features are also noticeable when moving the focus towards the eyes, which are slightly closed enough to see her eyelids in addition to her actual eyes. Her eyes are composed into a very natural state; they aren’t widened as if they are portraying a specific facial expression. Her entire face has a peaceful and very naturalistic look. Although often times portraits in Egypt were made to be exaggerated and never depicted what the person actually looked like, this piece

The first painting was created by Jacques-Louis David while he was imprisoned in Luxembourg Palace for supporting Maximilien Robespierre around the time of the French Revolution. The painting is based around an incident that took place around the early history of Rome, and in the painting a group of women are shown trying to separate Sabine and roman soldiers. The other painting, “Massacre at Chios,” depicts the massacring of Greek civilians at the hands of ottoman troops during the Greek war of independence in 1822. The third painting, “Guernica,” represents the chaos that resulted from the bombing of a town in Spain that shares the same name as the painting, at the hands of German Luftwaffe forces. In this painting Picasso uses abstraction to depict the massacre and perhaps to leave the deeper meaning up for the viewer to figure out on their own. As for all three paintings, they are all based around the theme of innocent people getting caught between the conflicts of groups of people, and of course the disaster that resulted. Another thing that makes them similar is that the paintings were also influenced by a conflict that was occurring at the time of their creation such as the French revolution for J.L. David’s painting, the massacre that occurred at Chios during the Greek war for independence in 1822 for Delacroix’s painting, and the bombing of the town of Guernica by Nazi air forces for Picasso’s painting. The way in which they are all different is in what the paintings were inspired by and the style that was used to portray a message or reference something that the painter had in mind. In J.L. David’s painting it was his imprisonment during the French revolution and the French’s desire to restore ancient roman values into civilian life that inspired David to paint “The Intervention of the Sabine Women.” As for Delacroix, his painting is different because he