Comparison of Baroque and Rococo Styles

1561 WordsApr 10, 20127 Pages
HUM – 121 March 5, 2012 Comparison of Baroque and Rococo styles Introduction Premises and characteristics of Baroque Caravaggio's Amor Victorious Emergence of Rococo Boucher's Nude on a Sofa Comparison of Baroque and Rococo styles Bibliography There have been different artistic peaks throughout the history of humanity influenced by specific social, political or religious situations of the time. Those peaks shaped by certain styles had an important impact on art as we know it today. One of the most recognized styles of art of seventeenth and eighteenth centuries in Europe were Baroque and Rococo styles.…show more content…
After Louis XIV died in the year 1715 the social situation in France somewhat change. Political life and private morals relaxes as five years old Louis XV comes to throne. Many aristocrats move from the court of Versailles to Paris. Reaction against the formal style centered at Louis XIV Versailles provide basis for a new style to develop. Baroque designs that were in style before, gave way to lighter elements with more natural patterns. Rococo reflected the new taste for more delicate decoration for smaller, more comfortable interiors of town houses in Paris. First as interior decoration and design Rococo style would later expand and influence the other parts of art. It also spread around the Europe but its acceptance was tied to religion and class. First, Rococo style appears in interior decoration and design. It took pleasure in asymmetry by leaving elements unbalanced. Design elements as ornaments, leaves, flowers and curving lines were used to decorate the walls and ceilings and would made them look like fleeting illusions. That taste was new to European style. Though Rococo originated in the decorative arts, the style showed clearly in painting. Painters used delicate colors and curving forms, decorating their works with myths of love. The soft colors and elegant forms, provided a perfect accompaniment to the Rococo interiors for which they were intended. The asymmetrical compositions, pastoral landscapes and aristocracy in
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